Seven Seas License roundup

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Seven Seas has this odd habit of waiting till I do a post talking about new licenses and then revealing their own, partly to ensure they get noticed but mostly I suspect to annoy me. Still, they’ve announced four new titles for late this year into next year, so let’s see what they have.

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First, and least surprising, is the sequel to dance in the Vampire Bund, Scarlet Order, which runs in comic Flapper. Along with the alice books, Vampire Bund has been one of Seven Seas’s moneymakers, so it was a no brainer to get this one. It has vampires. And lolicon. And lolicon vampires!

Clay Lord is a relatively recent title from Ichijinsha’s Comic Zero-Sum, which means it’s sort of josei but technically sui generis. The story of a boy and his golem, this one may appeal to fans of Black Butler and similar stories.

evergreen

Evergreen is probably the title I’m most excited about, mostly because I’m very fond of Toradora!, which is by the same author. (As for the artist, after glancing through her other works, I think I will merely whistle and pass gracefully by.) I had actually expected to see Golden Time next, also by Takemiya, and also running in Dengeki Daioh, which serializes Evergreen and Toradora!. The plot description reminds me a bit of Book Girl, as it stars a male lead who’s closed off and reclusive due to some tragedy in his past. Instead of Touko, though, we get the class beauty helping him out.

Lastly, we have Hitomi-sensei no Hokenshitsu, which runs in the dreaded Comic Ryu. Given the monster success of Monster Musume, it’s not hard to see why Seven Seas went looking for other titles in this magazine, particularly this one, which also involves monsters and comedy. This looks a bit less skeevy than Monster Musume, and involves a cyclops nurse at a monster high school helping kids out with their problems, and the emphasis seems to be firmly on the comedy. I’d give it a shot.

What interests you most?

A Mostly Yen License Roundup

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Yen Press had a lot of license announcements today, and this post is mostly going to talk about those. But first.

Amazon blew a couple of Viz licenses the other day, though they were quickly taken down. One was not commented on, so I won’t either. The other, which Viz was forced to admit “Yes, we have it, wait till AX for details”, was the first arc of Jojo’s Bizarre Adventure. This legendary Shonen Jump manga has long been known over here in the States for its ridiculous powerups and battles, its sheer weirdness, the musical name jokes, and a truly ridiculous amount of not-quite-BL, to the point where the female fandom is huge, and it may even have been more influential than Slam Dunk or Saint Seiya in bringing in those fans to Jump. Viz had published the 3rd arc of the series (considered to be the most accessible) a while back, but it didn’t really sell well. But recent anime adaptations have brought it back into the limelight, and Viz is now going back to release the “Phantom Blood” arc, the first JoJo’s adventure. I suspect it will be the 3-volume re-release from the early 2000s, but we’ll wait for more details. In the meantime, get hyped. JoJo’s is addictive, fun, tragic, and ridiculous.

Now, let’s talk Yen Press and Yen On. First off, in already released news, I was pleased to see that the 2nd Magical Index light novel is scheduled for February 2015. This would point to the series being on a quarterly release, as opposed to SAO’s three times or Book Girl’s twice a year. Given the sheer SIZE of Index, this is likely necessary to keep fandom invested.

There are some more volumes of the Kingdom Hearts franchise that Yen is putting out! I’ve never really kept up with this series, but I know it was huge when Tokyopop put out the manga, and my guess is it’s still huge. Secret was also officially announced; it’s been coming out digitally in chapter format recently. it’s the latest from the author of Judge and Doubt, so my guess is it has a lot of dead teens.

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Akame ga Kill! hails from Gangan Joker, a favorite target of Yen Press. Featuring an idealistic young man getting caught up in a hideous international conspiracy, it apparently has a very high body count, lots of assassins and psychopaths, and is filled with shonen GUTS. Sounds like it will fit right in alongside Higurashi and company.

Sword Art Online is just getting started, with its 3rd light novel, the first part of Fairy Dance, coming out this December. But Yen On has also just announced their license of the Progressive series, which began to come out 10 years after the original. This apparently retells the events of the first two books from Asuna’s perspective, showing a lot more of how she developed into the badass we bet at the start of the first SAO novel. They’ve also licensed the manga adaptation, which runs in Mediaworks’ Dengeki G’s magazine.

kagerou

Kagerou Days is selling like hotcakes, which is less surprising when you realize it’s a spinoff of the insanely popular Vocaloid franchise. Based on a series of songs, it’s been adapted into a light novel and a manga (which runs in Media Factory’s Comic Gene), its plot is about a shut-in who is forced to leave his apparently after getting sent a cyber-girl though an email. It is apparently far more interesting than it sounds, and an anime based off of it aired this spring.

Lastly, Yen have already licensed Sword Art Online (and Progressive) and Accel World, now we her they’re getting a new series of novels by the same author, which is not even out in Japan yet. It’s called Absolute Solitude, and will no doubt be exciting, whatever it is.

No, there’s no Baccano! license here, but lots of exciting stuff. Anything you plan to pick up?

Seraph of the End: Vampire Reign, Vol. 1

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By Takaya Kagami, Yamato Yamamoto, and Daisuki Furuya. Released in Japan as “Owari no Seraph” by Shueisha, serialization ongoing in the magazine Jump Square. Released in North America by Viz.

I’m always a little bit wary when I see more than two names on a book’s cover, particularly when it’s a manga and yet one of the names is credited for ‘storyboards’. I checked to see if this is based off of an anime or video game property, but apparently not. Its author does specialize in light novels, however, most recently Itsuka Tenma no Kuro Usagi, which got an anime. The artist seems to specialize in adapting light novels as well, having drawn Kure-nai for Jump Square as well. And now we get Owari no Seraph, which already has its own spin-off light novel focusing on the commander we briefly see being an ass to our hero. The manga itself, though, focuses on three core people.

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Of course, they aren’t the three people that you might expect when you pick up this volume. We meet our antisocial hero, Yu, as a young boy growing up in an orphanage along with several other children. They live in a world where vampires have taken over after a virus killed everyone over the age of thirteen. Together with his strategist best friend, Mika, and his likely love interest, Akane, he will find a way to fight back against those who… oh wait, everyone except him just died. Nevermind. What this is actually about is Yu four years later, forced by the military that he hooked up with upon escaping to attend school in order to cure his jerkass tendencies and make friends. And perhaps kill a few vampires along the way.

It’s hard to read this series and not be reminded a little of Attack on Titan. The vampires aren’t nearly as impossible to kill as the Titans, but that’s made up for by Yu’s berzerker rage whenever he sees them – he’s not quite as bad as Eren, but it’s a close thing. He’s also part of a friendship trio, though they don’t have the strong bond Eren, Mikasa and Armin do – at least not yet. Shinoa, who seems to be his minder, exists mostly to point out when he’s being stupid and watch him do it anyway. Yoichi is the stock earnest, bullied character, whose idealism will no doubt contrast with the cynical viewpoint of the other two. They’re all likeable, or at least will be once Yu sheds a lot of the walls he’s put up around him, which I suspect will happen soon.

Amongst this background, there’s some interesting worldbuilding (the world’s population has been decimated, so everyone is encouraged to repopulate the Earth – this is mostly an excuse to have Shinoa get away with calling Yu a virgin constantly), some well-choreographed fight scenes (perhaps this is where the storyboarder came in), and some disturbing horror, as you’d expect from a series where the vampires are, for once, the bad guys. Though the cliffhanger for this volume makes me wonder how long that villainy will truly last. If you like Attack on Titan, or maybe Blue Exorcist, another series which this seems similar to, give Seraph of the End a try – it’s a strong, solid first volume.