Sword Art Online Alternative: Gun Gale Online: Squad Jam

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By Keiichi Sigsawa and Kouhaku Kuroboshi, based on the series created by Reki Kawahara. Released in Japan by ASCII Mediaworks. Released in North America by Yen On. Translated by Stephen Paul.

And so it’s finally here, the Sword Art Online novels for the fan who hates Sword Art Online. Or at least that’s how this is sometimes described. Sword Art Online is a very popular franchise, but it’s also the series that’s cool to hate, particularly its lead character. And so there’s a certain desire to play around in the universe but without all the baggage of Kirito and friends. Enter Alternative, where the author (best known here as the creator of Kino’s Journey, though he also is a specialist at playing in author author’s worlds) explicitly says that none of the main cast will ever be in these books. Nor is he really interested in the death game or its sequel. No, instead we have what is essentially Gunsmith Cats: the RPG, only Rally has been replaced by Goldie. The author loves guns, so do the characters, and you’d better be prepared to hear about guns.

For those who haven’t read the manga (which I reviewed last year) or seen the anime (which just ended this week), SAO Alternative stars Karen, a very tall girl who has few friends because she’s introverted and tall. Her friends tries to get her to do MMORPGs like ALO, but Karen’s character creation always gives her a really tall character – exactly what she doesn’t want. In desperation she tries to sci-fi apocalypse shooter Gun Gale Online, and finds, at last, she’s tiny! And cute! After playing around a bit, she runs into Pitohui, who is cool, gives good advice, and also seems to have a screw loose or two, though we don’t really get into that as much as I expected this book. She recommends that LLENN (as Karen names herself) participate in a new event called the Squad Jam, which is basically the BoB tournament but for teams. Sadly, Pitohui can’t make it, but she does provide LLENN with a partner, the hulking giant M, who also is there to give advice and backup. With a team of only two, can they possibly win this?

If you’re here for gun battles, then this is absolutely the book for you. The Squad Jam itself takes up two-thirds of the book, and is exciting, dramatic and fun. LLENN proves to be a natural at the game, and her headspace is also fun to follow. The purpose of the characters in this book seems to be “make them different from the real players” to contrast with the SAO crew. Karen has a short, tiny character, the stoic, invulnerable M proves to be, well, rather less stoic and invulnerable, and the team that LLENN ends up going against in the finals are a group of big burly Russian women who, it will not surprise the reader to know, are not big, burly and Russian in real life. It’s an escape. That said, while I enjoyed this book it’s not as ambitious as SAO – I’d say it’s better written but lacks the highs and lows of the original series. It feels like Sigsawa has no greater motivation than “I want to play in this sandbox”. It’s a fun sandbox, though, and if you hate SAO this may be for you.

Also, the Agatha Christie fan in me is annoyed that the team name is not “LLENN or M?”.

Silver Spoon, Vol. 3

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By Hiromu Arakawa. Released in Japan as “Gin no Saji” by Shogakukan, serialization ongoing in the magazine Weekly Shonen Sunday. Released in North America by Yen Press. Translated by Amanda Haley.

Summer still takes up the first half of this book, but then it’s time to go back to school for the new semester. And Hachiken is still very much learning as he goes. He’s gotten used to the early hours and strength needed, and in fact (once again) has to be reminded to take it easy on occasion. But there’s still stuff he has to experience, like the taste of raw milk, as well as things he has to feel responsible for, like the loss of a lot of that raw milk due to a mistake he made. I use the phrase “overly serious” a lot when I’m talking about Hachiken, and while (as I said last time) he is a very realistic, well-rounded person, it is his most defining trait. In that sense, as you’d expect, he matches well with Mikage, who loves horses and wants a career in horses, but when you’re the farm’s sole heir that’s not really an option.

At the Mikage farm, we get more insight into cow births, and some wackiness involving the local prefecture’s cows getting mixed up with the farm’s. The main plot twist here, though, is the arrival of Hachiken’s brother. I love the fact that you can tell that Shingo and his brother are completely different and yet clearly were raised by the exact same family. They each deal with their father in different ways. Unfortunately for Hachiken (but fortunately for those who love Arakawa’s comedy), this means Shingo is a bit of a flake, having dropped out of Tokyo U once he got in to pursue his dreams of becoming a ramen chef. Except he’s terrible at cooking. Shingo’s presence basically serves to give us a bit more information about Hachiken’s home life without having to see him go back home, and it’s clear Shingo cares and worries about his brother in his own way.

When we get back to school, there’s an even better joke, as Tanako suffered from heat stroke over the summer and has come to school having lost all of her weight. The wonderful thing about the joke is that Tamako literally gives not one shit about this, and the first chance she gets she’s bulked right back up. Tamako knows her own gorgeousness. As for Hachiken, he’s still dealing with the piglet he named last time, who has now grown up to be a big pig – and is ready to be slaughtered. It’s impressive that everyone treats Hachiken’s angst about the pig seriously, and no one makes fun of it at all – they’ve all been there when they were younger. Hachiken’s solution, meanwhile, feels very much like something he would do. (There’s also another wacky subplot where the school things Hachiken has gotten Yoshino pregnant = which mostly serves to remind us that Tokiwa is the Mineta of this series.

I hate to keep banging the drum here (that’s a lie, I love to bang this particular drum), but every volume of Silver Spoon reminds me why we were begging for years for its license. Read this, you won’t regret it.

True Tenchi Muyo!: Jurai

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By Yousuke Kuroda and Masaki Kajishima. Released in Japan as “Shin Tenchi Muyo! Ryo-o-ki” by Kadokawa Shoten. Released in North America by Seven Seas. Translated by Lillian Olsen. Adapted by AstroNerdBoy.

There have been a lot of things licensed and brought out in North America that surprised me, but honestly, “spinoff light novels for a series that hasn’t really been popular here since about 2002” takes the cake. To be fair, when Tenchi was big here it was VERY big. Along with Ranma 1/2 and Oh My Goddess!, Tenchi Muyo was one of the gateway anime for many fans, and also received one of the better known dubs out there. In Japan, it’s remained as popular as ever, with multiple animes, infinite doujinshi by the creators, and spinoffs galore. A lot of those have come out here as well, but it would not be exaggerating to say that Tenchi’s time was thought to be past. Enter Seven Seas, who have now licensed three volumes of a spinoff novel series that fills in important backstory for the OAV series. And this is definitely based on the OAVs, so don’t expect Kiyone here. Indeed, most of the main cast are relegated to cameos or smaller roles, as this book focuses on Ayeka and Sasami’s father, Azusa.

Yes, that’s Ryoko on the cover, and she does have a small role in this book, but she’s still basically Kagato’s puppet at this point. The main thrust of the book is seeing Azusa’s youth, as well as how he ended up married to Funaho and Masaki. To my relief, Azusa as overprotective Dad from hell is reserved for the prologue, showing yet another fiancee coming down to battle Tenchi only to be taken out by the force of nature that is Mihoshi’s luck. We then flash back to scenes of his youth, which range from seeing him growing up and being taken to Jurai by Masaki’s mother Seto (who really deserves a book or two to herself, frankly) to having the traditional tragic teenage romance, and finally ending up near Earth while chasing pirates – of course, this is Earth around 1250 CE, so there’s a lot less fish out of water antics than you’d expect – and dealing with the aftermath of telling Jurai that he’s not only marrying an offworlder but she’s going to be First Empress.

As I said, Azusa is serious-minded here and has flashes of temper, but is far more likeable and tolerable than the guy we see in the OAVs who exists to get pushed around by his wives and daughters. It’s also nice to see a less stoic “yamato nadesico” and more teenage Funaho. And, as I alluded to above, Seto makes a great mentor, and I definitely want to see more of her. The narrative is mostly straightforward, though I could have done without the annoying intrusive narrative voice name checking events in the Tenchi timeline – “little did they know this was their fated first meeting”, etc. This is especially annoying in one aside regarding Azusa’s second wife Masaki, which spoils a bit too much a future event that I was unaware of. That said, these books are clearly for Tenchi fanatics, and as such I can’t really be too grumpy about it.

Obviously, if you are a newbie to the Tenchi universe, this is a terrible introduction. Go watch the first two anime OAV series. But for those who are still fans, or people like me who hadn’t thought about it in years but still have fond memories, this book is a lot of fun. Plus it’s pretty short, so likely you can knock it back in an afternoon.