Rokka: Braves of the Six Flowers, Vol. 1

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By Ishio Yamagata and Miyagi. Released in Japan by Shueisha. Released in North America by Yen Press. Translated by Jennifer Ward.

(contains mild spoilers for the end of the novel, meaning I don’t use the guilty party’s name but still make it obvious who they are)

For a book that is supposed to be about the gathering of six warriors to traverse the country and defeat the evil demon lord, there’s surprisingly little fighting of demonic creatures in this first volume of Rokka (which is the one that was adapted into an anime). The reason for that is fairly simple; there’s actually seven brave warriors who show up, and thus one of them is a fake. What follows is pure mystery, as we spend time gathering clues, suspecting other people, and watching our hero get the ever-loving crap beaten out of him by the rest of the cast. Fortunately, as he tells us constantly, he’s the Strongest Man In The world, so he can take it. All of this, plus the series’ rather abstract art, makes it a nice change of pace in the ‘swords and dragons’ novels we’ve seen so much of in light novels lately.

Adlet is the aforementioned Strongest Man, and is very much your prototypical shonen manga protagonist, being filled with confidence, pluck and a burgeoning optimism. He is joined by an eccentric princess and her sullen bodyguard; a cheerful yet immoral child who can control Earth (think Toph but slightly evil); a serious-minded priestess; a big, seemingly goofy cat-eared assassin; and the girl on the cover, Fremy, who is stoic and suffering and also half-fiend, which makes her everyone’s natural suspect as the seventh evil Brave. She isn’t, of course, but she is a bundle of complexes, and seeing her and the eternally perky Adlet banter and flirt is one of the high points of this book. The action is also well-told, showing off everyone’s abilities and superhuman strength and endurance, though honestly Adlet’s endurance stretches disbelief a bit by the end.

If there’s a flaw in the book it’s the actual mystery itself. It wasn’t too obvious, at least not for me, but I don’t think we had enough development of the character for it to really make an impact, especially given that the character is supposed to be somewhat schizophrenic to begin with. (Actually, the ‘I am a gadfly with no real sense of how to actually behave’ made them my favorite character for a bit, though it goes away when everyone has to act seriously and track down the mole.) It’s unclear whether we’ll see them again, and the cliffhanger is very much a “The End… OR IS IT?” situation, as we get ANOTHER Brave showing up late meaning there’s ANOTHER mole among them. That promises to be the main plot of book 2.

But overall I enjoyed myself reading it, though at times the back and forth betrayal accusations can get to be a bit much. It’s a serious book, but not as dour as some other light novels in this genre; you don’t get the sense that their lives will be terrible forever, even though they’re going to battle the Evil God. If you enjoy light novel fantasies, especially ones that aren’t ‘sent from another world’ sorts, this should meet your expectations.

Dreamin’ Sun, Vol. 1

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By Ichigo Takano. Released in Japan originally by Shueisha, serialized in the magazine Bessatsu Margaret. New edition released by Futabasha. Released in North America by Seven Seas. Translated by Amber Tamosaitis, Adapted by Shannon Fay.

The manga orange was one of the big hits of the last couple years, and even spawned an anime. Therefore it’s no surprise that the company that put it out is dipping their toes into the author’s other works. Dreamin’ Sun is her other significant series, and so far, while it doesn’t have the immediate emotional heft that orange had, it makes up for it with quirky characters who are fun to read about. The basic premise may strain my suspension of disbelief a bit, but I’ll put that down to it being more acceptable in Japan and just roll with it. And of course there are love triangles galore, which are the main reason to read these sorts of shoujo titles. It’s a cute series.

When we first meet Shimana, she’s not entirely sympathetic, being wrapped up in the frustrations of youth. She hates her weird name. She hates that her father has remarried and had another child, seemingly moving on from her mother faster than she’d like. And the family doesn’t seem to pay attention to her anymore. But everything changes when she skips school and runs into a drunk guy passed out in the street, which (this being shoujo manga) immediately leads to him offering to put her up at his boarding house – provided that a) she tell him why she’s ACTUALLY upset, b) find his key, and c) get permission from her father. Through the course of the manga, she actually manages to do all three things, and we also meet the other students in the boarding house – hot guy Asahi, who Shimana falls for immediately, and goofball Zen, who presumably will get more depth later but for now is here entirely for comic relief.

If you’re thinking there’s something a bit Fruits Basket-ey about the setup, you’re not alone – in particular, Taiga’s vacillating between responsible adult (she’s a prosecutor, something Shimana is as yet unaware of) and goofy silliness is very Shigure, though he seems to lack Shigure’s more evil qualities. Asahi is less Yuki and more the stock Shueisha shoujo guy, clearly nice and thoughtful but a bit distant, and himself in love with someone who isn’t returning his feelings. As for Shimana, she can be frustratingly self-absorbed at times, but of course that’s the point, and it feels very realistic and teenage. It’s unclear who will be the winning guy in this reverse harem – she has the most chemistry with Taiga, as well as the “we’re not dating!” running gag, but I think he’s too old for her. On the other hand, Asahi is clearly trouble.

As with orange, this actually got licensed via Futabasha rather than Shueisha – when the author jumped publishers, she took this series with her as well, and the version we’re reading is a new release with an added afterword that mentions orange, as well as introducing the new characters who will pop up in future volumes. It’s very silly (silly afterwords in a shoujo manga? Inconceivable!), but also tells us that this title is going to play out across ten volumes. In other words, we’ve barely started, and I think that Dreamin’ Sun is one of those books I will feel more confident in liking once I’ve read more of it. For now, though, this is a cute start and shoujo fans should definitely check it out.

Bakemonogatari: Monster Tale, Part 3

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By NISIOISIN. Released in Japan by Kodansha. Released in North America by Vertical, Inc. Translated by Ko Ransom.

The final volume in the Balemonogatari trilogy (as it now is) is Tsubasa Cat, and finally gives us a closer look at out favorites glasses-wearing class president. Of course, I say ‘finally’ but due to Nisio’s agent suggesting that North America start with Kizumonogatari we’re already quite familiar with Hanekawa as she’s the heroine of that book as well. Indeed, even if you split Bakemonogatari into three rather than two, of the first eight books in the series, four of them have Hanekawa as the heroine, more than any of the others by, well, a factor of four-to-one – the other girls get one book each to that point, but Hanekawa keeps getting more and more attention. If you read Tsubasa Cat, you’ll get a glimpse as to why, but this first book is far more concerned with Araragi than Hanekawa, so the glimpse into her horrible life is at an oblique angle.

Araragi’s introduction leads us to expect that we’re finally going to hear what happened during Golden Week, where (we’ve been told several times already) Hanekawa somehow got mixed up with a cat monster, but although we do get a flashback to that point, the answer is still no. Golden Week was about Hanekawa taking out her stress on her parents, who are no relation to her through a series of deaths, marriages, and more deaths. This book, though, is about Hanekawa’s repressed love for Araragi, and the fact that she got beaten to the punch – Senjogahara confessed almost immediately, and was also helped by Araragi not putting her on a giant pedestal. And so Hanekawa is left with this burgeoning passion that can’t go anywhere, and thus we see the return of her cat side, Black Hanekawa – a side the reader is seeing for the first time.

Speaking of Senjogahara, she’s really only in one chapter of the book, but she almost steals it right out from under Hanekawa. (Highly appropriate, really.) The chapter was adapted into Episode 12 of the anime, which may be the most beloved episode of the entire franchise, and involves Senjogahara taking Araragi on a date to her favorite stargazing spot deep in the mountains. This whole chapter serves to hammer home the differences between Senjogahara and Hanekawa – I hesitate to use the word passive-aggressive to describe Senjogahara, who’s really more aggressive-aggressive, but the joy of this chapter is seeing the way that her nervousness and uncertainty shine through in her actions – note she tries to do her hair up like Hanekawa’s for their date, thinking that’s what he’s most attracted to – and then seeing how she powers through it anyway in order to show Araragi what a difference he’s made in her life and how much she loves him for it. It’s almost a perfect chapter.

The rest of the book can’t quite measure up, but is still excellent. Shinobu’s still not speaking, but we get a bit more insight into the nature of her sulk, and Araragi trying to balance out his codependent relationship with her and the relationship with the other girls in his “harem” will continue to be a subplot. And Black Hanekawa herself shows off not only her violent side, but also her smarts – for all that Araragi keeps belittling her for being stupid, she’s anything but, and Hanekawa’s kind nature keeps bleeding through. For those who are concerned, the translation does an excellent job of keeping her “cat-speak”, showing off her true nature. Due to being split into thirds, Tsubasa Cat may be the shortest of the three Monogatari volumes, but it’s also the best of the three, with great dialogue and a lot of character moments that will continue to be important as the series goes on. And fortunately there is more of the series – next time, in Nisemonogatari, we’ll take a look at Araragi’s younger sisters, and discover just how far a prose novel can take ‘fanservice’.