Restaurant to Another World, Vol. 2

By Junpei Inuzuka and Katsumi Enami. Released in Japan as “Isekai Shokudou” by Shufunotomosha. Released in North America by Seven Seas. Translated by Elliot Ryouga. Adapted by Nino Cipri.

I admit that I worried, given the basic content on this series, whether I’d be able to write a full review of any further volumes. It’s not quite true to say there’s still no plot – there is one, barely – or characterization – that’s half the reason to read this – but the reason to get this series is still “I like to read about people eating food and discussing how delicious it is”, and that is what you get. Some of our regulars are back for new chapters, we get some new regulars (though the other waitress from the anime, Kuro, is still absent) and some new dishes. We also hear more about how the food from the Restaurant is beginning to seriously affect the fantasy world it interacts with, as more and more people are not content with waiting seven days but want to try and recreate a bit of what they’ve experienced. The setting may be RPG fantasy, but the food is slowly leveling up.

We do find out a bit more about Aletta, the demon girl who showed up and was hired as a waitress at the end of the first volume. As a waitress, she’s mostly invisible, which is expected given the nature of the chapters – she’s not there to talk about the food, the customers are after she serves them. But we do see some chapters devoted specifically to her – her amazement at the modern-day soap and shampoo that she gets from the still unnamed Master, her reluctance to eat potatoes after having to subsist on only them for so long, and her eventual job as housekeeper for Sarah, the adventurer whose story opened the first book, who doesn’t care that she’s a demon and is happy to have someone take care of things while she’s away. She’s also a good shill for cookies.

Elsewhere, the food company heir brings along his most trusted employee to try to recreate the pizza he’s served by the restaurant; some fairies who are very wary of the door experience some delicious crepes that change their mind (though I disagree with their saying only sweet crepes are good); a demon with the head of a lion tells us about nearly dying in the arena as a gladiator before the restaurant gave him some much needed strength (via katsudon, of course). There’s one chapter that has a predictable but utterly welcome fakeout. In fact, a lot of the series feels like comfort food to me in general. You’re not getting any surprises here – the dwarfs say “By my axe!”, because that’s what fantasy dwarfs do. Likewise, the elves are somewhat prissy, the princesses regal yet cute, etc. The menu doesn’t change, but it’s delicious to read.

The cover of the third volume suggests we’ll meet our new waitress soon, so there may be more plot on the way there. But if it’s descriptions of food and drink you want, both Western *and* Eastern, you acn’t go wrong with this series.

Little Miss P

By Ken Koyama. Released in Japan as “Seiri-chan” by Enterbrain. Released in North America by Yen Press. Translated by Taylor Engel.

I will admit that of all the surprising licenses that I saw Yen announce at Anime NYC, this was probably the most surprising. Mr. Men and Little Miss have been around forever, and I have seen pastiches of them before (see the Doctor Who series that came out recently). And Japan has anthropomorphized seemingly everything, from battleships to countries. So the concept should not be that startling, but somehow the idea of a giant period wandering around punching women when it’s that time of the month still made me blink. But, having finished this volume (complete in one, I believe), it’s actually handled pretty well. While there’s humor involved, the humor is more subdued than I expected, and Little Miss P tends to be a lot more sympathetic than you’d expect given that they’re punching women all the tie and taking their blood. It’s a manga that’s trying to show off what happens to women every month, how it can vary from person to person, and how to cope with it.

The book is divided into chapters, each one dealing with a different woman and their encounters with Little Miss P, a walking, talking period. Little Miss P shows up when it’s that time of the month, punches them in the uterus, draws their blood with a giant syringe, and then usually stays around to chat now that the woman in each chapter is feeling miserable. We see a housewife who’s been trying to get pregnant, a convenience store clerk with low self-esteem, two magical girls (one of the more bizarre chapters, but it does show off how different women can have different types of periods), etc. We go back to the Edo Period, when menstruating women had to go sleep in a shed apart from their home; meet two high school drama geeks who bodyswap so each can see how the other half lives; and watch a woman in a new relationship try to bond with the man’s young daughter, who’s just gotten her first period.

The best story is probably the last one, which shows a “fictionalized” version of how Japan first brought out disposable sanitary napkins, showing the woman behind it fighting against men who don’t want to fund it because it’s not something they care about. There’s a lot of analysis of how the marketing was handled, and how careful everyone had to be to make it accessible but not offensive. It was really good. On the downside, while I was entertained by Little Miss P, and certainly the use of the character made this more marketable than simply “a short story collection about various women and their periods” would have been, sometimes it was a bit annoying. And adding the male versions, with Mr. Libido and Mr. Virginity, fell completely flat for me, with the exception of the bodyswap chapter, where it actually worked in context.

I wouldn’t pick this up for the concept – a little Little Miss P goes a long way. But for a series of short stories about women dealing with that time of the month, it was very readable.

The Hero Is Overpowered But Overly Cautious, Vol. 1

By Light Tuchihi and Saori Toyota. Released in Japan as “Kono Yuusha Ga Ore TUEEE Kuse Ni Shinchou Sugiru” by Kadokawa. Released in North America by Yen On. Translated by Matt Rutsohn.

As I was reading this book, the one thing that came to mind over and over was that this was aimed squarely at the KonoSuba crowd – at least here in North America. It’s not QUITE accurate to describe it as “KonoSuba if Aqua were the narrator”, but it’s probably a decent starting point. Ristarte is a young, somewhat shallow goddess whose job it is to summon heroes and assist them in saving worlds. This time around, though, the world she has to save is in need of a very, VERY strong hero. So she summons Seiya Ryuuguuin, a handsome Japanese man whose stats are much better than the other starting heroes. It does say that his personality is “overly cautious”, but Rista just glosses over that. As it turns out, he IS a very capable hero… it’s just that his personality is appalling, and, as we said, he’s overly cautious. Will he even bother to save the world? And will Rista go bald before he does?

First things first, if you hate tsukkomi, drop this title right now. About 90 percent of it is 1) Seiya does a thing; 2) Rista screams “Why are you doing the thing?!?!” over and over again. This can get a bit irritating after a while, and honestly I would normally wish that Rista would simply be quiet and accept Seiya a bit more… except he really does inspire shouting. He’s not socially inept per se, but he doesn’t care about politeness of niceties, and his paranoia and need to be prepared have led him to attack allies just as much as he does enemies. He’s not a very likeable person, and you can absolutely see why Rista is the narrator. That said, she’s a bit flighty herself, and also frequently pauses to imagine herself and Seiya in a romantic mood, as he is quite handsome. But just being around Seiya for more than five minutes will tell you this isn’t going to happen.

The humor is mostly character-driven, which is good. There are a number of other goddesses that show up, including one who hints that Seiya’s past may not just be “typical Japanese guy” (in fact, we learn absolutely nothing of his past). There’s also two dragonborn teens whose job it is to help the hero on his quest and also grow and get stronger… except Seiya is so ludicrously strong that they’re reduced to carrying his things, which crushes their spirit. That said, there are hints that Seiya is not, in fact, a complete monster, he’s just completely unable to frame an action in any way that makes him look kind of helpful. (The author hopes to develop this in the second book, showing that they are well aware of how exasperating it can be.) There’s enough here for me to try a second volume, but I do feel that the Cautious Hero was more exhausting than humorous at the end of the day.

And I will admit, sometimes when he says “I’m perfectly prepared” he does look a bit cool.