Invaders of the Rokujouma!?, Vol. 4

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By Takehaya and Poco. Released in Japan as “Rokujouma no Shinryakusha!?” by Hobby Japan. Released in North America digitally by J-Novel Club. Translated by Warnis.

I’m not certain if this is deliberate or accidental, but so far in Rokujouma each starring heroine has been the one featured on the PREVIOUS cover. Sanae features on the cover of Book 2, and gets most of her development in 3. Theia features on the cover of 3, and gains the most development (and a rival) in this book. And, judging by the cliffhanger ending, the next volume will focus primarily on Yurika, who’s on the cover of this volume. Of course, given this is a harem comedy with a large cast, everyone gets something or other to do in this book. But there’s no doubt the main thrust is the play that Theia writes using her own planet’s history, and how much it resonates with some of the cast. And, as I noted above, we get another candidate for the throne as well, who seems to be the mad scientist type, and is perfectly OK with killing others if she can get away with it. Fortunately, this is a comedy.

The other beneficiary of this school play is Harumi, who is a knitting club member rather than a drama club member, but everyone agrees that she has the look and feel of the princess that Theia has “creates”. The gag, of course, being that she only turns into a good actor – only identifies with how the princess is feeling about being separated from her knight – when it’s Koutarou who’s playing opposite her. In fact, it feels like a bit more than a gag, and there are hints that there may be some serious reincarnation or something similar going on here. Of course, this makes for a great excuse to have Koutarou, also not a Drama Club member, play the Blue Knight, which allows Theia to give him rigorous knightly training with a suit of armor that fits him abnormally well. I;ve often said that Vol. 4s tends to be the ones where the plot is greatly expanded as the publisher tells the author it won’t be cancelled immediately, and that seems to be the case here.

The others don’t get as much to do – though I noted that Yurika saved the day without anyone realizing it again, a running gag that suits her misfortune. We do see that after the events of the previous volume, everyone is getting along much better – aside from the occasional abuse of Yurika because, well, that’s what happens to her – there’s little jealousy or typical harem antics going on here. I suspect the ship here may end up being a poly one (in fact, many of J-Novel’s current licenses have legal or implied polygamy – coincidence?), but it’s handled well enough, and poly ships also help to avoid all that “who is best girl?” nonsense. Rokujouma is never going to win any awards for originality or good writing, but it’s like a good beef stew, a meat and potatoes sort of book you can read anytime. Recommended to fans of the genre.

Appleseed Alpha

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By Iou Kuroda, based on the manga create by Masamune Shirow. Released in Japan by Kodansha, serialized in the magazine Morning Two. Released in North America by Kodansha Comics. Translated by Lillian Olsen and Stephen Paul.

It has been an awfully long time since I read Appleseed, even with the recent digital release. And I haven’t seen the 2014 movie that this is apparently a spinoff from, though I understand the manga and anime may only be loosely based off each other anyway. But that’s OK, because Appleseed Alpha is still a perfectly enjoyable, if occasionally too busy for its own good, story. All you really need to know is that the human woman is Deunan Knute, and her lover/companion is Briareos, a former human who is now mostly cyborg. (How far they go as lovers is, as always, left mostly ambiguous.) The main series proper saw them living in, and rebelling against, the utopia of Olympus. The Alpha story is a prequel, so naturally we get to spend it in a dystopia – the remains of New York City, run by a cyborg who is half mayor and half mafia boss.

Shirow is not writing or drawing this, by the way, but the artist is not unknown to North American readers – it’s Iou Kuroda, creator of cult classic Sexy Voice and Robo. That felt like more of an indie comic than a manga, and this feels much the same, which makes sense as it ran in Kodansha’s experimental manga title Morning Two. The art has thick lines and less detailed faces, though trust me, there’s just as much detailed background and cityscapes as you’re used to with this title. The main plot separates our heroes early, as Briareos, by nature of his not only being a cyborg but one of the awesome cyborgs, is lauded by the mayor (whether he likes it or not) and Deunan is left out in the cold. She ends up outside the city, meeting a group of farmers who may have more links to the city than she had expected. Meanwhile, Briareos has, of course, NOT abandoned Deunan, and ends up heading out to see her.

This one-volume omnibus has a few cool battles, though the artist seems more suited to drawing the effects of the fights than the fights themselves. There’s also some amusing humor, the best of which involves several trains filled with cows all heading into the remains of Penn Station with drivers asleep at the wheel. Deunan and Briareos feel in character – both somewhat removed from society, yet still highly involved it it – and Deunan still gets to be a hothead at times. As for the mayor, Two Horns, he is a hoot, a giant parody of all mayors with a sinister side to him as well – and a mysterious past that gets revealed right at the end of the book. I’d definitely recommend this if you’re a fan of Appleseed. For others, even though it’s technically a prequel/alternate universe, I’d recommend starting with the four main Appleseed books themselves.

Demon King Daimaou, Vol. 1

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By Shoutaro Mizuki and Souichi Itou. Released in Japan as “Ichiban Ushiro no Daimaou” by Hobby Japan. Released in North America digitally by J-Novel Club. Translated by David Musto.

While I would not go so far as to say that it was terrible, or that I won’t get more (I am curious to see what happens next), there’s no getting around the fact that Demon King Daimaou is a deeply flawed book. It knows what it wants to do, but sometimes skips necessary steps to get there. Its setting is bog standard, and most of its characters hew to the cliched stereotype. In fact, when this fairly old light novel series was made into an anime several years back, fans called the heroines by their hair color rather than their name. That’s harder to do with a textual book, even with illustrations, so I will try to use actual names – I apologize if this makes things confusing. The most interesting part of the book is the hero, but that’s not always to its benefit either.

Our hero is Akuto, seen here on the cover showing more expressiveness than he does in the entirety of this book. He’s a young orphan who arrives at Constant Magical Academy in order to start a path towards changing the world by becoming a high priest. Unfortunately, like the Sorting Hat in Harry Potter only much worse, there’s a machine at the school that lays out your perfect career path for all students. And Akuto’s is Demon King, which disturbs almost everyone since the last Demon King was defeated at that very school years ago. Of course, Akuto doesn’t believe in fate, and a simple explanation to his fellow students should do the trick. Unfortunately, while he may be overly serious, studious, and have seemingly noble intentions, he cannot help but stick his foot in his mouth every time he speaks – partly as he genuinely isn’t paying attention to how his words come across till after he’s said them, and partly because, well, he really would make a pretty nifty demon king.

Akuto is interesting as a hero mostly as he’s not really the hot-headed, fiery type or the “harem protagonist” type – the book runs on his total inability to say the right thing in any given situation, but skewed just enough so it doesn’t seem familiar. The same can’t be said of the heroines. Keena, the girl on the cover, is meant to be the ‘airhead’ sort, but also has a mysterious past, and spends a lot of the book away from events. Junko is our standard Akane Tendo heroine, who likes Akuto at first before he’s chosen by the machine to be demon king, but afterwards alternates between humiliated rage at being played for a fool and growing feelings of love (that frankly grow far too fast given their interaction). The best of the girls so far is Korone, an android bodyguard with a stonefaced expression and a tendency to tease the bejabbers out of Akuto – she was my favorite part of the book.

I should also mention the ending, which features another girl, who is secretly evil, getting her comeuppance at the end in what is meant to be a humorous way. Sadly, this involves her getting gangraped by her other female classmates, who are under the influence of a drug. It’s implied and offscreen, but I don’t care. It’s ugly and awful. It helps to make this first volume something of a hot mess, and while I’m not abandoning it just yet, it’s on thin ice. I’d recommend it to those who enjoyed the anime only.