Miss Blossom’s Backward Beauty Standards: Give Me the Ugly Crown Prince!, Vol. 1

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By Sankaku Mikaduki and riritto. Released in Japan as “Bishuu Abekobe Isekai de Busaiku Outaishi to Kekkonshitai!” by DRE Novels. Released in North America by J-Novel Heart. Translated by Olivia Plowman.

(I spoil a plot point in this review at the end of the summary, but the plot point comes up fairly early in the book. But I will still warn folks.)

Generally speaking I usually try all the titles J-Novel Club sticks in their Heart imprint, but I will admit I was a bit wary about this one based on the plot description. That wariness only increased when I started to read the book, which at times reads like the author was given the backstory of the world on a dare. The afterword suggests that “a world where ugly is handsome and handsome is ugly” is a genre, which came as a surprise to me, and the fact that it only applies to men made me roll my eyes until they hurt. Despite all that, the writing is breezy and fun, the heroine is goofy yet also likeable, and the mashup of about five different types of light novel plot ends up helping a lot more than it hurts, as it turns out that our protagonist may be the only one here with memories from Japan, but she’s not the only one trying to figure out this new world.

Cocolette Blossom wakes after suffering from a terrible illness and almost dying, with memories of her past life in Japan. She finds that she’s an absolutely gorgeous child! And that she’s in some vaguely European fantasy world, just like Japanese light novels and games! Since she was an otaku with no real life romance before, her goal in this new world is to marry a hottie bishonen. Then comes the bad news. In this world, apparently, men who are considered handsome have orc-like faces with thick eyebrows, which those with bishonen looks are considered so ugly that women literally pass out in horror when they meet them. But that’s not going to stop her! She’s going to meet the Crown Prince, who is considered one of the ugliest in this world, and romance him and get her bishie! Just one problem – this is not the crown prince’s first go round through this timeline.

Yes, that’s right, while our heroine is doing a reincarnation fantasy, her romantic partner Raphael is trapped in a Villainess time-loop fantasy. As it turns out, both of these plot points coming together is what actually saves the day – we learn about the first timeline in flashbacks from Raphael’s viewpoint, and it is a bit ridiculous how everyone that he comes into contact with ends up either unhappy or dead. But with the addition of Cocolette, suddenly almost everything is well again! I say almost everything as this is a still a man who has been called ugly and horrible through TWO lives, and getting him to accept someone loves him is a hard road to hoe. As for the “handsome men are ugly” plotline, there is an actual plot-related reason for this, but I still can’t help but feel that it’s not really doing everything it could with “standards reversed”.

The second volume of this has a wedding on the cover, so I’m not sure if it will even make it to DRE Novels’s three-volume cut-off, but I’ll try it. Good writing and characters help get past an iffy central plot.

Who Killed the Hero?, Vol. 2

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By Daken and toi8. Released in Japan as “Dare ga Yuusha wo Koroshita ka” by Kadokawa Sneaker Bunko. Released in North America by Yen On. Translated by Kim Morrissy.

(I won’t be spoiling too much about this book, but by necessity this does spoil a big reveal for the FIRST book, so beware that.)

It’s always tricky when you write a perfectly self-contained novel that gets so popular you have to write a sequel to it, and it’s even trickier when you are an author who is known to a certain degree for clever plot twists. By now anyone who picks up the second volume of this book will be sitting back and saying “well, go on, impress me”. When I heard about the plot for this book, I wondered if it was a prequel to the previous book, showing one of the many failed parties that the Prophet tried to gather together who failed to defeat the demon lord. And that’s kinda sorta true. But for the most part this book wants to explore what the idea of a hero and heroism is, and whether it’s something that some people have and some people don’t or if it all depends on circumstances. Because the hero’s party we see here have a reputation that is, shall we say, less than ideal.

The bulk of this book takes place right before the events of the first in the series. The Prophet is searching for someone who can be a hero, unite the Sword Saint, the Holy Maiden, and the Great Sage (who, you may recall from Book One, have shall we say DIFFICULT personalities), defeat the demon lord and save humanity. This is hard, and she’s tried to do this a large number of times, including the noble knight Carmine, whose corpse we see as this book starts. But we also see another party, which also looks DIFFICULT. They’re led by a man named Leonard, who is, not to put too fine a point on it, an asshole. He only believes in the power of money, he demands ten times the requested fee to be paid before he does a job, and if a cute li’l orphan tries to join the retreat at the last minute? Well, cute li’l orphan will cost extra, of course. He’s the OPPOSITE of a hero… or is he?

Since we have read the first book, and therefore know its plot twists, we’re allowed to take a much closer look here at the character of the Prophet, aka the Queen. We see her morbid fascination with Leonard’s party, which is literally the opposite of the actual Hero’s party from the first book (Leonard is a weirdo, and he has three relatively normal companions). As it turns out, though, they’re much more closely linked than she expects. Seeing her desperation and despair as the search goes on, especially since the nature of the time loops mean there’s no one who she can talk to about it, is touching and makes me go along with the somewhat unrealistic final page. As for Leonard himself, we guessed it was an act from the start, but he’s also the best character in the book, having both a lot of cynical common sense but also an idealistic goal that he knows will probably end in his death. Even assholes can still be heroes.

There’s a third volume to this, and I’ve no idea how it will be intermingling with the first two. But the author has my respect enough that I’ll definitely check it out.

Victoria of Many Faces, Vol. 3

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By Syuu and Nanna Fujimi. Released in Japan as “Tefuda ga Ōme no Victoria” by MF Books. Released in North America by Yen On. Translated by Andria McKnight.

With the first two books, they felt self-contained, and yet the series continued on. This third book very pointedly leaves several plot threads open for the future, and so naturally there hasn’t been a new book in almost two years – we’re caught up. (The webnovel is ongoing, but by now we know how little that means). It’s a shame, as this is still a fun little series, even if its core is getting rather serious. The series started with Chloe, aka Victoria, aka Anna, trying to escape from a forced life of espionage, to the point where she literally fled the country and then the continent to get away. By the end of this third volume, both she and her husband are strong-armed into working for the government again – with the prince essentially saying that it’s OK because he won’t use their powers for evil. What’s more, their incredibly talented adopted daughter Nonna, who can’t seem to stop learning how to be a top spy, is probably also going to become a top spy. getting out is hard.

While things have settled down for Victoria, Jeffrey and Nonna, things are very much not settled down in the kingdom they live in. The discovery of the gold mine has led the country whose doorstep it’s on to start making rumbling noises about war. What’s more, Prince Carlos’ wife Delphine has had two attempts on her life recently. And Delphine’s body double was accidentally outed on a recent spy mission and her face is disfigured enough that she won’t be able to do the job in time. So Victoria is asked to step in, be Delphine’s body double, and find out who’s trying to kill her. Meanwhile, Jeffrey and Clark (you remember Clark, the childhood friend in love with Nonna?) are going to the border to negotiate peace. All of this leaves Nonna a free to be an agent of chaos, which is pretty much the best reason to read the book.

Victoria is still the star, and does a lot of great stuff here, but Nonna is the main reason this book remains fun rather than harrowing. Victoria’s plot is relatively serious, and ends up rebounding on her at the end when she proves to be too good at bonding with Princess Delphine. Nonna, meanwhile, is not allowed to go to the palace because her mother is undercover, so ends up curing her grandmother of her mental and physical frailties by virtue of accidental physical therapy, learning how to fight even better and also pick locks, and of course end up involved in the palace stuff anyway when a riot breaks out during a festival and she basically parkours her way into the thick of things. The most annoying part of the book is that Clark proposes to her, and she accepts (though specifies it needs to wait till she’s older, thank God)… but we don’t see this scene, we just see Nonna telling her parents about it. Given there are multiple narrators in this book, what gives?

Now, I do think we will get a 4th book soon, mostly as there’s an anime coming. For now, though, please enjoy the plight of a woman who just wants to settle down and raise sheep but her daughter has turned into a ninja.