JoJo’s Bizarre Adventure: Stardust Crusaders, Vol. 4

Leave a reply

By Hirohiko Araki. Released in Japan as “Jojo no Kimyou na Bouken” by Shueisha, serialized in the magazine Weekly Shonen Jump. Released in North America by Viz. Translated by Evan Galloway, original translation and adaptation by Alexis Kirsch and Mayumi Kobayashi.

For all of the cool fight scenes and new arrogant villains, there is a certain sameness to Stardust Crusaders that I just can’t seem to escape from. It doesn’t help that this arc of JoJo’s is essentially a road movie/extended chase scene, and so we don’t really get much plot beyond “who will turn up in which Middle Eastern town to attack our heroes?”. To be fair, some of those villains are interesting, and there’s a lot of “the villain thinks they will be saved by the main villain, but no, they are just another pawn” here, but I’ll tell you; reading Jotaro’s story is a lot like traveling across the Midwest and staying at the same Holiday Inn with the same wallpaper every single night. Fortunately, there is the art if nothing else; JoJo’s always LOOKS really cool.

As I’ve observed before, there is a huge love of Western music that we’ve seen throughout the series, particularly in the naming of its various characters (mostly villains, but let’s not forget R.E.O. Speedwagon too). It reminds me of a previous old-school manga Viz used to release back in the day, Bastard!!. And just like that series, some of the names have to be changed to avoid litigation. Here we have Enyaba on the cover, who is Enya with a -ba added to her name to let us know she’s a wizened granny. There is also Dan of Steel, who is named after Steely Dan, of course, and like the item the band named themselves after, he proves to be a giant dick. An enterprising young fan could probably give us a nice JoJo’s soundtrack filled with songs from the bands and artists mentioned here. It also helps to emphasize the ‘road’ feel of this storyline.

The fights are the same, filled with action and horror, also continuing the body possession from last time. Fortunately, there is also a helping of humor, some of it gross (Polnareff and his tendency to need to use the bathroom – which rebounds nastily on him here) and some of it amusing if a bit sad (Joseph was always street smart rather than intelligent, but a lot of times here he becomes stupid for the sake of the gag). The humor is needed to offset the grisliness of the battles here, with many of the villains being taken out in highly grotesque ways. For all that Dio is meant to be the main villain of this arc, and I’ve no doubt he will be appearing in the final volumes, so much of this is like a video game where you have to battle endless mid-boss after mid-boss. The journey here in JoJo’s is definitely more important than the destination, and therefore this volume gets the same opinion as the others: I liked it, but like the first two arcs better.

The Devil Is a Part-Timer!, Vol. 8

Leave a reply

By Satoshi Wagahara and 029. Released in Japan by ASCII Mediaworks. Released in North America by Yen Press. Translated by Kevin Gifford.

Well, I’d talked about how much I love the daily life scenes in this series, and that’s still true. The author even throws in a classic one right at the beginning just to soften us up. But yeah, those days are, if not gone for good, at least gone for now. Because one of Maou’s larger flaws is tending to act impulsively and worry about consequences after the fact, and so the events of the 6th book are coming back at him with a vengeance. I won’t say that he ends the book completely defeated, but what with most of the cast being captured or incapacitated in some way, things aren’t looking good. I also said in the review of Vol. 6 that I suspected we’d be headed back to Enta Isla, and while we aren’t there yet, it’s very clear that we’re setting up a book or two over there next time. Fortunately, despite all these events, the writing remains first rate.

Yes, that’s a new girl on the cover, and if you think she looks like Alas Ramus, you’re on the right track. Her personality seems to be ‘hyperactive child’, despite appearing to be about 13 or so, and Maou has a lot more trouble dealing with her, which doesn’t bode well for his fatherhood skills when Alas Ramus grows up. (Can Alas Ramus grow up?) Of course, Maou is a little bit stressed out, mostly as Emi and Alas Ramus returned to Enta Isla for a visit and have not come back, despite it being well past the time she said she would. Leaving aside the wisdom of Emi returning to Enta Isla after the events of the previous books (Emi is fairly straightforward, so I can see her doing this), the absence makes Maou realize just how much Emi is a part of his life now. Of course, he doesn’t realize this right away, but takes most of the book, and a few talking tos by Chiho and Suzuno, in order to grasp it. Oh yes, and the worst part – he’s trying to get a motor scooter license (for the job, of course), and was so stressed he failed the exam! Which means more expenses.

Emi’s absence is not just noted by the fantasy characters, of course. First of all, if this takes much longer she’s going to need to look for a new job, as she’s currently AWOL at the call center. Secondly, Rika is very upset about the whole thing, and she runs to Ashiya is case he knows anything and ends up caught up in the attack on Japan that the forces of evil have launched to destroy Maou’s “demon generals”. The book balances on an edge as to whether Ashiya is going to tell her all about them or not, but of course he’s spared the choice by the bad guys showing up. The last half of the book has a lot of cool fight scenes, which if they ever do Season 2 of this series will look quite good animated, and Chiho gets to act cool. Still, there’s no getting around that Maou is in trouble, Emi is in trouble, Ashiya is in trouble, and those who can help are either too human or too injured. Excellent stuff, but now we have to wait to see what happens next.

Cosplay Animal, Vol. 1

1 Reply

By Watari Sakou. Released in Japan by Kodansha, serialized in the magazine Dessert. Released in North America digitally by Kodansha Comics. Translated by Rose Padgett.

Of of the more encyclopedia manga reference sites out there, Baka-Updates, has its listing\s of manga divided into tags, and I’ve frequently found myself looking at the work of a specific author or genre and wondering which tags were commonly used. In addition to the obvious ‘shonen’, ‘shoujo’, etc, there are things like ‘love triangle’, ‘strong female lead’, etc. And a lot of the shoujo titles tend to have the word ‘smut’ attached to them. These are the shoujo titles that run in order-skewing magazines like Sho-Comi or Dessert where the relationship expands to include sex fairly rapidly, and includes it often. A few years back you’d never have seen these sorts of titles over here, but now we have a certain number of them, mostly from Viz; Ai Ore, Butterflies Flowers, and the like. That said, while I have seen young women surrendering to passion, driven by their desires, and having a grand old time in these books, I’m not sure I’ve ever seen a heroine quite as horny as Rika in Cosplay Animal.

Rika is a college girl with a fetish for costumes, particularly school uniforms – and I mean fetish, we hear over and over again about how much it turns her on. One day she posts to a hookup site and starts talking with a high school boy who’s having relationship issues, and as they talk she texts a picture of her in her old school uniform. She decides to go see him, and finds that not only is he super hot, he also works as a waiter – another uniform! Of course, at first he thinks she’s a high school girl. Then, when he finds out the truth, he finds her fetish a bit lame. But eventually they work things out, and now Rika is dating a guy who will not only agree to have sex with her in a uniform, but can give her multiple orgasms. The end! Only, of course, not the end.

This volume has only Cosplay Animal’s first-chapter, which is clearly a one-shot, and its one-chapter sequel, also clearly meant to be a one-shot. Something about the series made the editors reward it with a longer run, and I’m pretty sure it’s Rika, who is simply straight up ridiculous. The series verges on being completely horrible but it isn’t quite, and what makes it compulsively readable is that Rika really is that over the top – if she were a more realistic, emotionally fragile young shoujo heroine this would be tasteless. As it is you can’t even get offended because of the silliness. That said, the manga cannot sustain this pace forever, and I can’t help but notice that it ran for 14 volumes. Something is going to have to give to fill up that space. I hope the character development is just as whacked out as the start was.

There are also three unrelated short stories at the end of this, which in fact take up more room in the volume than the main series. Cockblocked! is memorable mostly for the title, and features a girl trying to have sex with her older tutor but having difficulties due to a past family trauma. Servants of the Flesh deals with two young people in different schools, one male, one female, who have the same reaction to being called ignorant virgins a while back – to learn EVERYTHING IT IS POSSIBLE TO KNOW ABOUT SEX. Of course, they are still virgins. Sparks fly when they meet each other trying to help a friend at each of their respective schools, and end up being super hot once they both take their giant nerd glasses off. Again, it’s the sheer ludicrousness that makes the short work, though it gets buried in sex info because of the leads. The Touch of an Angel, the Kiss of a Devil is the most ‘normal’ story in the book, and therefore the dullest. I wonder if it was the author’s first, it seems so generic.

Cosplay Animal is a fun manga to read, but be warned: do not have any expectations of it being anything other than pervy shoujo froth. If \that’s what you’re looking for, Rika is here for you.