If the Heroine Wants My Fiancé, I’ll Marry a Yandere Villain Instead!, Vol. 1

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By Kobako Takara and Jun Natsuba. Released in Japan as “Heroine ni Konyakusha wo Torareru Mitai node, Akuyaki Reisoku (Yandere Character) wo Neraimasu” by B’s-Log Bunko. Released in North America by Cross Infinite World. Translated by Emma Schumacker.

I admit I did briefly roll my eyes at the ineptness of the antagonists at the start of this book. The titular fiance is a drip of a man who our main character immediately falls out of love with after she gains her memories from Japan. The heroine is one of those who doesn’t actually care about walking up to the crown prince of their nation and saying “wow, great CG art!”. The “yandere villain” is being abused by his family, whose father is actually decently evil but whose brothers are so dumb they can’t even pretend that our main character is anything but a convenient woman to stay home while they play around. It then occurred to me that despite all this, both main characters have to struggle to get what they want, and still barely do. It’s almost like evil does not have to be competent or smart to succeed. Some lessons to learn there for all of us.

Cynthia Rhuddlan is a viscount’s daughter, and engaged to the son of an earl. Sadly, the son of the earl is pretty pathetic, but she still tries to work on their engagement with him. Then she remembers this is a game, and she’s one of the villainesses. And that Elly, the new girl who’s been muscling in on her fiance, is the “heroine”. Since her fiance suddenly no longer appeals, she tries to find another love interest who’s not already engaged, and comes up with Siraiya, the third son of a duke. He has a tragic abusive backstory, and if the heroine helps him he gets very attached to her… which can lead to a murder-suicide if done poorly! Can she try to win over this man, help him overcome his family, and get a happy ending?

Cynthia is very likeable, and is in the “highly competent” variety of heroines, so it’s nice to see she’s not immediately exiled or arrested, and she even breaks up with her fiance herself. A lot of this book requires negotiating the noble title arena, as well as who one can and cannot make a pass at. The game, tellingly, completely ignores all this, because only light novels are interested in delving into class warfare like that. Sireiya, meanwhile, is the sort of boyfriend who, once you give him a nice haircut, teach him things, and treat him like an actual human being rather than a tool, turns out to be nigh-on perfect. Her parents are understanding and supportive, and basically adopt her new fiance. The crown prince even helps after Cynthia accidentally solves his own tragic romantic subplot by virtue of her game knowledge. The outcome is not in doubt… even with rather pathetic villains.

This wraps up nicely, but there is apparently a Vol. 2, which surprises me. For genre fans.

Breaking Up Was the Plan, the Duke Falling For the Villainess Was Not!, Vol. 1

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By Kotoko and Ataka. Released in Japan as “Hakyoku Yotei no Akujo no Hazu ga, Reitetsu Koushaku-sama ga Wakaretekuremasen!” by B’s-Log Bunko. Released in North America by Cross Infinite World. Translated by Dawson Chen.

I’ve often wondered what would happen if I ended up in one of these “oh no, I’m dead and now in the world of my favorite game” books. Well, OK, I haven’t wondered it often. But I wondered it as I was reading this latest version of it. It’s all very well and good for the reader to think “well, certainly I would not be so wedded to the plot of the book that I would lose all common sense”. But we’re not stuck in a world that will be going to war unless we make the right decisions. Or in this case the wrong decisions. It’s a lot to ask a young woman who’s already dealing with the fact that she’s now stinking rich and ludicrously evil. If I were in a similar position, would I do my best to forget about the book and just live life as it comes? Would I slavishly adhere to the books events no matter what? Or would I break down in front of my favorite character and start eating weeds?

Our heroine was a poor salarywoman who worked herself to the bone to earn money for her equally poor parents, scrimping and saving. Then she wakes up as Grace Saintsbury, the villainess from one of her favorite books. And what a villainess! Grace is obnoxious, spends money like water, and breaks up with lovers routinely. She’s bedridden as her most recent break-up caused her to be pushed off a balcony… and now she has her memories from Japan. Grace knows that in this world, there will be a war unless Zane, the grief-stricken son of a duke, ends up involved with Charlotte, the story’s heroine. The impetus for them getting together is Grace breaking up with him in a horrible way. She’s hardly the villainous type now. Also, she’s not even dating Zane yet. But we’ve gotta keep that plot on the rails!

There’s a rather pointless prologue set, presumably, after this first book ends, that shows us that we’re meant to think of this as a comedy. It might be there because while the bulk of this book mostly consists of Grace being really nice and sweet to everyone with the occasional “wait, I have to be arrogant” sidestep, there are a few very grim scenes as the actual novel tries to exert its plot. The reason the grief-stricken duke’s son has grief is the horrible murder of his younger sister… who Grace realizes is going to be murdered THAT NIGHT, and whom she only just manages to rescue. (When asked why she rescued a woman she’s never met from a psycho with a sword, we get Grace eating weeds out of pure desperation). Towards the end of the book we get a child slavery ring as well, which it is implied would have happened if Grace had not suddenly become a philanthropist who wants to start a soup kitchen. It’s still MOSTLY a comedy, but the pull from darkness is what makes it interesting.

This has a second book, which presumably will continue to have Grace run from her increasingly infatuated boyfriend. I hope it keeps the dark stuff as well.

Yuri Tama: From Third Wheel to Trifecta, Vol. 5

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By Toshizou and Kuro Shina. Released in Japan as “Yuri no Ma ni Hasamareta Watashi ga, Ikioi de Futamata Shite Shimatta” by Overlap Bunko. Released in North America by J-Novel Club. Translated by Tristan K. Hill.

It is sort of mind-boggling that I finished this series. My review of the first book was decidedly lukewarm, and the second one I actively hated. (The incest, the main reason I hated the second book, briefly crops up again here, and no surprise it’s the worst part of this book.) But as the series got to the third and fourth volumes, and its wet rag of a heroine paused from her description of herself as a pathetic piece of excrement lying at the side of the road long enough to instantly seduce any young woman who happened to say two words to her, I gradually warmed to it more and more, especially as it became apparent it was fighting a losing battle against another yuri series with a similar premise that started earlier, was far more popular, and now has a popular anime. There’s No Freaking Way Yuri Tama was not going to get cancelled, and sure enough it was. But we do get this last book.

We pick up where the fourth book left off. Yotsuba’s two current girlfriends have a bet with her childhood friend and wannabe girlfriend that will be resolved when they perform. All Yotsuba has to do is film the performance… wait, no, they don’t trust her to do that. All she has to do is watch the performance. Oh, and go around the festival. Then she’s approached by one of Makina’s fellow idol group members, Mio, who wants to figure out just why Makina would leave a huge up and coming idol group to go and be in high school for a while. She immediately sees that Yotsuba is a giant sucker, and so makes her own bet: If she watches the upcoming performance and is impressed, she’ll let Makina do what she wants. But if not, Yotsuba has to convince Makina to return to idol work. Fortunately, Yotsuba is armed with nothing except near lethal amounts of rizz.

It’s remarked on several times in this book that people can’t read Yotsuba’s mind, it’s just that everything she’s thinking is written all over her face. This of course extends to why she gets so many people to fall for her – it’s because she cannot help but be genuine and honest with everyone, and she really is mind-boggled by how sexy and attractive and sweet and good all the girls around her are. To the point where the girls need to actually be that good to match the expectations Yotsuba has for them. This is a final volume, as the author notes in the afterword, but there’s no real resolution (the author, to be honest, sounded a bit bitter about the low sales). The bets essentially return everything to status quo, Yotsuba is still “Two-timing” with her girlfriends, and the usage of that word still bothers me.

God, Yotsuba was annoying. but as I read more and more from her, I actually came to root for her more and more. Which is more than I can say for Renako.