The Scum Villain’s Self-Saving System, Vol. 3

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By Mo Xiang Tong Xiu and Xiao Tong Kong (Velinxi). Released in China as “Ren Zha Fanpai Zijiu Xitong” on the JJWXC website. Released in North America by Seven Seas. Translated by Faelicy & Lily.

There is a 4th and final volume in this series, but it consists of prequel and sequel short stories, from what I hear, so for all intents and purposes this is the final volume. It’s a good volume, though has even less humor than the previous book, as the author is forced to actually take this world seriously given that the demon world is literally trying to imprint itself on the human world. Shen Qingqiu has a particularly rough time of it, ending up in a coffin early on and with things only getting worse from there. It doesn’t help that Luo Binghe is proving to be one of the most annoying stalkers ever, and his affection for Shen Qingqiu is something so obvious that literally everyone in the world sees it and is vaguely offended by it. Even Shen Qingqiu, who finally gives in near the end of the book. Unfortunately, if you want a tender mutual love scene, you may have to wait for Book 4. Sexual assault warning for what comes next.

As noted above, Shen Qingqiu finds himself in a coffin within a cursed mausoleum, and has to deal with both Luo Binghe’s demon father and also Zhuzhi-Lang, one of the weirder henchmen I’ve ever read about. That said, he’s actually doing pretty well at dealing with both of them. Luo Binghe, not so much. Things aren’t helped by the fact that he keeps getting into what looks like sexual situations with Luo Binghe… including feeling him up. Indeed, by now everyone assumes the two of them are already gay lovers. Unfortunately, world saving comes first, as Luo Binghe’s father is bitter and wants to unite the demon world and the human world… physically, by having one overlay the other. Which will, um, kill the humans. But so goes life. Can Shen Qingqiu solve this set of problems while still reminding the system messages that he’s not gay? Signs point to no.

First of all, gotta give some praise. Wu Chen is awesome. Yue Qingyuan is even more awesome. And the backstory for the original Shen Qingqiu is both realistic and also reminds you of something this book hammers home, which is that usually webnovel readers don’t want depth and character development, they want violence and sex, and lots of it. Living in a book like that can be terrible. As Shen Qingqiu finds when he is raped by Luo Binghe at the end of the book. It is theoretically a “I have to do this to save the world” sort of thing, but is thankfully not remotely portrayed as erotic or fulfilling, but as incredibly painful. That said, the tortured relationship between the two leads is at last ironed out, even if it means Shen Qingqiu leaving everyone else in his life to go off with Lup Binghe, who has, well, managed to offend everyone in Shen Qingqiu’s life.

As noted, this is not usually my genre, and I’m not sure if I’ll be reading the epilogue book. But for what it was this was pretty good, and I can see why it has its followers.

Strike the Blood, Vol. 21

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By Gakuto Mikumo and Manyako. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Jeremiah Bourque.

For once I have actual things to talk about in this volume of Strike the Blood, which is fairly low on cool action sequences. And by “fairly low” I mean there are still about 50% action scenes in the book. However, Kojou being depowered means that he can’t participate in them – indeed, for once, HE is the damsel in distress, as he makes a Faustian bargain that ends up biting him in the ass… gosh, where have I heard that before? So it’s up to Natsuki to get the band back together, as all of the girls who are in love with Kojou and also superpowered (and yes, this includes the two grade schoolers, though at least an objection to this is raised) band together to offer themselves as blood servants. All this so that he can control the new beast vassals inside him, regain his vampiric nature, and this series can FINALLY wrap up in the next. book.

There’s a bit of poignancy at the start of the book, as Kojou is forcibly reminded (by his childhood friend, no less) that giving up his powers means he is no longer the protagonist and therefore he needs to just go away. Of course, that does not stop him trying to think of ways to save Avrora, and he’s helped in this by the First Primogenitor and his servant, who could use a good laugh… erm, I mean, genuine have a desire to see Kojou succeed. Unfortunately, this goes so badly that Kojou has to literally be put on ice for twelve hours while Yukina and company try to gather twelve blood servants who can help to fight and quell Kojou’s twelve new beast vassals. Unfortunately, some of them are easier to persuade than others.

I’ve talked before about how Strike the Blood’s humor frequently is painfully unfunny,l though it’s gotten better recently. (It’s hard to top the record holder in “bad humor in light novels”, A Certain Magical Index.) As for this volume, well, it has a really solid joke that made me laugh. The way that Asagi gets the Second Primogenitor to cooperate with them is genuinely hilarious and also true to character. I will therefore forgive the “we have to fight while dressed in bunny girl outfits” bullshit, which is as lame as it sounds. And doesn’t work. Honestly, girls, it’s been twenty-one books and you’re still trying to figure out what makes Kojou aroused? Even hardcore yanderes would have given up and and found another love interest by now. We also seem to be confirming, in case you hadn’t guessed, that future Kojou is going to have multiple wives – my guess is twelve, though hopefully they will not include his sister. Or his teacher. Or the tank-driving grade-schooler. (Sadly, pretty sure it will include the succubus grade-schooler.)

Strike the Blood is never going to rise above the level of “solid”, and this volume also had some boring parts where it tried to give backstory and explain the villains, which I expect few readers care about. But it sets up the finale and gives the anime fun stuff to animate. That’s really all you can ask.

Chronicles of the Hidden World: How I Became a Doctor for the Gods

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By Tamaki Itomori and Izumi. Released in Japan as “Kakuriyo Shinjuku: Isekaide, Kamisama no Oishasan Hajimemasu” by Kadokawa Beans Bunko. Released in North America by Yen On. Translated by Luke Hutton.

Given the huge explosion of villainess stories we’ve had in the last few years, I’ve actually seen some people describing the genre as “isekai for girls”, which is ridiculous. Mostly it’s ridiculous because we already have a well-established isekai for girls genre, called, well, isekai. My god, it’s as if Fushigi Yuugi never existed. This sort of isekai usually involves a young girl transported to another world, discovering that she has powers no one else does, and also attracting the attention of a number of handsome young men, all of whom are usually either divine spirits of some sort or at least supernatural. And aside from the fact that Yae is reincarnated into this world rather than being transported, this new series hits all of those buttons. Fans of Kamisama Kiss and the like will enjoy this greatly… though possibly the other big difference is in our heroine, Yae, who has a heaping helping of self-deprecation that’s destroying her life, even if she’s not aware of this.

Yae, in Japan, lived a relatively unhappy and unassuming life where she spent most of her time accepting whatever anyone else pushed onto her because she was “nice”. (This may sound familiar to the target reader for this series.) She then dies and is reincarnated in Kumo, a land that seems to be connected to Japan in many ways but is also very different and filled with divine beings and cursed beings. The world is no stranger to isekai reincarnation, and Yae is eventually taken in by a village chief, the typical solution to such matters. Sadly, Yae is NOT like those other isekai girls. She retains her memories of Japan, and she also lacks a “nature”, which helps to define a person in this land. As a result, she feels like an outsider in her village. Then, one day, while doing a yearly ritual, she ends up freeing a divine spirit…

This is one of those books that’s all about the worldbuilding. Yae can be a bit over the top in her moping, and the revelation that it’s actually her who’s distancing herself from everyone else rather than the other way around is not exactly a news flash. Arai, the divine spirit, and his brother Sui, are both fairly standard types for this sort of story as well. However, the world itself is amazing, with artifacts from Japan ending up here changed in size and use – Yae’s new house she settles down in is not literally named as such, but it’s clearly a Coke can the size of a house. I also really liked the way that she uses her “doctor” abilities to cure those with afflictions and curses, which again involves some really cool descriptions and imagery.

The series clearly sets itself up to have Yae and her two boys wandering the land seeking out others who are suffering and “naming them”, in a way that will sound VERY familiar to anyone who’s read Natsume’s Book of Friends. That said, it’s been two years, and this is the only volume in this series, so we’ll just have to hope for more down the road. I definitely enjoyed this one, though.