Villainess Level 99: I May Be the Hidden Boss but I’m Not the Demon Lord, Vol. 3

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By Satori Tanabata and Tea. Released in Japan as “Akuyaku Reijō Level 99: Watashi wa Ura Boss Desu ga Maō dewa Arimasen” by Kadokawa Books. Released in North America by J-Novel Club. Translated by Satori Tanabata.

I’ve said this before, but I will say it here again: these books are just too long. Normally I don’t carp too much about the length of a book, but it’s relevant in this vase because Villainess Level 99 is a comedy. The bulk of the humor comes from Yumiella being ridiculous, and everyone’s reaction to this. And she’s very funny here, but the trouble is, about 50-60% into the book, you just flag a bit, and want it to be over faster. Luckily, by around 80% or so complete, the actual serious plot kicks in, so it ends strong. But there’s no reason this had to be 300 pages, dangit. Especially since, as the author says in the afterword, this is no longer a villainess series ad there’s no longer a demon lord. Well, mostly. Covers always spoil, and maybe the reason that this book was so long is because the presence of two Yumiellas means that there needs to be twice the pages to contain them.

After the events of the last book, things have settled down mostly, and all Yumiella really has to worry about is Eleanora being around her far more often and a sinking suspicious that she’s dead weight even though she’s running her territory. But then the God of Darkness shows up, and through him Yumiella finally learns the way to get past that Level 99 cap and get even stronger – she has to kill a version of herself from another parallel world. Believe it or not, Yumiella is not as gung-ho about this as you’d expect, especially since there’s only one other Yumiella left – all the other parallel Yumiellas have been killed by virtue of the otome game plot that our Yumiella subverted. Unfortunately, the remaining Yumiella is still alive as she’s destroyed her world… and is heading for our Yumiella next!

The core of this series remains Yumiella’s combination of deadpan humor, oblivious ditziness, and meathead tendencies, and all three of those are in full effect. You’d think that the alt-Yumiella would be quite a different person give that she destroyed the world, but remember even our Yumiella, with her “isekai” personality, had those feelings a few times in Book 1. Honestly, and this is part of the gag, the alternate Yumiella is a heck of a lot more sympathetic than the one we know. Things do turn serious in the end – alt-Yumiella’s trip to this world was not just for evil kicks, and there is a higher power behind all of this. I had sort of guessed how things were going to have to turn out, but the book did enough hoop jumping that I was able to accept a lot of the hand-waving near the end that kept everything from getting too depressing – this IS a comedy, after all. And the epilogue is the best joke in the book. Maybe our Yumiella should be #2 after all.

This volume is well-timed, as the anime starts in January and will likely get through 2-3 books at most. It should be fun to watch. Especially as the episodes won’t all be 75 minutes long. Also, Patrick is just Kyon, right? He’s even doing the Kyon pose! Yare yare.

Fake It to Break It! I Faked Amnesia to Break Off My Engagement and Now He’s All Lovey-Dovey?!, Vol. 1

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By Kotoko and Esora Amaichi. Released in Japan as “Konyaku Haki o Neratte Kioku Sōshitsu no Furi o Shitara, Sokkenai Taidodatta Konyakusha ga “Kioku o Ushinau Mae no Kimi wa, Ore ni Beta Boredatta” to Iu, Tondemonai Uso o Tsuki Hajimeta” by SQEX Novels. Released in North America by J-Novel Heart. Translated by Stephanie Liu.

If I’m being honest, as a romance novel this one felt like a bit of a chore. It’s another in the line of Japanese books that I’d summarize as “communication is important”, as we first meet our main couple when they are having the most awkward lunch ever, not even bothering to look at each other. Then we get, well, the title, and after that there’s a lot of lies piling up, on both her side and his side, and the subsequent “falling in love again” part mostly happens because of said lies. This can be a bit hard to take. On the bright side, I did find myself interested throughout the book, as the reader gets no backstory at all before things start, so we’re as much in the dark as Violet supposedly is – how did things get as bad as this? The book is a mystery.

Violet Westley is currently miserable. She’s been engaged to her fiancee Phillip since birth, owing to a debt owed by one family to the other from over a century ago. Unfortunately, Phillip is quiet, reserved, impassive, and uninterested in conversation, and Violet is also shy and awkward. Then one day she’s in a carriage accident and doesn’t wake up for a week. When she does, she has a “brilliant” idea – she’ll fake amnesia, and use that as an excuse to end the engagement. Unfortunately, Phillip runs over to see her the moment that he’s heard she’s awake, and tells her all about their relationship – they were madly in love with each other and very doting. Violet stares – what the hell is he lying for? Why has he suddenly become vibrant and outgoing? Is this really her fiance?

The best part of the book is gradually tracking down what Violet and Phillip’s past was really like, and how the two of them came to be the way they are at the start. Part of it is the usual romantic misunderstandings (Violet hears a staged conversation meant for someone else), and some of it is just down to Phillip being a giant introverted dork in a genre which needs its romantic leads to not be giant introverted dorks. Once you realize what his real feelings are like, they actually feel a bit heavy – s I said, the romance part of the book is not that great, and he feels a bit too obsessed and overdramatic post-amnesia. As for Violet, she doesn’t really have a strong enough personality beyond “the reader” – she’s the equivalent of those isekai protagonists who are all “generic guy with black hair”. Even her faults – well, aside from the lying – are “cute” faults, like being a terrible cook and a terrible embroiderer.

If this was done in one volume, I’d say it was all right. It has a second coming out, though, and I worry that it will feature more annoying misunderstandings. I may stop with this one.

The Ideal Sponger Life, Vol. 14

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By Tsunehiko Watanabe and Jyuu Ayakura. Released in Japan as “Risou no Himo Seikatsu” by Hero Bunko. Released in North America by J-Novel Club. Translated by MPT.

And so the author has finally achieved his dreams. We’re 14 volumes into a series that began with the idea that our hero was being isekai’d solely to impregnate a queen for the sake of the country, and he never would have to do anything else. Now, 14 volumes later, the sex is basically absent, there’s not even any action in this volume, and the entire book is devoted to political wrangling, all of which needs to be done by Zenjirou, because Aura can’t exactly go gallivanting all over the world. We are now finally in complete, 100% opposition to the title of the series. Fortunately, in this case that’s a good, thing. The worldbuilding is stepping up its game, and we’re also (finally!) seeing a lot of Aura in this volume, and seeing how she is stating to deal with Freya now that she’s married to Zenjirou and living in the same palace. It actually goes pretty smoothly, though now that Freya has gotten her man her eccentricity is more pronounced than ever.

Everyone is back in Capua, at least for the moment. That said, there’s a lot still to do. Lucretia is still trying to become Zenjirou’s second concubine, and while she’s changed her approach to be more mild, she still doesn’t really get him, and does not understand why “I have no actual wants or needs beyond what you have for me” is a bad thing. Aura, meanwhile, hears a secret from the Twin Kingdoms that is potential dynamite – they were once part of the White Empire, long long ago. And there’s a high chance that some people still hold a grudge about it. This is also stunning news for Freya, who realizes that she may have accidentally gotten her little Northern country involved in a massive global conflict by her marriage. And then Zenjirou gets a very odd invitation…

There’s some very funny jokes in this book, most of them involving Freya. Having seen in the previous book that she is thought of in her own country as “that out of control lunatic”, we get to experience a bit of that here, with her having to be literally dragged away from the fridge in Zenjirou and Aura’s room and also declaring that she’s moving in with them when she sees the air conditioner. (Aura says no, sorry, threesome fans.) There’s also her twin brother, who is basically her as a man, and this is emphasized by the color artwork, showing each of them throwing the exact same tantrum when being told they can’t do something they really want to do. Mostly, though, this book is setup for the next major arc. Zenjirou is at a point where he has to accept Lucretia as a concubine, but it makes him unhappy, which will not help anything. And then there’s his mystery invitation. The next book should be really exciting.

Hrm? What’s that? We’re caught up? It’s been over two years since the last book in Japan? Ah well.