My Solo Exchange Diary, Vol. 2

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By Nagata Kabi. Released in Japan as “Hitori Koukan Nikki” by Shogakukan, serialized in Big Comic Special. Released in North America by Seven Seas. Translated by Jocelyne Allen. Adapted by Lianne Sentar.

By the end of this volume, the author has decided that she’s ending this diary, at least for public consumption. While this volume was also very good, I do think that may be for the best, as we are once again reminded that the life of a real person can cause more emotional pain that the life of, say, a 16-year-old girl in a girls’ private school. Apparently the last volume (the first Solo Exchange Diary) was not as popular with folks in Japan, particularly the last chapter, and that hit Kabi-san pretty hard. This final volume is much like the other two – some really good realizations and a few tentative steps forward, but also quite a few steps backward. The cover shows us two sides of Kabi-san talking with each other, the first being the one that’s resorted to alcohol, the other being the one who cuts herself. This remains a gripping but uneasy read.

At the start of the book she finds herself returning to live with her parents for a bit, and coming to terms with the fact that her mother is not her, and doesn’t deal with things the same way that she does. Her grandparents also get to see that she’s published two books, and carefully praise her for the publication while avoiding the content, which is very true to life. There are shots of the day-to-day life that the two had which I quite enjoyed. Unfortunately, in this volume Kabi-san also starts drinking beer. A lot. To the point where she’s wetting her bed by accident in the mornings. So much of the second half of the book takes place in the hospital, where she checks herself in so that she can deal with this. There are communication problems with the doctors and nurses, and at one point she’s cutting herself again. I find the fact that she’s putting this all out there on the page amazing.

At the end of the book, she’s out of the hospital, creating original manga, and realizing that the business of being “Nagata Kabi” is too much, which is likely the main reason why the Diary is ending. The best part, though, is that we get to see the original manga she created (it ran in Hibana magazine), and it’s really good. The story of two young people who are “rebelling against society” in a very literal way, it’s cute, clever and emotionally bruising all at the same time. The story is complete as is, but it does make me want to read more of Kabi’s original creations. As for her own life, I thank and applaud her for showing it to us, for good and ill, and I hope that the diary can continue in private even if it doesn’t in public. I felt it was an excellent read, and would also recommend it to anyone else who is dealing witd depression or other inner turmoil.

I Saved Too Many Girls and Caused the Apocalypse, Vol. 12

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By Namekojirushi and Nao Watanuki. Released in Japan as “Ore ga Heroine o Tasukesugite Sekai ga Little Mokushiroku!?” by Hobby Japan. Released in North America digitally by J-Novel Club. Translated by Mana Z.

What struck me most about this volume of Little Apocalypse was what a well oiled machine Rekka’s heroine saving has become. We get three heroines arriving one right after the other, and Rekka and company know what’s going to be happening – he’s got to save them all. He picks out his crack team of Rekka’s Angels based on who he feels would fit best with what’s planned, and for the most part he’s absolutely right about it. The girls occasionally fight over him, but it’s “offscreen” so we don’t actually need to see it, and when times get tough they’re all business. They’re also the main “muscle” of the story – Rekka admits point blank that he’s the sort of person to rely on the powers of others, and they certainly have a lot of power. That said, there are certainly some spanners in the works in this volume, both on the heroine end and the plot end.

Our heroines this time include Haruka Tenou… erm, I mean a phantom thief who has unfortunately put a cursed tiara on her head; Setsuna Sakurazaki… erm, I mean a noble samurai girl from 500 years in the past trying to save her princess; and another princess, this time from Atlantis, 1000 years in the past. As you can imagine, there’s going to be some time travel here, but by now everyone mostly shrugs it off. The phantom thief is the easy part of Rekka’s mission (and honestly the dullest – she’s too perfect). The samurai is more of an issue, as Rekka, due to events, chooses to prioritize the other two girls first, which pisses her off, especially as she hasn’t yet seem Rekka in action and doesn’t trust him. Why would you trust a guy with a harem of girls who says he can fix everything? Moreover, the Atlantean princess, who as a tragic ghost was noble and sweet, as a living being is… well, a spoiled princess.

The other spanner here is the plot twist near the end, which I thought was rather clever. You know that things are going badly when R can actually talk to Rekka about his actions – usually she can’t influence him. It also allows Rekka to save the day at the end with a very clever device that relies on his “greed” – not for money or power, but his desire to save all the heroines (who are listed in order, which is helpful as I’ve forgotten some of them). I was also amused, if somewhat ruefully, at the twist at the end. Rekka thinks that, due to the fact that two of his three heroines this book live in the past, that he’s not going to have them joining the cast herd. Nope – here they are, and the explanation actually works. This is what you have to face up to when you’re a man whose inability to get it romantically led to the end of the world.

So a strong volume in the series, and we’ve only four more to go. How many more heroines can we stack on? And will Rekka manage to graduate?

How a Realist Hero Rebuilt the Kingdom, Vol. 8

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By Dojyomaru and Fuyuyuki. Released in Japan by Overlap, Inc. Released in North America digitally by J-Novel Club. Translated by Sean McCann.

After a book that was mostly politics last time, we spend much of this book with warfare, as the tiny kingdom of Lastania is under attack by a horde of monsters from the demon territories. This is relevant to Souma and company because Roroa’s brother Julius, who has been wandering around ever since he got his ass handed to him in the early books, has settled down in this kingdom due to falling for the kingdom’s insufferably cute and plucky princess, Tia, who is on the cover despite not getting nearly as much focus in the book as I expected. Julius is a bit desperate here, as the Kingdom is falling to the monsters, so asks Souma for aid even though it may mean his own death. That said, readers of this series know that Souma is (usually) not one to carry grudges, especially not against members of his fiancee’s family. He also has the ability to show up and lead a charge to wipe everything out, which he does.

Given the nature of this series, there’s not really much of an actual threat here. We do see a few of the regulars get to show off their skills, including Hal, Kaede and Ruby, now pretty much working as a well-oiled OT3; Kuu and Leporina, who remain the perfect overenthusiastic royal and harried bodyguard; and Komain and Jirukoma, who are reunited here as Jirukoma is part of Julius’ forces. Honestly, despite all the battles, you get the feeling that the author is more interested in the romance. Leporina clearly has feelings for Kuu, but is waiting for him to mature enough to see them. Poncha, Serina and Komain appear to be forming an OT3 of their own, but Komain may be the only one who actually realizes this. Jirukoma hooks up with one of the Captain’s of Lastania’s forces, Lauren, in a classic “I am too dim to recognize obvious signals” sort of way. Oh yes, and on Souma’s end, Maria is still hinting she would not mind hooking up with him, Excel is hitting on him to the displeasure of ALL the fiancees, and we also hear about a beautiful young warrior from not-China as a tease for the next book. (Hopefully Realist Hero’s not-China holds up better than Smartphone’s not-China.)

There are a few drawbacks to this volume. I’ve talked before about the “Native American” stereotype for the refugees, and we get more art showing it off here. Still don’t like it. Given we’re focusing on how Julius has been reformed, partly due to the power of love, I wish we’d had a bit more time spent with him and Tia, who pretty much exists as a thing to protect. That said, I approve of villains who can reform, and Julius’ guarded conversations with Souma were excellent. I also liked an exhausted Souma confessing his fears of becoming too jaded and uncaring when he becomes king, and Roroa and Naden’s reassurances. I would like to see Liscia again – we do get a scene with her, revealing she’s pregnant with twins, but the nature of the universe, and the “realist” part of it, means she’s still being treated like fine china.

So a mostly solid Realist Hero here, and we’re edging closer to the actual coronation and wedding(s). That said, it appears we have another detour coming up next. Does Souma need an artist?