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Observation Records of My Fiancée: The Misadventures of a Self-Proclaimed Villainess, Vol. 2

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By Shiki and Wan Hachipisu. Released in Japan as “Jishō Akuyaku Reijō na Konyakusha no Kansatsu Kiroku” by Regina Books. Released in North America by Hanashi Media. Translated by Ethan Holms.

I realize that, given that most of the Bakarina fans I follow are mostly interested in the lesbian side of the polycule, this may not sound like that much of a recommendation, but it is: if you read My Next Life As a Villainess and wondered what the series would have been like if it were ENTIRELY narrated by Jeord, then this is the series for you. Bertia is the villainess, and her actions are sort of what drives the first book, but by the second book she’s become a supporting character in her own series. Cecil, on the other hand, remains fascinating, continuing to try to grope his way towards figuring out why it bothers him so much that Bertia keeps shoving him towards the heroine and insisting on her own doom, and also what in the world this “otome game” is in the first place. His growth, and emotional opening up, is the main selling point of these novels.

Cecil is in his final year of school, and Bertia in her first year. Unfortunately, Heronia is there as well, and is still being the worst heroine ever, trying her hardest to prove that Bertia is evil despite Bertia… well, ALSO trying to prove that she is evil, except she remains sweet as pie, so that’s not working. Bertia’s biggest danger is gaining weight, as everyone likes her so much they keep giving her sweets. Meanwhile, Cecil is still trying to figure out what his feelings for Bertia are, even as he really, REALLY knows what his feelings for Heronia are: he wants nothing to do with her. Things come to a head at the graduation party for Cecil, where Heronia presents her “proof” of Bertia’s evils, and when this fails, decides to simply go for death from above.

The second half of the book really digs into the otome game aspect of this world, and I appreciated that, while Cecil was initially baffled as to why Bertia would be doing any of this, when it’s all laid out for him he totally understands. In a world in which Bertia was normal and not, y’know, the girl who wants to be knocked down and go “gah!”, Cecil would never find anything that would fill the dull void in his life. The routes are laid out so that, when the heroine tries for anyone OTHER than Cecil, it’s a happy ending of sorts, but there’s war and death. When the heroine ends up with Cecil, there’s peace. THIS, more than anything else, is why Bertia has been doing all this: she wants a safe and happy world. And this Cecil, who readily admits the only thing keeping him from being a possible nightmare is her, agrees with her.

The series ends with this volume, though there is a three volume sequel that we may see someday showing Bertia as a wife and mother. That said, Bertia is not the reason to read this. I really liked Cecil as a tin man trying to locate his heart, and am happy I read this.

Lady Bumpkin and Her Lord Villain, Vol. 2

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By Ageha Sakura and Kurodeko. Released in Japan as “Imokusa Reijou desu ga Akuyaku Reisoku wo Tasuketara Kiniiraremashita” by Overlap Novels f. Released in North America by J-Novel Heart. Translated by Vasileios Mousikidis.

I try not to take these books too seriously. Most of the authors don’t want me to get too deeply into the politics, and I try to say “it’s just a book, I should really just relax”. At the same time, well, I have to say more in these reviews than “looks good apart from the homophobia at the end, I’ll read more”. And so… man, these villainess books really want to have their noble cake and eat it too, don’t they? Lady Bumpkin’s first volume showed that she was abused by her family, not uncommon in series like these. Now, in the second book, we discover that apparently young women being whipped by their families to ensure they grow up properly is a THING that happens in this country. The nobility in this book are 80% terrible. But the 20% who aren’t are going to save the day. As for the commoners? Well, there’s Robin, the villain. And, erm, Agnes’ maid. Nobles may be evil, but god save the king, I guess.

While Agnes and her husband are making the best of things in their remote territory, all is not well back at the capital. Mia is jealous of everyone who comes near her lover Robin, and that’s because Robin has been seducing ladies left, right and center, and then the ladies get disowned when it’s discovered. One of these ladies is Liliane, the fiancee of Torre, a knight who ends up becoming Agnes’ bodyguard. It seems the princess and her lover don’t actually like each other that much. Back in Sutrena, Agnes is discovering that her magic may be far more powerful than had previously been expected, and Nazel is discovering that there’s a lot of corruption out here as well, which is perhaps helping the increased monster attacks along. All this culminates in Nazel having a young lady try to kill him… the aforementioned Liliane.

So yes, as with many series of this sort, being of noble blood is inherently a good thing, and nobles are of course the best to rule. (Sarcasm implied.) But when you turn selfish, arrogant, or downright evil, you become the BAD sort of noble. And I have to admit that the contrast between the two sat awkwardly with me. The King has a plan to oust his wife and daughter, but he’s in a weak position, so has to do it over the course of years, mostly by letting it happen. There’s slavery in this world, though offscreen, and illegal. The women who aren’t sold into slavery all end up as maids in Agnes’ mansion, because they are “sullied’ in the eyes of their family, I assume. This is contrasted, bizarrely, with Princess Mia, who after the fallout is exiled to a remote island, where after a year or so of whining proceeds to buckle down, admit she loves reading and studying when Nazel is not around her, and ends up revolutionizing the prison island. It *does* make sense for her character to an extent, but the tonal whiplash made my neck ache.

I also genuinely wanted Robin executed, and his punishment and threat of prison rape did not sit well with me either. Agnes is the best part of this, and I’ll read more, I just the the world she lives in.

Saving 80,000 Gold in Another World for My Retirement, Vol. 7

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By FUNA and Keisuke Motoe. Released in Japan as “Rōgo ni Sonaete Isekai de 8-Man-Mai no Kinka o Tamemasu” by K Lanove Books. Released in North America by Kodansha Books. Translated by Luke Hutton.

(A reminder that the English Vol. 7 is the equivalent of the Japanese Vol. 8.)

All of FUNA’s series tend to suffer from the same issue, which is that there does not seem to be a goal other than “have cute overpowered girls do fun stuff”. I Shall Survive Using Potions had an obvious end point, but timeskipped past it and started over again. Make My Abilities Average had an even more obvious end point, so moved the main cast to a different continent to do the same old stuff. Mitsuha has also done the continent – or at least country – hopping thing, and we’re a couple volumes now into her antics in this new country. And… it’s gotten a little boring? Most of Mitsuha’s out of nowhere powerful moves are not a surprise anymore, and her tendency towards, if not sociopathy, than at least a sort of apathy, are also less than surprising. Mitsuha is in a rut. Fortunately, we may see a way out – but I’m not confident the author will take it.

This is a book of two halves. The front half is sort of a series of short stories. We see Beatrice glom onto Mitsuha for a trip to Bozes County, where she finds that she’s not Mitsuha’s number one friend, or even number two, and this upsets her. Then Neleah, the third princess in Vanel and part of Mitsuha’s social group of girls, uses her makeup connections to blow away the competition… though she unfortunately finds she can’t then run away for seven years till the fuss dies down. Mitsuha is forced to attend another party, and struggles with being the center of attention. The second half of he book, meanwhile, has Vanel going to war with the country two nations over, Noral, and Mitsuha struggling to help out the country she has a financial and emotional investment in while not helping them so much they get arrogant.

The most interesting parts of this book feature Mitsuha briefly having an attack of melancholy or sense. She meets at one point with her friend Micchan (this is a Japanese friend, not the Vanelian noble), who is home on break from college, and comes to realize that as time goes on they’ll likely see each other less and less. She briefly muses on the fragile nature of friendships over time… then says “well, whatever” and goes back to her shtick. There’s also an increasing sense that she is losing control of her many balls that are in the air. Beatrice has already realized that she’s keeping things from her. Sabine has almost entirely figured out everything about Mitsuha’s powers except maybe the divine interventoin. And a lot of people on both Earth and her isekai’d land are figuring out she can teleport, and where she’s getting her infinite goods from. There’s a reckoning coming…

Except there isn’t, this is written by FUNA. I expect more wacky antics next time. But hey, when all you have is cute tweens, every light novel starts to look like a nail.