An Unruly Summon, Vol. 1

By Cathfach and Kurodeko. Released in North America by J-Novel Club.

This was one of the winners of the J-Novel Club original light novel contest, where they had judges (including Carlo Zen, author of The Saga of Tanya the Evil) picking out who created the best work. The winners got a cash prize, publication, and illustrations by a Japanese light novel artist (in this case, the Lady Bumpkin and Her Lord Villain artist). The premise of this story interested me, as it looked like it might be a deconstruction of the standard isekai. Which it is, but not as much as you’d expect. Honestly, this has its roots in those old fanfics where the author wrote the story asking “what if everything were the same except the main character was sensible and asked questions?” Thomas, the main character of this story, is sensible and definitely does ask questions, but that only gets him so far, because this is a world that has been at war for a while, and has summoned heroes before, and they are not happy they have to do it again. So they try to rig the game in their favor. This goes badly for almost everyone.

Thomas Smith is walking drunkenly back to his apartment with his friend Simon when he spots a purple “whirlwind” in front of him. On touching it, he ends up in another world. There, he is told that the world is under threat from demons who are on the verge of destroying humanity, and he has the power to help them fight back. He’s also assigned four pretty women – Stephanie, the King’s daughter; Christine, a knight; Wendy, a mage; and Mary, a slave. As he learns about magic and swordplay, and discovers that, much to his surprise, he really does seem to have heroic abilities, he also starts to connect the dots that they’re lying to him. In fact, the reader knows this from the start. Previous heroic summonings haven’t always gone well (and, in a nice meta joke, tend to be Japanese teenagers), so they gave him a “harem” and are trying to get him to be their good little puppet. The more he learns, however, the more everything completely goes off the rails.

This is a solid book, which wants to play around in the isekai sandbox but also try to examine some of its cliches. Slavery is examined closely here, and it’s horrifying in many ways. About 40% of the way into the book, we get a HOLY CRAP moment, and you wonder if that’s going to help solve the slavery thing, but that ends up not really being the case. Because this is a world where no one really understands how magic works. A lot of it is just “because it’s magic”. And Thomas finds that the success and failure of his spells lean a lot on his feelings towards others – even if they’re unconscious. Which means if he is unconsciously blaming others for their past horrible actions, even if he wants to save him the magic can simply not work. The world is also just starting to show off its complexity – it’s clearly meant to be multiple volumes, though I’m not sure how ongoing series work when it’s a contest winner. Possibly depends on sales.

I will admit, the character I most want to see more of in future books is the one who only appeared on the last page. So I would like to see more of this. For fans of isekai who want dark!gray!independent heroes.

Anime NYC 2025, Sunday

It’s always striking how calm Sunday is compared to the previous two days. You’d think it would be near the same, given the large number of 4-day badges you saw walking around earlier, but the truth is that Anime NYC has always tended to have Sunday be the least happening day. On the bright side, this meant the lines for the bathroom were much shorter (well, for me, using a men’s room.)

Because I have a lengthy journey home thanks to Connecticut’s train tracks still being hundreds of years old (Amtrak can make trains that go 800 miles an hour, and they’ll still have to dawdle through New England), I was only able to attend one panel Sunday, which was Kodansha Comics. Kodansha always has one of the better, most professional panels out there, and this year was no exception, with Ben Applegate, TJ Ferentini, and Haruko Hashimoto.

The entrance to the con was packed with free copies of the Young Magazine 100-page English Edition that everyone at the con seemed to be lugging around (including me), as well as a totebag. Readers can vote on which series they want to see more of, and if it gets a good response they may do another one. Having a sequel to Boys Run the Riot inside got the biggest reaction. People were also happy to hear about Kodansha House in October, with more creators coming to New York, including Atsushi Ohkubo and Suu Morishita.

They discussed the “print-on-demand” service they started last year, in an effort to put digital-only series that deserved print but possibly the sales did not justify it. We’re getting second volumes for Love, That’s an Understatement, Teppu, and Blade Girl. And then we get the big news, which is that all the big news happened last month. This is not uncommon for publishers. The summer is littered with huge conventions. Kodansha had panels at Anime Expo at the start of July and San Diego Comic Con at the end of July. There’s no way they’d have a list of 15-20 new series by the end of August.

As a result, most of this panel was a recap of what they’d already announced at the last two panels. That said, there are some really great titles in there. They’re bringing back iconic shoujo manga Mars (hardcover, fancy metallic covers, new translation) and iconic shoujo manga Shugo Chara (new covers, new translation). There’s Fruit of the Underworld, by popular author Aya Kanno, known for Requiem of the Rose King and Otomen. They’re also doing a big ol’ giant deluxe box set for Ghost in the Shell, and Ben knows his audience, as he immediately said “yes, it will include those three pages. If you know, you know.” Shirow instructed them as to how he did some of this stuff, so they could replicate it. Rolled posters in the box – not folded!

There’s also Wicked Spot, a new series from the creator of Tough Love at the Office; Love at First Memory, from the creator of Springtime with Ninjas and Boss Bride days; Love Out on a Limb, from the creator of Love in Focus and That Wolf-Boy Is Mine!; popular yuri title Marrying the Dark Knight (For Her Money); BL baseball manga Blue Summer Haze; BL title Smells Like Green Spirit, from the creator of Boys, Be Ambitious!; Dragon Circus, from the creators of Ultraman’s manga; and Stella Must Die!, with a story by the author of Princess Resurrection.

They were quite enthusiastic about a couple of titles. That’s Not Love is by the creator of 1122: For a Happy Marriage, and is about former friends reconnecting years later and secrets from middle school. Cat-Life Balance stars a man who will gladly take on any task and help other co-workers… and it’s causing him to burn out. One day he spots fellow employee Kurone, who deals with work by being stonefaced, playing in an alley with stray cats. Can cats solve their issues? Probably not, but the cats are cute, right?

We then got to the new announcements, of which there were three. My Journey to Her was a very popular digital-only title when it came out last year, and it won an Eisner. They’re now doing a print release for it. I had read this when it first came out, and it’s a riveting and informative look at the author’s gender dysphoria and subsequent reassignment surgery. It ran in Weekly Morning.

Speaking of Yūna Hirasawa, they’ve also licensed her current Weekly Morning series, Luca the Dragon Vet (Ryūi no Luca). A young woman is determined to be a vet who takes care of dragons in her fantasy world. Alas, there are tough exams, difficult classes, and unfortunate family connections. But, I mean, dragon vet! Who wouldn’t want to be a dragon vet?

Then we got the big announcement: Yes, it’s not just iconic shoujo manga getting the big re-release treatment. Beck, a Monthly Shonen Magazine series from 25 years ago, is finally getting fully released in print in English! Tokyopop released about a dozen volumes before the 2008 “everything is cancelled” happened, and the series being 31 volumes meant we missed over half the story. Kodansha picked up the series about seven years ago and finished it, but that was digital only. Now it’s coming in print in 2-in-1 omnibuses.

And that just left Q&A, my old nemesis. (I have several nemeses.) So I departed the con. Anime NYC has gotten near 150,000 people by now, so it’s not a convention to be taken lightly. But if you love anime and manga (and light novels, maybe, they get mentioned once or twice), you should have a great time.

Breathless Time Traveler

By Yuyuko Takemiya and Tsubasa Yamaguchi. Released in Japan as “Anata wa Koko de, Iki ga dekiru no?” by Shincho Bunko nex. Released in North America by Seven Seas. Translated by Alexandra Owen-Burns.

I must admit, in general I tend not too look too closely at Seven Seas’ one-volume light novels that they turn out quite a bit of, mostly as they tend to all look like they’re going to be “bittersweet, possibly tragic love story”. But this one they hooked me in on, because it’s by the author of Toradora!, a series I quite enjoy. Having read it, I found it well-written and compelling, despite the fact that, as I expected, it is exactly the genre that I said above. But that’s not all it is. This falls into the category of one of those books where you’re trying to figure out the plot, and you’re also trying to figure out if the characters are telling us the truth. And oh yes, it’s a time loop story, so we also have to pay attention to which timeline we might be in right now. It’s a bit of a mess. Kind of like our heroine.

We meet our heroine, Rara, dying on the side of the road after a fatal motorcycle accident. She’s able to give us an awful lot of first-person narration, despite an awful lot of grotesque imagery. (Folks bothered by motor vehicle accidents and their aftermath may want to skip this book). Oddly, we also see her sitting at a television, watching as an alien come to Earth announces that the world is going to end soon… and the alien is then killed. The same alien shows up in front of the dying Rara and explains that this world is created by her, and that she is the only one who can save it. She then finds herself back in time, at the point where she meets her lover. The alien is trying to get her to avoid this guy, or break up with him, or otherwise do something different so that she avoids dying in the accident. She, however, keeps doing the exact same thing. After all, she loves him.

So yeah, a little weird. Rara can be a bit dislikable at the start of the book, when she’s a furious teen ranting at (and seeking the approval of) her overly logical and punctilious mother. And as the book went on, I guessed one of the mysteries fairly quickly. But figuring things out is not really the reason to read this. This is a book about the joys of being in love, and that sometimes, when you’re deeply in love, you care about your partner a lot more than yourself. The title comes from Rara’s constant question to Kengo, “can you breathe? Are you breathing?”, which is connected to the fatal accident but also makes a very good metaphor for the stress of everyday life, and how everything can just be far too much. You can’t move forward or accept things. You stop breathing. In the end, Rara is able to get the happy ending she wants, but to do that, she has to accept that this happy ending is not going to involve her. And that’s fine. The one she loves is happy.

This was a bit depressing, out of necessity, but also had some very evocative imagery. I’m glad I read it.