In Another World with My Smartphone, Vol. 5

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By Patora Fuyuhara and Eiji Usatsuka. Released in Japan as “Isekai wa Smartphone to Tomo ni” by Hobby Japan. Released in North America digitally by J-Novel Club. Translated by Andrew Hodgson.

First, off, here’s a surprise with this volume of Smartphone: there’s no new love interest. Touya’s list of wives is still stuck at five, and (for anime watchers who were rather startled to see her name on the flashforward) Leen here does nothing except dole out the occasional exposition and pine for the library to be discovered. That does not mean that there’s not a lot going on here: the story is jam-packed as always, though typically it does not appear to follow a specific path so much as meander. Touya sets up his new duchy, adding renovations to the castle (game room with bowling alley and whack-a-mole), gets the major rulers of the area obsessed with mahjong, creates roads, brings in new businesses, and creates a legion of soldiers (including a team of ninjas led by Tsubaki from the Eashen volume). Typical Smartphone stuff, and nothing that would raise an eyebrow. But let’s talk about the religious dictatorship.

This is the first volume to come out after the anime finished, so I expect may grab a few more readers who want to see what happens next. They may be surprised. Not so much by the evil and hypocritical dictatorship – such things are a dime a dozen in manga and light novels, and honestly the fact that the main Cardinal was described as looking exactly like Hitler barely raised an eyebrow. No, what startled me was Touya’s vehement reaction to the attempt to proselytize his nation, which in my opinion really went above and beyond natural “I’m not a fan of organized religion”. Touya’s past on our Earth pre-death has been completely ignored as we’ve gone along, but I do wonder if there was something in his past that led to this. I also suspect the author has an ax to grind. To be fair, Touya does say that he’s fine with people worshiping God in the way that they want – but he’ is very much against organized religion trying to flex its muscle, and says so vehemently. Where this becomes hilarious is that the God of this series – the one who resurrected Touya, which is why he can say “Sure I do” when people ask if he believes in God – comes down from on high to thank Touya for his speech decrying religion, and affirms to the somewhat terrified priestess watching that he really barely watches over the world at all – humans should seek to improve the world themselves, rather than rely on deities. The entire chapter is rather mind-boggling, and I wonder how it will read here in the West.

There is also a certain amount of backstory regarding the Phrase, which is not discovered through hard work and research, but instead given to us in an infodump by Ende, whose sole purpose in this series is to give exposition and look like Kaworu from Evangelion. The series’ faults are all still there – Touya is ridiculously overpowered, and finds out in this book he actually is a demigod; the BL author seems to have driven him into a complete “ew ew ew” rage whenever she’s remotely mentioned, which is irritating; and as I said before, despite the Phrase there seems to be no driving force behind this title beyond “watch what Touya does next”. That said, I’m content to do just that. The fiancees don’t get much to do here, but they all do kick ass in the final story, without Touya’s help, which pleased me. Oh yes, and Touya used his powers at Olga and Lyon’s nuptials for one of the sweetest wedding speeches you will ever see – it may be the highlight of the book. If you hated Smartphone, this won’t change your mind. If you loved Smartphone, unless you’re an Evangelical Christian, this will give you what you want.

Oh, and Touya also invents baseball. Because of course he does.

Gabriel Dropout, Vol. 1

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By Ukami. Released in Japan by ASCII Mediaworks, serialization ongoing in the magazine Dengeki Daioh “g”. Released in North America by Yen Press. Translated by Caleb Cook.

We’ve seen a lot of comedy manga lately from various publishers, but it’s been very hit and miss, which is not surprising given the nature of the beast. Comedy is hard, and comedy is also subjective. Sometimes something that’s enjoyable for a volume or two is going to be tiresome in the long haul (I’m looking at you, Aho Girl). Sometimes something that other readers find funny is going to rub you the wrong way, or you end up sympathizing too much with a group of characters who are clearly meant to be complete asses. That is, I suppose, theoretically possible with the cast of Gabriel Dropout, but I for one welcome a series that is not afraid to show us that both Heaven and Hell are combining to produce angels and devils that seem to specialize in being lazy, unproductive, pathetic, cruel, and completely unable to fulfill their original mission. If only as I find it very funny indeed.

Once again, the title is the premise. The girl on the cover is Gabriel, an Angel who graduated top of her class in Heaven, and is sent to Earth to learn how humans work so that she can help them in the best way possible. We do not, thankfully, see her arrival and fall – that would ruin the comedy. Instead, we simply cut to her, months later, down on Earth in a filthy apartment, playing RPGs, manga and rubbish stacked high, lazing around in her underwear. Her explanation for how this happened is as vague as it is self-serving, but I don’t care, as this sort of character is simply funny. She has a good snarky monologue in her head, can be the boke or tsukkomi as required, and clearly has the ability to be noble and upright but chooses not to. She’s assisted by Vignette, a demon who is essentially her mirror image – she needs to be doing bad things but has wound up being the student council president type.

These two alone would be a decent enough comedy, but we then add the ludicrously over the top Satanya, also a demon but far more egotistical, dramatic, and stupid. She’s the sort who brings her own downfall on herself, but it’s her reactions to everything that are wonderful. Then we see Gabriel’s fellow Angel Raphael, who is basically Mugi from K-On! if she were totally evil. Raphael lives to tease and troll, and therefore we see her most often with Satanya, who is the perfect victim. The premise of the series seems to be that the Angels and Devils would function much better of they were on each other’s team, though nobody is actually trying to do anything genuinely bad – Satanya regards throwing away a bottle without taking off the cap first as the height of villainy, after all.

Again, comedy is subjective, and I think some people might not enjoy this as much as I did. Certainly if you take Satanya’s suffering seriously the entire cast might simply be giant jerks. But I found Gabriel Dropout very funny, and am definitely adding it to my list of ongoing comedy manga. Whether it can survive the long haul… is a question the next volume will have to answer.

The Disappearance of Nagato Yuki-chan, Vol. 10

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By Nagaru Tanigawa and Puyo. Released in Japan as “Nagato Yuki-chan no Shoushitsu” by Kadokawa Shoten, serialized in the magazine Young Ace. Released in North America by Yen Press. Translated by Paul Starr.

And so we come to the end of the Disappearance of Nagato Yuki-chan, and it feels thematically appropriate that Yuki doesn’t exactly disappear but she definitely takes a back seat in this final volume, entirely devoted to Ryouko’s decision to move to Canada to live with her parents and go to college there. It feels appropriate because, no offense to Puyo, but Kyon, Yuki and their relationship have been the weak part of this title. Yuki’s been OK, and I’ve enjoyed seeing her gain a certain level of confidence, but Kyon is a pale shadow of his self from the main series. They only shone in the amnesia arc, which featured what was essentially Yuki from the main series crossing over.

No, the big achievement of this series has always been Ryouko Asakura, written off as a villain in Haruhi proper (and don’t get me wrong, she made a wonderful villain), then turned into a comedy punchline by Puyo in his other Haruhi series,the gag manga Haruhi-chan (which is still running, by the way – Vol. 11 comes out here in December), but in the Nagato spinoff she became the main reason to watch it, easily having the most depth and emotional pull while also gaining an alternate characterization as Yuki’s “mother” figure who is also overly stressed and worrying to the point where, when being around her, Haruhi ends up being the deadpan straight man figure.

Ah, yes, Ryouko and Haruhi. Folks who’ve read my other reviews of this series know that I’ve shipped them almost as soon as they had significant scenes together, and the tenth volume, while not, of course, making anything canon, is written as if the author read my reviews and said “let’s see what I can do with that”. Being unable to tell Yuki straight away about her decision to move, Ryouko opens up to Haruhi, who alternates between being a sounding board and being a complete goofball (trying to stand on the exercise ball, and the goose egg punchline that follows, was amazing). Haruhi immediately says she will fly to Canada to visit Ryouko – her “free room and board” line implying she’ll just stay at Ryouko’s – and when Ryouko does eventually fly off, Haruhi’s farewell is given a full page, as is Ryouko’s response – more than Yuki!

We then get the epilogue, where Haruhi ends up being the only one who picks up Ryouko at the airport returning from college. There is a brief attempt at heterosexuality, but it’s almost laughable – Haruhi had absolutely no idea Koizumi liked her till he confessed, her “try to make me fall for you!” line implies she hasn’t yet, and Ryouko points out it sounds like she’s just trying to dodge the entire issue. Koizumi is, of course, nowhere near the finale, which is composed of the four “main” character finally meeting again after so long – Kyon and Yuki, now living together (though, despite Ryouko’s fervent imaginations, not with child) and Ryouko and Haruhi, who may not be an explicit romantic pairing but certainly are given as much canon teasing as is humanly possible.

So, in the end, is The Disappearance of Nagato Yuki-chan worth it? It certainly was to me, but as I’m sure you noticed, I wasn’t really concentrating on the main plot. The art improved as it went on, but that does mean it starts as “very mediocre”. In the end, I recommend it to Haruhi fans who want to see a different side to Haruhi, one that is milder and more mature but still clearly her. I also recommend it to Ryouko fanatics, but honestly I’d hope they were already reading it. I enjoyed some volumes more than others, and it could have been shorter, but I adored the final volume.