The Scum Villain’s Self-Saving System, Vol. 2

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By Mo Xiang Tong Xiu and Xiao Tong Kong (Velinxi). Released in China as “Ren Zha Fanpai Zijiu Xitong” on the JJWXC website. Released in North America by Seven Seas. Translated by Faelicy & Lily.

I will give credit to Shen Qingqiu, he proves to be slightly better than Katarina when it comes to figuring out affection. That said, the love interests in My Next Life as a Villainess are also perhaps not quite as Luo Binghe, who spends much of the 2nd book on a roaring rampage of revenge, because it turns out that Shen Yuan can try to change the plot and characterization all he wants, but this book is still mostly running on the rails it was supposed to. This is not good news for Shen Qingqiu, who now has to deal with his character’s supposedly evil backstory (though signs point to some of this being a load of hogwash) and being suspected of causing a plague. Possibly worst of all, Shang Qinghua has prepared the secret restoring magical doodad far, far ahead of schedule, meaning that in order for it to do anything there will need to be a prison break.

I will admit, this book is not quite as wall-to-wall funny as the first volume, mostly as the plot is a lot more serious and Luo Binghe is a lot less sweet. That said, when the humor hits it hits hard. Shen Qingqiu’s reaction on seeing Luo Binghe once more was my first lough out loud moment, but there are many throughout, especially as he learns how the rest of the world views his relationship with Luo Binghe – i.e. much the same way fans do here, writing epic sagas and touching songs about their gay love. Shen Yuan is still somewhat horrified by this, and screams about the fact that the hero of a stallion novel has still not bedded a single woman. I will admit that seeing the extent of Luo Binghe’s… devotion to his master goes from disturbing to hilarious to disturbing again. I suspect romance will have to wait for Book 3.

One of the minor plot points I’m really enjoying is seeing the development of some of the women in the cast. In the original novel, they are there as basically notches on Luo Binghe’s bedpost, but the changing timeline… as well as Luo Binghe being in love with his master… means that they’re allowed to go different places. Sometimes this is not always for their betterment – Sha Hualing goes from the popular and arrogant harem boss to a harried office lady pretty quick. Ning Yingying, though, has really blossomed from the somewhat vapid childhood friend she was supposed to be, and her defense of Shen Qingqiu no matter what is really heartwarming. If there’s one downside, it’s that the character of the “system”, which provided so much of the laughs in Book 1, is far more sporadic and muted here. That said, it’s hard to character develop what is essentially Clippy.

The main reason to get this book, even above the humor and the character development, is the readability – it absolutely flies by. Perhaps in Book 3 we’ll even get a mutual kiss.

The Devil Is a Part-Timer!. Vol. 21

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By Satoshi Wagahara and 029. Released in Japan by Dengeki Bunko. Released in North America by Yen Press. Translated by Kevin Gifford.

I suppose, if you know that what you’re writing is going to be an anticlimax, it’s best to just admit it straight up front. The massive battle against heaven, even from the start of the volume, is very underplayed, and when it comes, while there is some combat, it ends fairly easily for the good guys. In fact, the final battle is so anticlimactic that the book jumps back and forth between the “present” and three years into the future, showing us where Maou is now and what the rest of the cast are up to, while also teasing his romantic relationship. That said, here it’s made explicit WHY Maou has been hemming and hawing and putting off giving a clear yes or no to anyone’s confession: his demon side is literally allergic to love and causes him to feel extremely ill. Not exactly an original idea, but hey. All in all, it’s an OK ending to a series that should have ended a dozen books ago.

Fortunately for the reader who has been feeling a bit Chiho’ed out by the last couple of books, she’s not present for the War Against Heaven, though we do get Maou and company explaining everything to her parents. A lot of the book features scenes of the cast waiting for heaven to respond to their obvious aggression, and being somewhat disturbed that they are not doing so. And then there is the newest Sepirah child, there to signify the direction that all of heaven will take going forward… so it’s a bit of a shame that he looks like an exact copy of Urushihara, to the point where Maou dubs him Copyhara. There is also quite a lot of backstory and explanations are given for most of the supernatural end of things, but I’m going to be honest, I’ve never really paid attention to that part.

If that summary sounds vague, so does the whole book. The epilogue bits are a bit more interesting. There is a romantic pairing that caused me great pain to read about (no, not Maou’s), but I suppose as long as they’re happy. Speaking of Maou, and spoiling a bit here, yes, he’s together with Chiho, but she’s also trying to consider their future as a group. The problem is that a) thanks to Alas Ramus, he’s never going to be able to be far from Emi for the rest of his life (which, by the way, is a normal human lifespan now, because plot), and b) Emi clearly has some feelings for Maou, and is clearly never going to end up with another guy. Chiho proposing a poly relationship is… I’m gonna be honest, it feels like a fanfic solution. Even Maou is baffled by it, though given how Chiho and Emi run roughshod over his life in general, I guess he’ll accept it. Still, I can’t see the fanbase enjoying this.

Again, aside perhaps for that last part, this book isn’t too bad. But it’s a classic example of an author dragging out a story that should have ended around Book 7 or 8. In the end, it risked drowning under all of its own lore, and didn’t really give the fans the romance their wanted either.

The Holy Grail of Eris, Vol. 1

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By Kujira Tokiwa and Yu-nagi. Released in Japan as “Eris no Seihai” by GA Novels. Released in North America by Yen On. Translated by Winifred Bird.

If you think the cover art suggests a villainess story, you’re right, though this is once again a variation rather than a straight up “reincarnated as the otome game villainess” sort. That said, almost all those books, as well as many of the variations, have the same kind of scene in it. Usually near the start. Our villainess finds herself at a party or ball, surrounded by men who are sneering at her with hatred and contempt, accusing her of terrible bullying towards the “heroine” of the game itself. This public shaming usually kickstarts the plot in some way or another. But wait, I hear you say. I love those kinds of scenes, the ones that show the dark and seedy undercurrent of nobility. What if I could have an entire book filled with them? And also make it a detective thriller? If you are this sort of reader, the Holy Grail of Eris is hear for you. There’s escapades, and murder attempts, but mostly there’s so much vitriol you could probably start a glassmaker’s shop.

Constance, aka Connie, is our heroine, and frankly, she’s a bit of a drip. Her father, a viscount, is known for being sincere and honest at all times, aka an easy mark. The family is deep in debt. But it’s OK, as she’s engaged to the son of a wealthy businessman… who, unfortunately, is currently having an affair with another noblewoman. All this comes to a head at a party where Connie is shamed and accused in the proper Villainess Novel way. Sadly, she has no one to come to her aid… or so she thinks. Enter Scarlett Castiel, a duke’s daughter who was executed ten years ago for attempted assassination of the (current) Queen. Scarlett possesses Connie and solves the problem by means of a photographic memory and a heaping tablespoon of “being a magnificent bitch”. However, now Scarlett demands Connie’s help in return… to find out what REALLY happened ten years ago!

Not gonna lie, this is a heaping helping of fun, despite the almost obligatory child slavery ring subplot. (In the book’s favor, none of the main cast buy a slave.) Connie and Scarlett are both very flawed heroines, and while together they can just about solve some mysteries, Connie tends to be easily caught and also terrible at lying. But this makes them endearing and easy to root for – we’re not getting any powerhouse OP villainesses here. The other characters are also most arrogant nobles, but they come in various shades, including our love interest, who is a standard Japanese romance novel type, but I don’t dislike that. I also loved the character of Abigail O’Brien, who is several times compared and contrasted with Connie herself and also seems to be an underworld boss and super Madam (in the capitalized sense of the word).

This is supposedly over at three volumes, though a fourth one appeared in Japan last month as a digital-only book. That means we are unlikely to linger too long on the central mystery or what the Holy Grail of Eris is (the fact that Connie’s last name is literally Grail does not come up in the text, and may just be there for flavor). Still, if you like mysteries where the heroine spends most of her time getting caught, and everyone being absolutely terrible to everyone else, this is a winner.