By Kouko Shirakawa and Ayuko. Released in Japan as “Kōkyū no Karasu” by Shueisha Orange Bunko. Released in North America by Airship. Translated by Amelia Mason. Adapted by T. Burke.

Probably the most startling thing about this final volume of Raven of the Inner Palace is how little Jusetsu is in it, and when she appears, it’s not really her actions that save the day, just her actual presence. She’s spent her life being a vessel for a higher power, and being involved in a God vs. God battle is something that she has to get dragged into or else bad things will happen. But it’s not what she herself wants. Honestly, I think she’s still flailing around trying to figure out what she wants until this final volume, and it’s not saving the day and unleashing her inner raven. Nor is it headed back to the palace to deal with the unstated romantic feelings she and Koshun have dealt with since Book 1 – that ship has run aground already. That said, we do get to see the resolution of a ship, sort of – the trouble is that it’s Jusetsu/merchant marine life. Which, refreshingly, is not what anyone was expecting.

This book is essentially divided into two plotlines, one on and going to the island, and the other up in the mountains. They’re actually mostly completely separate. We already know about Jusetsu, who needs to somehow get past an underwater volcano exploding to get to the island so that she can reunite the two halves of the raven. She’s got to do this despite the turtle god resorting to threats, more threats, and possession in order to win the day. The other half of the book is still drenched in Saname family drama, which we already got a heaping helping of in the last book. Ko has been sent by his father to use the mountain tries to incite a rebellion, which won’t succeed, but will mean that they’ll have to kill Jusetsu in order to calm everyone down. If you think this makes no sense, well, it doesn’t make much sense to Ko either, but it’s hard to go against Daddy.

I’ll be honest, this book was not quite the big finale I was hoping for. As noted, Jusetsu is just present rather than active for the battle, which makes sense but is dramatically unsatisfying. Likewise, there’s no rebellion, because in the end the stability of the country is more important than an old man trying one last time to exercise his power. And yes, Koshun has almost been the co-protagonist of the series, and so seeing him so uninvolved in the finale – he doesn’t leave the palace – makes sense but is dramatically unsatisfying, the second time I’ve typed that. I did like Jusetsu’s career choice – she can’t stay in the palace, after all, especially not with an Empress and two kids from other wives – and so traveling the world and seeing other cultures makes sense. And I’m delighted she takes her entourage with her – I love Jiujiu.

So yes, something of a mixed bag finale, but overall this was a good series, and a worthy addition to “intrigue in the inner court of the emperor” genre.

By Kouko Shirakawa and Ayuko. Released in Japan as “Kōkyū no Karasu” by Shueisha Orange Bunko. Released in North America by Airship. Translated by Amelia Mason.

Yeah, sorry, the days of solving ghost crimes are officially history, unless you mean the overall plot, which is more like God vs. God. Though we do get to see everyone trying to solve the mystery of Jusetsu’s ghost, sort of, and Shiki still has the arm of his dead sister, who actually ends up saving the day. But really, this is the first part of a two-part finale, and as such it’s taking all the political drama and intrigue and fantasy deity stuff from the past five books and setting off all the guns at once. Honestly, it’s hard to put down, as it barrels along till it gets to the final chapter, which slows way down but has more of a devastating impact because of that. In general, if you really enjoyed previous volumes of this series, you will enjoy this volume, and the wait for the final volume will likely prove quite difficult.

There is, frankly, too much for Koshun to deal with right now. After the events of the last volume, everyone knows that there’s a member of the Ran family, who were supposed to be completely wiped out, in the Inner Palace. Jusetsu is no longer in her body, which is now possessed by the Raven, who is only partly helpful after having been betrayed for so long. And there are any number of political allies and enemies looking to take advantage of this. Fortunately, he’s able to calm things down a bit with a few well-placed cabinet meetings, as well as one of our main characters finally having to bite the bullet and admit that he’s a lot closer to Jusetsu than anyone thought. Meanwhile, Jusetsu herself is in limbo, depicted here as a river (the cover shows this), but has to deal with Kosho, the one who started all this, who has been trapped there forever by the gods and really wants someone else to join her in despair.

The last half of the book continues to deal with the main plot, but away from the two leads. We get Senri and Shiki acting as a sort of Holmes and Watson as they try to work out how much of the volcano story is actual history in order to try to get the other half of the Raven’s body back. This is particularly difficult for Shiki as he runs into the man he wants revenge on, the very revenge that his sister is trying to stop him getting. This was very good. The last chapter returns us to the family drama of the Saname family, which, and for once I mean this in a GOOD way, reads a lot like a Sam Shepard play. In fact, it reads like Buried Child. Shin suffers very well, as every around him tries to convince him to get the hell away from there, only in the most awkward and counter-intuitive way. This is excellent, and possibly the highlight of the book, provided you don’t mind awfulness.

Everyone’s arrived at the volcano site by the end of this book, and it’s going off again for the cliffhanger. Can’t wait to see how this wraps up.

By Kouko Shirakawa and Ayuko. Released in Japan as “Kōkyū no Karasu” by Shueisha Orange Bunko. Released in North America by Airship. Translated by Amelia Mason.

This series, while telling the story of Jusetsu and her attempts to broaden her world, find out more about the Raven Consort in general, and escape, began as an anthology series to a large degree, which each chapter featuring a ghost story of the week for her to solve. That still happens at the start of the fifth book, with a court lady whose makeup box is upsetting people in the living quarters by being haunted by a ghost. But as this book goes on we realize that we’re past the halfway point of the series, and we can’t really focus that much on Jusetsu solving ghost crimes anymore. Or rather, the ghost crimes she’s solving are ones that affect her specifically. Because we’re getting to the bottom of what the Raven Consort position really is, and what happens to those who have been Raven Consorts, and let me tell you, it might be scarier than most of the stories we’ve read in this series to date.

Jusetsu is not the only one trying to figure out how to break the barrier stopping her from leaving and free the raven, the Emperor is as well. This is despite the fact that he (consciously) and Jusetsu (unconsciously) are in love with each other, and leaving the palace will mean never being able to return. The Emperor, towards that end, has now buckled down to the position of siring an heir – two of the consorts are now pregnant. He’s even inviting back old retainers who had previously been exiled for being on the wrong side of past conflicts, mostly as he finds it a lot more preferable to have any seeds of rebellion close to him rather than far away where he can’t do much. Meanwhile, Jusetsu gets the shamans needed to help her destroy the barrier, and even knows where she should probably go, thanks to several old folk tales about an underwater volcano. Unfortunately, that pesky God is still around…

Jusetsu was told, at the start of this series, that she had to be alone, not take retainers or bodyguards, and hold herself aloof. This from the previous Raven Consort. She has not remotely done that, and for the most part the consequences have been pretty good – close friendships, respect, people who like spending time with her. Unfortunately, we’re now seeing the pendulum swing the other way. Solving the problem of the makeup box, for example, even though it saved a life, just makes people think that she was the cause of the accident. And I suspect the cliffhanger at the climax of this volume is going to make leaving the palace more of a “fleeing for her life” sort of deal. That said, anything’s better than suffering the fate of all the Raven Consorts before her, whose souls are frozen in a sort of massive grudge to prevent exactly what Jusetsu has been doing. It’s a bit scary.

There are, I believe, two more volumes in the series, and I suspect we’re not going to have too many “let’s solve a mystery” chapters anymore. Where we will go remains intriguing.