I Saved Too Many Girls and Caused the Apocalypse, Vol. 9

By Namekojirushi and Nao Watanuki. Released in Japan as “Ore ga Heroine o Tasukesugite Sekai ga Little Mokushiroku!?” by Hobby Japan. Released in North America digitally by J-Novel Club. Translated by Mana Z.

Eventually this series is simply going to have to run out of stereotypical heroines to stack on to Rekka’s pile. We’re down to two – well, one, really, but I have my suspicions about the other – in this book, and the cracks are starting to show – I’m OK with beloved childhood friend, but beloved childhood PET? Yes, turns out the cat was a cat yokai of some sort, and now She Is All Grown Up and everything. Of course, she still acts like a cat. Her story is probably the weakest in the book, actually, as this is essentially a book of four short stories with a wraparound, and so it gets resolved quickly and easily. Possibly realizing that, the author gives us a little more depth to both heroines from the 6th book, who R wasn’t quite sure were heroines or not last time. They may not have crises to resolve, but they do both seem to like Rekka. And then there’s R.

I have been crying out for more character depth and insight into R and her future, and it looks like I’m finally starting to get it. The other “girl” in this volume is an assassin from the future, and the moment we hear she’s named L we know she’s connected to R in some way. As it turns out, she’s the prototype for what R is, and it was originally her mission to save the world… but things took too long, and R had better specs, so she was used instead, and L was sent to live her own life and, well, get corrupted by the forces of evil. As frequently happens in this sort of story. I’m not entirely certain if we’re going to add L to the harem list, but the door is open for her return. That said, I found R more fascinating here. For the most part she remains her dry, emotionless snarky self, but dealing with L finally forces some actual anger and rage out of her, mostly because she can’t be like Rekka.

Much as this series tries to have Rekka be a parody of the clueless harem guy, and he absolutely is, when it comes to saving the girl he’s really, really good at it. R has watched him save the day time and again against all odds, and it’s very frustrating to R that she is ultimately unable to talk any sense into L or save her. Unfortunately, the drawback of my enjoying her plotline is that the rest of the book feels off-balance, as if the other three stories aren’t up to the task of the final one. There’s nothing wrong with them – everyone goes to the pool and tries to flirt with Rekka, to no avail; they hold a “summer camp” at the school in an effort to give Midori a bit more depth, which… works a bit, but she still suffers from not really having had much impact in her debut. So in th\e end this volume of Little Apocalypse is just OK, but the best part is at the end, so it will leave you happy when you finish it.

Accomplishments of the Duke’s Daughter, Vol. 1

By Suki Umemiya and Reia. Released in Japan as “Koushaku Reijou no Tashinami” by Kadokawa Shoten, serialization ongoing in the magazine Young Ace Up. Released in North America by Seven Seas. Translated by Angela Liu. Adapted by Tracy Barnett.

There has been a bit of a backlash online about the constant flow of “isekai” stories into North America in the past few years. Of course, that’s because they’re incredibly popular in Japan. Indeed, they seem to be so popular in Japan that we’re starting to see authors who have an idea of a story that need not involve an isekai try to shoehorn it in anyway to get readers. This is a good example of it. Now, I may be wrong – it’s taken from a light novel that is itself taken from a webnovel, and future volumes may take more advantage of the fact that its heroine has been killed and reincarnated in another world. But honestly, if you removed the isekai aspect from this manga series, very little would change at all. Fortunately, the story is strong – which is probably why I’m complaining that an isekai wasn’t needed. I’m perfectly happy to watch Iris save the world.

As I mentioned earlier, it begins, as many series like this do, with a death by car accident. A young woman who works overtime at some company or other and spends her spare time playing otome games is killed, and suddenly finds herself in the climactic scene of the game she just cleared. Sadly… she’s the rival who’s just being taken to the cleaners. She knows what happens next – her character leaves the school and gets exiled to a nunnery for the rest of her life. Yeah, that’s not happening. Oh, she’ll leave the school, but she decides instead to confront her father with all the political machinations that have been going on in the game, pointing out that he had plans and backup plans. He’s impressed enough by this that he decides instead of exiling her to a nunnery to exile her to one of his fiefdoms, and basically tells her she’s in charge. So, with the help of a seeming army of orphans she’s picked up over the years, she sets out to make her country a better place.

I enjoyed this, but there are, let’s face it, a few moments that made me raise an eyebrow in disbelief. For a “villain” character who is seemingly an expert at verbal abuse in the game itself, Iris actually turns out to be a sweet girl who constantly wants to save everyone. Iris claims it’s “first love sickness”, and I guess we’ll go with that, but I’d have liked better use of the actual gimmick. Likewise, Iris immediately having a large force of bodyguards, maids, accountants and such that she can immediately marshal to the cause is a bit… easy? That said, honestly, if it’s going to lead to “let’s see how we’ve neglected the poor people and try to make it so they have a better life”, I’m fine with it. And the supporting cast seem fun, even though, as I noted, none of them seem to regard Iris as the villain type. Honestly, given this runs in a seinen magazine, the best audience for it may be those who enjoy the light novel How a Realist Hero Rebuilt the Kingdom. It has a similar vibe. In any case, I look forward to future volumes of this flawed but fun book, even if it did not have to be an isekai.

Arifureta: From Commonplace to World’s Strongest, Vol. 7

By Ryo Shirakome and Takayaki. Released in Japan as “Arifureta Shokugyou de Sekai Saikyou” by Overlap. Released in North America digitally by J-Novel Club. Translated by Ningen.

I’ve talked before about Hajime as Christ figure, and Hajime as simply another example of the overpowered hero going after the kids that bullied the author in middle school, but in this book it’s also worth taking a look at something that has remained a core part of Hajime’s character despite every possible attempt to extract it: Hajime the nerd. (Yes, yes, I know, chuuni. I never saw that anime, so feel uncomfortable using the expression.) Hajime’s inner monologue has had the occasional taste of otaku culture throughout the series, but this volume really sees it in full flower. When he’s in the bar gathering information, and has to impress the bartender, you can almost hear him squeeing. And while the core purpose of his “arranging a distraction” was to humiliate and get a bit of revenge on Shizuku for laughing at him, the fact that he dresses them all as a sentai team also shows this off. Hajime is badass, but still a nerd.

We seem to have run out of cover girls, as we’re back to Yue. (Technically it should be Liliana, but honestly ignoring her in favor of Yue is perfectly in character.) That said, in terms of content, Shea should really be the one on the cover, as she and her rabbit tribe own this book. Considering that turning the rabbits into savage killers was a passing joke in the 2nd book, it’s become quite a large thing, and the best running gag of the volume was everyone giving Hajime the stink-eye as they realize how much he brainwashed everyone into being Rambo. (They also inherited his nerd tendencies, coming up with hilariously bad “names” for themselves.) Since the Empire is doubling down on Beastmen being enslaved, the rabbits take matters into their own hands – with a little help from Hajime, admittedly, but mostly entirely on their own – to convince the Emperor to change his mind. Again, those who like over the top battles will be very happy.

The demons also get their asses handed to them by the rabbits, but they have a much stronger response, coming up with 400 or so of the Angels that Hajime had a little trouble with in Book 6. I suspect the eighth volume will deal with the fallout from that. One last thing that impressed me, though, was the final extra story. Usually in light novels these extra stories are pure fanservice, but this one not only advances the plot but makes a nice refreshing change from the “all religion is evil” trope we’ve seen in Arifureta and other light novels. A new pope is appointed to fill the void caused by the events of Book 6, and he proves to be an excellent choice, coming across both Yuka (the girl Hajime saved in Book 1) and Aiko and helping them get over their dithering and try to move forward. It comes across as a confessional, and this is exactly the sort of thing that confessions should be about. I really liked it.

A very strong Arifureta book. Except for Tio. God, I hate Tio. More accurately, I hate the way the author writes Tio.