Wave, Listen to Me!, Vol. 1

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By Hiroaki Samura. Released in Japan as “Nami yo Kiite Kure” by Kodansha, serialization ongoing in the magazine Afternoon. Released in North America digitally by Kodansha Comics. Translated by Adam Hirsch.

The digital-only manga is something we’ve seen pop up quite a bit over the last few years, and now the big print companies are getting into it as well. Hiroaki Samura is well-known and beloved for his classic samurai series Blade of the Immortal, so you’d think that his next project would be an obvious get. But just like you don’t necessarily pick up the Fullmetal Alchemist creator’s new work when it’s a farming manga, you don’t necessarily have a built in audience for the samurai guy writing about a brash young woman who finds herself recruited for the wonders of the local radio station. Luckily, Kodansha is releasing this digitally, and I think it’s strong enough that with good word of mouth, it could warrant a print release.

Wave, Listen to Me! runs 100% on its heroine, and if you don’t like her, you’re not going to like the book. She doesn’t exactly make it easy to like her, either. When we meet Minare she’s drunk, talking to an older guy in a bar simply because he’s there, and bemoaning her recent failed relationship. You’d expect that this is the sort of behavior that would only come out when she’s drunk, and that she’ll regret it later. This is only partially true – she regrets some of the whining and bad relationship talk she gave, but it turns out that she’s pretty much like this when sober as well. Why is she regretting what she said to some guy in a bar? Well, turns out he recorded her… and that he’s a radio producer. When she hears her ranting monologue on the air, it leads to the possibility of a brand-new career. Which is good, because Minare’s life right now is a hot mess.

This is a fun, funny manga, and I enjoyed that it allowed us to be amused at all of Minare’s horribly wrong choices without actually making her look pathetic or annoying. (Also, ten points for her athleticism in taking out the guy who supposedly is assaulting her – though again, this turns out to be an error in judgment.) Minare says what she thinks and tends to act impulsively, which is why she’s a walking disaster, but is also why she has guys like Nakahara who are totally smitten with her. The parts of the book dealing with her radio career are more interesting than the romance, and I am very wary of the “other woman” who shows up to allegedly help at the restaurant Minare works at to make up for her brother’s running over the owner (as is Minare). But honestly, I would read 200 pages of this woman reading the phone book to us. It is very much a one-character title, and I really love the character.

Luckily, I won’t have too long to wait – the second volume is out next week. If you enjoy manga about strong, loud, flawed adult women and their misadventures in living, or even if you just love radio, this is a winner. Go buy it so we can get it in print.

Dorohedoro, Vol. 20

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By Q Hayashida. Released in Japan by Shogakukan, serialization ongoing in the magazine Hibana. Released in North America by Viz. Translated by AltJapan Co., Ltd. (Hiroko Yoda + Matt Alt).

The first thing a reader will notice when they pick up this volume of Dorohedoro is how much bigger it is than previous ones. I’m not sure if it’s due to the move from Ikki to Hibana, or if it’s because they’re trying to pack more chapters in per volume so that it doesn’t get above a certain volume count (Hayashida was supposed to have the series end at 20, which clearly isn’t happening), but extra content is always welcome, especially when it brings us a lot of shocking and surprising plot twists. And yes, some incredibly confusing ones as well, to be fair. Add the return of some fan favorites, and a great big heaping of fanservice, and the average Dorohedoro fan should be quite content.

The shocking plot twists (OK, maybe not shocking for some, but I honestly have trouble keeping up with everything in this series, so I was shocked) involves the true nature of The Hole, as revealed by Chidaruma as he waits for his delicious gyoza (and I can’t tell you how happy I was to see gyoza coming back into play in this series, even if it wasn’t Nikaido making it). The Hole’s creation is tragic and sickening, and it helps to show why the battle between sorcerers and everyone else is such a big deal. We also get a lot more about the true nature of Caiman/Kai/Aikawa/Ai, and the slashes there aren’t just for show, as he seems to be cycling through several of those people (and several of those heads) throughout the book, trying to figure out what exactly happened to him when he fell into the Hole so many years ago.

Then there’s the return of En and company, though honestly it’s mostly En – Shin, Noi and the others play only minor roles here (it is nice to see Shin is no longer controlled by evil, though). I was initially rather startled at how uncaring En was to Ebisu, given how much she’s worked towards resurrecting him, but then again, this is En, and he has no idea what happened while he was gone. Plus, to be fair, Ebisu *is* really annoying, partly as a function of the brain damage she’s suffered but also partly as the author just finds it amusing. Speaking of finding things amusing, most of the fanservice in this series has tended to involve Nikaido and her large breasts, and this volume milks that for all it’s worth, as she gets taken out fairly early in a fight and spends the entire rest of the volume topless and helpless. That too also seems to be the author having fun, especially given that the cliffhanger ending is “OMG, what happened to Nikaido’s boobs?”. I’m not making this up.

In any case, there’s a ton of stuff going on in this volume, and I was mostly able to follow along. Of course, we’re mostly caught up with Japan, so don’t expect the next volume till June. But in the meantime, a strong example of why this series continues to be the SigIkki flagship, even if Ikki is no more.

Ranma 1/2, Vols. 35-36

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By Rumiko Takahashi. Released in Japan by Shogakukan, serialized in the magazine Shonen Sunday. Released in North America by Viz. Translated by Kaori Inoue, Adapted by Gerard Jones.

I was quite excited by this omnibus of Ranma 1/2 when I got it. Not only does it feature not one but TWO appearances by Akari, my favorite minor character, but is also resolves a plot point. That may not seem like much to those of you who are used to plot and characterization in your manga, but this is Ranma 1/2, the title where everything is done for the humor, and everything will always snap back with few if any lessons learned. Taking this manga and these characters seriously is, as we’ve learned, a mug’s game. But yes, we actually get forward progression here (you can see that she had decided to end Ranma soon). No, Ranma and Akane don’t confess. No, no curses are broken. But Ranma’s mother now knows the truth about her son. And he doesn’t have to kill himself.

The whole sequence leading up to Nodoka discovering the truth is without a doubt the highlight of the book. It also, out of necessity, shows Genma at his absolute worst, a desperate, petty ass who would happily destroy his marriage in exchange for a good meal. As for Ranma, he’s trying really hard to shrug off what his father has taught him to believe, and finally decides to give in and face whatever consequences come from his mother discovering he can turn into a girl. (In fact, his happy expression when he resolves to do this may be one of the best panels in Ranma, period.) There’s also a lot of action, as Ranma and Genma constantly fight back and forth to attempt to stop the other, and it all ends in a fall off a giant cliff into the sea. (I also liked Soun, Kasumi and Nabiki’s understated presence throughout – they’re on Ranma’s side, even if awkwardly.) It’s a really good arc.

The rest of the book is not quite as good. Leaving aside yet another arc devoted to Ranma and Akane mistaking “I am embarrassed by my feelings” for “I hate you”, we have the introduction of Konatsu, a ninja with a poor family situation who somehow ends up at Ucchan’s. Given that fandom has paired Akari and Konatsu together by the function they fill (late-period characters introduced to ‘resolve’ parts of the love septangle), you’d think I’d be more accepting of him, but I’m not really. First of all, unlike Ryouga and Akari, any love seen here is clearly one-sided – Ukyou is literally paying Kanatsu the equivalent of 5 cents to work for her, and barely seems to acknowledge him as a human being. More to the point, though, Konatsu is just a rehash of Tsubasa Kurenai from earlier volumes, and reminds the reader that Rumiko Takahashi is simply not very good at writing trans characters, even giving her a pass of “this is the 1990s”.

And so, despite one piece of forward progression, this volume ends as it begins. In fact, thanks to the destruction of the Saotome home, we now have Nodoka living at the Tendos in addition to Ranma and Genma. Is there anything that can possibly resolve this manga and give it a happy ending>? Well. yes there is, though it depends on how broadly you define “resolve” and “ending”. Stay tuned next time for the final gripping installment of Ranma 1/2!