Toradora!, Vol. 6

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By Yuyuko Takemiya and Yasu. Released in Japan by Dengeki Bunko. Released in North America by Seven Seas. Translated by Jan Cash & Vincent Castaneda. Adapted by Will Holcomb.

Sadly, I’ve caught up with when I started to review the manga version of this series, hence the annoying 2 at the end of the URL. In the meantime, we were always going to get a book devoted to Kitamura at some point, and this is the book. Like Minori, he’s a seemingly goofy and eccentric friend, though his iss more genuine and less of a mask than Minori’s. The start of the book sees him devastated by a (hidden to the reader) declaration from Sumire, the current Student Council President. Unfortunately, after he snaps out of it he seemingly goes off the deep end, dying his hair blond and stating he’s not running for student council. thus shocking the entire school. Ryuuji and Taiga may be the only ones who can help him, but what is that help going to entail, and will it mean that the new student council president actually has to be Taiga?

That’s Sumire on the cover, and I suspect that fan opinion of her may be divided. She’s shown to be a flawed character whose reasons for doing what she did are in character but also immature. Unfortunately, we’re not shown that till the very end of the book, in a fantastic and brutal fight with Taiga (which ends with Taiga suspended for two weeks); till then, we’re told over and over again how perfect she is, and when she’s not absent from the book she’s making the situation worse. I liked her arc, but many might think “too little too late”, especially as she’s seemingly also written out here. Speaking of divided opinion, Kitamura gets this book for character development, but just like Sumire that involves being an immature child for most of the volume, doing things like “becoming a delinquent” as a cry for attention from someone who won’t give it to him. You sort of which Taiga would have beaten him up as well, though that’s not going to happen.

Much better handled are the rest of the main cast. Minori is still clearly recovering from the events of the last book, and still trying to find her feet around Ryuuji. I have suspicions about that, but will save it till it’s more obvious. Ami is simply fantastic, being at her bitchy arrogant best while also showing that she too is changing, though she’s not very happy about it at all. (Minori and Ami is a fan ship, and there’s a nice, if short, scene here for that ship). And then there’s our main couple, Taiga and Ryuuji, who have not yet realized that they love each other but both have independently realized that they can’t imagine living without each other. The series is now in its second half, so we need to start heading towards endgame. Taiga too has matured… though perhaps not enough to avoid getting suspended for beating the shit out of a fellow student.

So an excellent volume of Toradora… except that the two characters at the center of it are being very difficult and stubborn. Still worth reading.

One Piece, Vol. 91

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By Eiichiro Oda. Released in Japan by Shueisha, serialization ongoing in the magazine Weekly Shonen Jump. Released in North America by Viz. Translated by Stephen Paul.

Oda is very fond of writing chaotic scenes, and the last few arcs have all consisted of “start slow, then work to lots of chaos’. But the period of slow starts is decreasing, and we’re barely halfway into this volume before Luffy, reuniting with Zoro, is doing things at his own pace and upturning everything, mostly as we’re present in another country where evil bad guys are lording it over everyone while the poor and downtrodden starve. And, let’s face it, beating up those evil bad guys doesn’t really get old. It is worth noting, though, that Luffy has matured a great deal since the start of the series, and particularly in the last few arcs. Sure, he still doesn’t listen to anyone and does his own thing, and He’s still happy-go-lucky, but his reaction to Otama’s condition and the state of the country itself show a maturity that I really like seeing in him. You’re starting to see him turn into someone who CAN be the Pirate King.

This is the first time in ages that we’ve had the entire Straw Hat crew assembled, but aside from Zoro, the rest of the “missing” crew from the last few books remain missing here. But that doesn’t mean we’re not making new friends and introducing old ones. Otama is the cute and spunky little girl who made a promise with Ace years ago and now finds that Ace isn’t able to fulfill it. But that’s why Luffy is here. There’s also Okiku (get used to the O- prefix), a samurai who is gorgeous and also really tall, but does not let that get in the way of excellent sword skills and wanting to protect people. Trafalgar Law is around, still trying to achieve things quietly and sanely and still running into Luffy making that impossible. And we also have Basil Hawkins,k the fortune-telling pirate who seems to be working for the bad guys here, and who briefly gives Luffy and Zoro a run for their money till the cards say they get away.

And there are also some classic Oda scenes here. For everyone who thinks that the man is losing his touch, I urge you to take a peek at Holdem, a member of the Animal Kingdom Pirates who has a living Lion Head on his stomach, and the fact that the lion head proceeds to, when annoyed, punch Holdem in the nuts… forgetting that they are also the lion’s own nuts. That sort of goofy, juvenile gag requires a fantastic imagination. And it’s not just used for gags. The revelation towards the end of the volume as to the fate of Kin’emon and his compatriots, and where they really come from, is the sort of thing that you might protest breaks the story a bit if it weren’t handled with the deftest touch. And yes, there’s also Kaido, who really deserves that cliffhanger with an amazing two-page spread appearance showing off “I am the villain” vibes.

91 volumes in, One Piece has started a new arc that has me riveted already. I wonder how many volumes it will be? (Answer: many, many volumes.)

86 –Eighty-Six–, Vol. 2: Run Through the Battlefront [Start]

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By Asato Asato and Shirabii. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Roman Lempert.

Fans of Lena, the star of Vol. 1 of this series, may be disappointed, as this is not a sequel to the previous book but an interquel – it explains what happened to the rest of the squad between when she last saw them and the epilogue, and thus Lena only appears at the start and end in a “she’s still in the Republic” sort of way. That said, this is still a very good volume of Eighty-Six, combining the mechs and battle scenes with more look at warfare, what makes us fight, and how even well-meaning people can try to impose their own wishes on others. It’s not as unrelentingly bleak as the first book, but it’s not a laugh riot, either – Eighty-Six will always be about as serious as its male lead, Shin, who may be with a different army but still has some of the same problems. And then there’s the Legion, the enemy soldiers whose attack near the end of the book feels like they’re trying to cause our heroes to simply give up in despair. There’s a lot of them. (Well, they are Legion, after all.)

The girl on the front is Frederica, who is a “mascot” for Shin’s unit, the Federation Army’s way of getting troops to bond with each other by giving them an adorable kid to look after. It’s not clear if this is actually true or not – Frederica’s the only one we see, and her situation is certainly one where a great cover story would be needed – but in any case, she fulfills some of the role Lena did in Vol. 1, attempting to get the other Eighty-Six to think about something besides fighting until they inevitably die. At least she’s just trying to get them to consider it, though – their main benefactor, Ernst, after rescuing them from certain death, is ready to have them retire and become good little civilian boys and girls, and is appalled when they all, to a man, decide to re-enlist. The trouble is that not only have this group been soldiers so long that anything else seems deeply off, but they know the Legion better than anyone else, and won’t allow others to take up that fight.

The Federation is better than the Republic in many ways, so there’s less explicit racism here towards the Eighty-Six, but that does tend to mean that it’s implicit. The soldiers are unnerved at both the Eighty-Six’s combat prowess (particularly Shin) and their stoic demeanor, and use the word “Eighty-Six as a slur several times throughout the book. “Monster” also comes up, and it’s clearly a point of tension that the Eighty-Six could have chosen to retire and never fight again. That they’d fought enough. But is it enough? The Legion are attacking in greater and greater waves. Where do you draw a line that says “that’s fine, you can leave it to everyone else now”? Especially if you’re Shin, with his seemingly psychic connection to the Legion.

This series continues to be what it was in the first book – unrelentingly grim but not despairing, and making me want to read more even if it is depressing much of the time. As you can tell by the subtitle, this is the first of a two-parter, and I suspect by the end of Book 3 we’ll be back to where we were with Lena reuniting with everyone.