Otherside Picnic, Vol. 9

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By Iori Miyazawa and shirakaba. Released in Japan as “Urasekai Picnic” by Hayakawa Bunko JA. Released in North America by J-Novel Club. Translated by Sean McCann.

It’s been about nineteen months since THAT volume of Otherside Picnic came out over here, and let’s be honest, the wait was excruciating. We all wanted to know what would happen next? What we got, as usual with the series, was three interconnected chapters tat also function as short stories. The “horror” part comes at the start and near the end, and it does a pretty good job, even though I’m never going to be one of those folks reading this series for the horror. The actual plot comes in the second half, where we bring Runa back into the series as more than just a cameo, and reintroduce the eccentric Tsuji, who I am suspecting might be the next major antagonist but I could be wrong. The rest of the volume is very strong. But yeah, I’m going to be talking about the middle chapter, which left me grinning like an idiot and jumping up and down in happiness.

But first, a recap. In the first chapter of this volume, Toriko and Sorawo go to the Otherside (its only appearance in this volume) to check on Todate and Hana, as after Sorawo’s Toriko-infested Otherside experience from the last book she’s worried about them. She’s right to be worried – this is the really scary part of the book, though not without its heartwarming, in a weird way. I the second story, Sorawo and Toriko head over to Kozakura’s mansion to inform her that they’re now a couple, and Sorawo struggles with the fact that everyone wants her relationship to be more romantic than she’s comfortable with. In the final, longest chapter, Migawa asks Sorawo and Toriko to help instruct soldiers from their facility on how to deal with Otherside terror, and they bring along Runa (who they are trying to figure out what to do with) and Tsuji (who is now Runa’s minder). Runa has a knack for interior decorating that is kind of cute, and then less cute.

So, let’s talk about that second story. First of all, everyone who enjoyed watching Sorawo struggle with what her relationship with Toriko is will be happy to note that even after they defined it together, Sorawo still hates talking about it with anyone else, as she always senses them making it more normal and ordinary. This fits in really well with Sorawo’s mindset. (The funniest parts of the book are where folks have to explain to Sorawo when she’s seducing people, and Sorawo’s “wut?” reaction to this.) The best part of the book for me, though, was Kozakura. They arrive at her mansion and find it brightly lit, and this worries them. But what it actually means is that she’s moved on and is now in control of her life again. She’s adopted Kasumi which is why the house is bright), and she’s using her degree to make the Otherside safer to think about and study. I wanted to shout “woo hoo!” when I saw this. I’m so happy for her.

Now, is Runa going to be able to have the same journey? Can Sorawo come to terms with the fact that everyone is going to interpret her relationship with Toriko differently? And can Toriko stop all these thirsty women macking on her nue so that she can get in some quality cuddling time? That will have to wait for Book 10, in all likelihood. I loved this book, though.

The Countess Is a Coward No More! This Reincarnated Witch Just Wants a Break, Vol. 2

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By Ageha Sakura and TCB. Released in Japan as “Tensei Saki ga Kiyowa Sugiru Hakushaku Fujin datta” by Overlap Novels f. Released in North America by J-Novel Heart. Translated by Bérénice Vourdon.

This is not an isekai title, and it’s not QUITE a reincarnation title, even though it features that, mostly as they’re not reincarnated from Japan. Everyone in this fantasy world seems to have been born in it at some point. But it is one of those titles, like Reborn to Master the Blade or A Tale of the Secret Saint, where our protagonist was an incredibly powerful and influential person in the past, and now that they’ve reincarnated into the future, they find that their past is not so easy to get rid of. This is more literally true for Lam than others in this genre, as not only was she forcibly reincarnated via a spell, but all of her disciples are there as well. And unfortunately, this gets to one of the parts of the title that I wish weren’t the case… all of her disciples are, to one degree or another, yanderes. Fortunately, she has minimal interest in anyone but Char… who gets SLIGHTLY more than minimal.

Things start off fairly normally, as Lam decides she wants to attend a tea party for nobility, which goes about as well as you’d expect, given that she’s still assumed to be an introverted coward by those who haven’t met her new self. After that, though, we get the real plot, as Lam is asked to go to the country of Levres, whose prince wants to meet her. Naturally, Char comes along, and they take Canon as well. It turns out that the prince is the reincarnation of her second disciple, Glacial, who was reincarnated properly with his memories from the start, unlike Lam’s broken reincarnation. Now Prince Fleche, he wants Lam to marry him and live with him forever – much to Char’s displeasure. Unfortunately, the hatred of mages has also followed them to this kingdom, helped along by the Church.

This series has a very big problem for me, which is not a deal breaker so far but the ice is getting thinner. The problem is that while I like the basic situation, I usually want to sympathize with… anyone. Lam is fairly emotionally stunted, quick to deal with “insects” when she’s annoyed, and, while she’s not aromantic per se, she might as well be given her inability to get anyone’s point. The men in her life are all various shades of obsessed with/in love with her, and Char is possibly the only one who actually cares about what SHE thinks about this… and the implication is that if he finds out she was actually Aurora, he won’t care about her own feelings either. The bad guys are also mostly immature brats with far too much power and a tendency to not care about anyone or anything. And given they all have magic, even the people trying to prejudice the world against magic, that’s not a good thing. You want to smack them.

This ends with a cliffhanger, so we’ll see how all these men decide to resolve who gets to marry and have sex with a woman who really doesn’t want to be married to anyone but Char, and who still tends to blush and have a look of horror if sex is mentioned. I’ll keep going, but buyer beware.

Did You Think My Yuri Was Just for Show?

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By Neru Asakura and Minori Chigusa. Released in Japan as “Watashi no Yuri mo, Eigyou da to Omotta?” by Dengeki Bunko. Released in North America by Yen On. Translated by Janny McKeon.

I wasn’t really sure what this was going to be when I first saw it. The author hasn’t had other titles licensed for the West (though they apparently wrote another, “spicier” yuri title previously). It’s also a one-shot. That said, I ended up enjoying it a lot more than I thought I would, although not necessarily for the yuri aspect of it. It’s an excellent look at the voice acting industry and how it can be very boom or bust at any time, told to us through the viewpoint of one of its bigger stars (though she would deny that). It also gets into the terror of idol fandom, both “trying to start a scandal for clicks” fandom and also what you do when you’re confronted with your celebrity crush in real life and you want to keep that sort of thing separate. Mostly, though, I enjoyed this because of its main character, Suzune, who is fantastic.

Suzune is, for once in this sort of series, NOT an up-and-coming wannabe voice actress. Instead, our narrator is well-established in the industry, not a top star but getting several roles a season, with usually one or two major titles. She’s also ‘yuri for real’ (gay and lesbian are not used, as the novel leans very deliberately into the ‘yuri’ label), something she’s hiding from most people except her friend at work who is the same. That said, Suzune hasn’t really experienced actual love per se. Sure, she’s a massive fan of Karin Shotsuki, the former leader of idol group DIAGONAL who mysteriously retired a few months ago. But being an ‘oshi’ for an idol is not the same thing as love, right? Then, of course, she’s introduced to the new kid on the block at the agency the next day… the same Karin.

Suzune is a type I always like, which is modest and realistic, a bit self-deprecating, but not overly so, and VERY good at what she does. Her professionalism throughout (well, mostly, I’ll get to it) was fantastic, and I even appreciated the scenes she had with the evil villain washed-up voice actress, which she was handling well enough but which Karin, out of necessity, had to take over. Speaking of Karin, she’s fine, and I liked her, but a bit less. I do think that Suzune was missing some very obvious signs that Karin was massively in love with her from the start, but given that Suzune was asking what love really is anyway, that can be expected. The one weak part of the book is the final scene, which not only feels very unrealistic (both in terms of what Suzune does, and the lack of consequences), but also feels abrupt as heck, as if the author was told to stop as they had a page limit.

Still, that’s 90% of a really great book. And it’s a one-shot, so you’re not investing much. For fans of voice actors and fans of yuri.