The Combat Baker and Automaton Waitress, Vol. 4

By SOW and Zaza. Released in Japan by HJ Bunko. Released in North America by Bookwalker. Translated by Ari and John Werry.

Despite taking place in a fantasy Europe-ish world where peace is very shaky and there are grudges galore, Combat Baker has been a fairly heartwarming, lighthearted series. There is the occasional assassination attempt, Lud’s past is not really made fun of, and there’s always the possibility of a horrible bread–related tragedy, but I think most folks read these books to see Sven freak out about people getting close to Lud, Sophia and Daian, and the occasional cartoon villain, like Hilde from the last book. Indeed, the setup for this book seems to be taking much the same route, as we see Hilde try again to assassinate Lud, fail miserably, and be forced to work at the bakery. The reader can relax as they realize that hijinks are about to ensue.

(Narrator voice: Hijinks did not, in fact, ensue.)

I probably should have suspected something was up when I saw Sophia’s cute and plucky Private First Class Deadmeat, who did everything but take out a picture of her boyfriend and tell Sophia that she’s retiring in two days. Yes, that’s right, this is NOT a light and fluffy book in the series, it’s the first of an extended arc, and it ends up in a very dark place. We are reminded once more that a core premise of this series is that it’s in a world sort of ruled by Germany, and that the fantasy equivalent of the SS are looking to move up in the world. As such, our main villain Genitz is NOT in the hilariously awful mode like Hilde was – he’s a nasty piece of work who you will come to loathe, and he ups the body count in this book significantly. I have no doubt that he’ll get his in the end – he already has one scheme too many, in my opinion – but as far as Book 4 goes, the bad guys win.

It’s not ALL doom and gloom, of course – as I said, the first three fourths of this are pretty fun. Yes, Sophia and her troops are holding back a siege, but it’s OK, they still have Rebecca in reserve, and lots of experimental weapons like bazookas. More to the point, the book humanizes Hilde. I went into the book groaning a bit about this, as Hilde was so obnoxious in the third volume that I wanted nothing more than for her to vanish from the narrative forever. And some of her redemption is clunky – Sophia’s recollection of a young girl singing and being humiliated at a noble’s party years ago screams “please enjoy this exposition which will be important later” – but her emotional journey does eventually feel earned, and I liked the way that she and Sven compared and contrasted. Also, the author does have some excellent subtle tricks later on – I didn’t realize the past connection between two characters until right before I was supposed to.

Still, things are bad. Two likeable people dead, one main supporting character possibly dead, another missing, one captured by evil soldiers, and our main heroine will, I suspect, be brainwashed for much of the next book. Can Lud and company turn this around? Probably, yes. In the meantime, the bakery’s closed after this excellent but dark volume.

Caterpillar Girl and Bad Texter Boy

By Sanzo. Released in Japan as “Imomushi Shoujo to Komyushou Danshi” by Kadokawa Shoten, serialized in the magazine Gene Pixiv. Released in North America by Yen Press. Translated by Alexandra McCullough-Garcia.

I’m not sure what I was expecting going into reading Caterpillar Girl and Bad Texter Boy. I knew the basic premise, but that’s about it. I think I expected a cute, slice-of-life thing with heartwarming moments. I also expected by the end of the book everything would be back to normal. Neither of those things happen, and in fact the book goes to a lot of dark places that I wasn’t expecting. That makes it a richer experience, though, and even as I was reading along and going “holy crap”, I was appreciating what the author was doing, peeling apart the backstory of a hero that I honestly didn’t like at all at the start, and making you think twice about the love on his childhood friend, which goes from zero to obsession in the flashbacks. And then there’s the God who puts all this in motion. The book has a lot of balls in the air, but juggles them very well.

The book wastes no time getting into its basic premise. Suzume is pretty, accomplished, and popular. She is childhood friends with Akane, who is introverted, somewhat plain, and has a massive case of self-hatred. So when she confesses to him, his response is variations on “there’s no way someone like you could go for someone like me”. After which she promptly disappears… and then shows up in front of him as a giant human-sized caterpillar. No, this isn’t metaphorical this time around. She made a wish to a shrine god that she could be an ugly creature so that he wouldn’t have to worry about her being pretty and popular. The trouble is that she REALLY didn’t think this through, and can’t really grasp anything, food tastes bad, and she now feels totally useless. As for Akane, he still hates himself, but now he feels guilty. What’s more, turns out one of Suzume’s friends at school is in fact the God she was praying to… and she hates Akane.

The second half of this book, right about where we start to get the perspective of Ouga, the classmate and God mentioned above, ends up being so riveting that I don’t actually want to spoil it. Which, for those readers who know that I casually spoil absolutely everything, is really saying something. Seeing Akane’s backstory made me realize that he’s not just some whiny loser protagonist but has real built-up issues. We also see that Suzume’s love is incredibly unhealthy, both in her past as a human and in her present as a caterpillar, and as we head towards the ending (the book is complete in one volume) we realize that this is not one of those “happily ever after” books so much as “ever after”. There are no easy answers when you love someone so much you transform into a caterpillar for them.

This isn’t an easy read – the three leads all have difficult personalities that we have to deal with, and I think there are some readers who might have preferred the cutesy heartwarming story I thought we were getting going in. But I’m very happy I read this, as the emotional heft of it was fantastic.
Not your typical “monster girl” manga.

Outbreak Company, Vol. 4

By Ichiro Sakaki and Yuugen. Released in Japan by Kodansha. Released in North America by J-Novel Club. Translated by Kevin Steinbach.

This is quite a short volume of Outbreak Company, and as such it doesn’t really do a heck of a lot to advance the forward plot. Its main thrust can be divided into three: 1) Due to the soccer game from last book being filmed and then leaked onto Youtube, Shinichi and company have to figure out how to cover up something that’s already gone viral; 2) Petralka is starting to burn out a bit, and her advisors aren’t really sure how to deal with a teenage empress; and 3) the author has realized that Minori hasn’t really had much of a backstory, and thus has Shinichi actually notice she’s uncomfortable when he calls her feminine and asks her about her past and background. In the afterword, the author says this was supposed to be Minori’s book but Petralka sort of shoved herself in; I think that may have been a good idea, as while Minori’s past is suitably sad, it doesn’t really tie into anything else. It’s there just for development.

Minori doesn’t even get the cover (she was the logical choice), as instead we have Magical Girl Petralka. Shinichi’s idea to stop the Youtube rumors is to put out a few more video clips that make it clear that this is a movie, and that it’s just CGI people saw. This dovetails nicely with Petralka needing a bit of distraction from the heavy weight of power, and so she ends up being the star. Unfortunately, as you’d expect from a girl who’s done nothing but rule the country or be prepared to rule the country, Petralka decides she likes life on the other side a bit TOO much, and needs to be smacked back with some harsh reality. These are probably the best scenes in the book, and show off the main reason why Outbreak Company is still a good read – Shinichi is very good at reading people, and figuring out what they need.

As for Minori, despite telling Shinichi about her past, and saying that she understands why the other girls have all fallen for him, there’s no indication that she has done the same, which is fine with me. She gre up as the Heir to the Dojo, but as iwth a lot of Heirs to the Dojo who are female, her dad wanted a boy and she can’t help but always be inadequate. Puberty also didn’t help, which is probably why Shinichi’s obsession wi8th her large breasts is not all that welcome (though I would not expect it to end either – this is still a Japanese light novel). That said, she gets to save the day when a large dragon attacks the film site (which is the one part of the book hinting at future plotlines, as the dragon seems to have been mind controlled by another nation), and hopefully she’ll feel more comfortable with herself as the series goes on.

This wasn’t the best volume of Outbreak Company, and it felt more like filling time than anything else. But there were still lots of good scenes and funny character bits, and it’s enough to tide us over till the next book, which I hope is more plot-heavy.