Attack on Titan, Vol. 21

By Hajime Isayama. Released in Japan by Kodansha, serialization ongoing in the magazine Bessatsu Shonen Magazine. Released in North America by Kodansha Comics. Translated by Ko Ransom.

(As always lately, there are major spoilers for this volume here.)

Well, we finally get the answer of who will survive. It was obviously Armin at first, but then a soldier showed up with Erwin’s dying body and the whole thing devolved into an argument about “whose life is worth more during a war?”. If I recall correctly, the Attack on Titan fandom was arguing about these chapters as well, though for a different reason – storywise, it feels like a cheat to have Armin come back from the dead after such a nice heroic sacrifice. Also, I sense the Attack on Titan audience is getting tired of the only characters dying being minor ones like Marlowe. Well, no worries here, as not only does Erwin due when Levi mercifully decides not to save him, but in order for Armin to survive, Bertolt has to be eaten. He doesn’t take it well.

Leaving aside the 80 billion counts of insubordination that Eren and Mikasa commit here, which will no doubt be gone into in the next volume, the other big dramatic moment that comes here is finding and entering the Jaeger basement. This has been the Survey Corps’ goal for who knows how long, and the “when will they get to the basement” jokes were practically a meme. Needless to say, the moment itself is given all the drama and tension it can muster, including Eren realizing that the key he’s always had isn’t for the basement door at all (Levi solves the problem by kicking the door to bits), and the cliffhanger ending showing us… a photograph! Yes, it turns out humanity may not be as completely wiped out as we suspected.

What follows is a long chapter of tragic backstory, as we have Eren’s father discussing his childhood rebellion against the authoritarian regime, the loss of his sister, his joining a resistance force, and his meeting a Historia lookalike named Dina whom he falls in love with and marries pretty quickly. Of course, we know from the very first chapters that she’s not Eren’s mother, so there’s even more drama going on here – and so yes, they’re both betrayed by Grisha’s FIRST son, named Zeke. Attack on Titan has always been fairly serious and po-faced – what little humor there is tends to come from Sasha’s antics – but even for this series, this is depressing stuff. We see a flashback to the death of the little sister, who is ripped to pieces by military dogs (no, actual dogs), and Zeke betraying his parents to the fascists is just icing on the cake.

I get the feeling that this flashback is going to take up a great deal of the next volume as well, which is good, as we still need a few more answers. For the moment, though, Attack on Titan may not be fighting too many Titans in this book, but it’s just as deadly. It’s well worth a read if you’re a fan of the series, but be warned that sometimes the mind-numbing bleakness of events can make the reader as depressed as the characters themselves.

The Devil Is A Part-Timer!, Vol. 7

By Satoshi Wagahara and 029. Released in Japan by ASCII Mediaworks. Released in North America by Yen Press. Translated by Kevin Gifford.

Unlike the DanMachi collection released on the same date, this volume of short stories is not interconnected into a pseudo-plot – it’s just a collection of four short stories. Fortunately, the stories are all quite good, so we also lack the lows of that DanMachi collection as well. Devil Is A Part-Timer! is very strong when it’s talking about nothing in particular, so this volume plays to those strengths, showing our heroes going up against fraudulent shysters, adopting stray kittens, buying futons for their magical sword babies, and learning how to work fast-food without losing your mind. It’s also a good volume for shippers, particularly if you ship Maou and Emi, as the entire third story is basically about how great they work as a couple, and how much this seems to upset Emi.

The first story is probably the slightest – ironically, it’s the one they chose to adapt into the anime, as Maou has to deal with the fallout of Urushihara being tricked into buying a lot of useless stuff. He (and the reader) learn about how these schemes are done, and how difficult it can be to recover anything from them. The kitten story is probably the cutest, and again revolves around one of the themes of this novel series, which is explaining what seem to be obvious concepts to those completely unfamiliar with modern-day Japan. Not only does Maou not really know how to take care of cats, he’s not aware there are vets. And even worse, he’s not aware how fast he and the others can bond with a kitten. The third story, as I said earlier, is basically pure ship tease, with Maou and Emi buying a futon for Alas Ramus and everyone around them thinking they’re such a great couple. It’s amusing precisely because everyone is correct – when she’s not panicking about the very idea, they are a great couple.

The final story is easily the longest of the four, and takes place right before the series begins. It focuses on Chiho and how she came to get a job at McRonald’s and meet Maou, as well as why she fell in love with Maou. It’s nice to see Chiho interacting with her friends at school – indeed, I suspect one reason this story came out is to give greater depth to Kaori and Yoshiya in anticipation of them appearing in the main story later on. (It’s also very refreshing to see a ‘two girls, one boy’ high school friendship with no romantic tension whatsoever.) Chiho is a fairly sheltered girl whose father is a police officer, and so feels she’s lacking life experience, one reason why she applies for the McRonald’s job. There’s a lot made in this story about the ‘career survey’ all Japanese students dread, and exactly how relevant it needs to be. Mostly, though, this is a good showcase for Chiho and demonstrates how far she’s come in the six volumes since.

This isn’t essential reading, but all volumes in this series are good, and if you’re collecting it there’s no reason to pass it up. The Devil Is A Part-Timer! remains among the best Yen On releases.

Is It Wrong To Try To Pick Up Girls In A Dungeon?, Vol. 8

By Fujino Omori and Suzuhito Yasuda. Released in Japan as “Dungeon ni Deai o Motomeru no wa Machigatte Iru Darou ka?” by Softbank Creative. Released in North America by Yen On. Translated by Andrew Gaippe.

I knew going in that this was going to be a short-story collection, but it turns out that’s not quite true. What it is is more “A day in the life” – there’s still an overarching plot going on, and stories do affect other stories, but each of the six main stories is also self-contained and stars a specific member of Hestia Familia. Omori said that he wanted to write stories about love in this volume, which may make some readers cringe, and rightly so. DanMachi works best when the harem romance is used as a spice, in my opinion, and this is definitely a heaping helping of main course romance. That said, I have an easy way to tell whether you’ll enjoy a story or not – the longer the story, the better it is.

Unfortunately, that means the book begins with its worst story. I’ve never been a fan of “we’re not blood related so it’s not really incest” stories, and so Mikoto’s crush on her adoptive God father Takemikazuchi merely aggravated me, especially as it’s surrounded by a host of other cliches. I suspect the author meant it to be the funny one of the group. Eina’s story involved Bell protecting her from a stalker, but was probably the most boring of the stories, much like its female lead (sorry, Eina). Syr’s story was all right, but it teased that it was going to finally show off how she was related to Freya – fan rumor suggested she IS Freya, but that seems unlikely – but left things a bit too vague to be satisfying.

The longer stories fare much better. Lilly and Hestia are the only characters who get to definitively talk about their love for Bell openly in the series, and we see that love being put to the test on Lilly’s end, as not only has the rest of the group been told about Bell’s special skills (and thus that his stats are literally driven by his love of Ais), but she’s feeling useless in the dungeon as well, and ends up with a huge case of self-hatred (which honestly is always sort of boiling beneath the surface of Lilly). Help comes in the form of Finn, who is not only the only other hobbit – sorry, prum – in the book, but also far more savvy about romance (well, except for the advances of the amazon with the crush on him). As for Welf, his is the least romantic story in the book, though we see his respect for Hephaistos borders on love, and she also loves seeing his growth. Welf actually drives the main plot, as his magic sword skills are now well known – and people are trying to use them for evil.

The final story stars Hestia, Bell and Ais, and I enjoyed it a great deal as well, though a brief caveat that people who dislike jealous, petty Hestia will probably dislike it a bit more. That said, Bell finally seems to be catching a clue about how Hestia feels about him, though it’s not clear whether he’ll actually do anything about that. (Finn mentions harems to him at one point, but I honestly don’t think this is going to be that kind of series.) As for Ais, she’s showing a lot more emotion in her own stoic way than she ever has before, and we see her as furious as she ever gets when seeing how a reclusive village worships an ancient dragon. I suspect this may be related to backstory we’ll get more of in Sword Oratoria.

So in the end a bit of a mixed bag, but still well worth reading for fans of the series, especially if you like Lilly, Welf, or Hestia. There’s a bit of a tease for the next book at the end, and I sense we’re about to get a more serious arc next. Perhaps with a more normal focus on action rather than romance?