Category Archives: reviews

The Misdeeds of an Extremely Arrogant Villain Aristocrat, Vol. 2

Leave a reply

By Yukiha Kuroyuki and Uodenim. Released in Japan as “Kiwamete Gouman Taru Akuyaku Kizoku no Shogyou” by Kadokawa Sneaker Bunko. Released in North America by Airship. Translated by Ben Trethewey. Adapted by Kylee Yasin.

I was checking the Sneaker Bunko site to see if this was ongoing (there is as third volume, but it came out a year and a half ago, so those who like to say “axed” will no doubt be happy) and glanced at the machine-translated summary of the third book, which described our extremely arrogant villain aristocrat as “depressed as a worm”. Now, that could be the usual translation bullshit, but it is true that Luke spends a great deal of this book frustrated, angry, or depressed. He’s certainly changed the book’s plot enough that he doesn’t need to worry about it happening, but bits of it that happened to Abel are now happening to him, and the allies that were supposed to flock around Abel are now flocking around him. And he really does not want anything to do with it. He wants to use his OP magic and his OP sword, he does not want all these “friends” and “lovers”. So troublesome.

After the events of the last book, Luke now has a lover, who he is now admitting is his fiancee, at least unconsciously. He also has a pawn, though he wishes he didn’t as he discovers that Mia is very emotionally volatile when it comes to being abandoned. (By the end of the book she too will be his fiancee, and Luke admits he doesn’t oppose it, mostly as he has a vision of her murdering him otherwise.) He also gets a second pawn by annihilating them in battle, and this one is the second prince, who in the book turned out to be a bit of a despot, but here is another loyal minion. Oh yes, and to top it all off assassins come to the campus and try to kidnap him while he sleeps. All of this is incredibly irritating. But worst of all… Abel, the hero, won’t stop saying that they’re friends!

I mentioned online that I called this “top-tier trash”, and I stick by that. It is a grotesque male power fantasy, where our hero and the reader stand-in gets all the women and beds them too, has the coolest magic, and swings the coolest sword. That said, I find it highly readable, as it doesn’t take itself at all seriously. Luke’s aggravation with his perfect life can be hilarious at times. He’s helped out by all the women he meets (except Lily, Abel’s childhood friend, who I fully expect will be the NTR final boss) running into his “fuck you” style of speaking and immediately going weak at the knees. We get his own childhood friend here, who’s aan arrogant noble whose family and his no longer get along. She’s rude to him… then gets in her carriage to drive off and fantasizes about how cool he was being rude right back at her. Hell, even the scary dragon he fights at the end ends up surrendering to him. It’s easy to be a top when your world is full of bottoms.

This will never win awards for plot, and you’d better have a high tolerance for the usual male fantasy bullshit. But it’s still a lot of fun.

Miss Blossom’s Backward Beauty Standards: Give Me the Ugly Crown Prince!, Vol. 2

Leave a reply

By Sankaku Mikaduki and riritto. Released in Japan as “Bishuu Abekobe Isekai de Busaiku Outaishi to Kekkonshitai!” by DRE Novels. Released in North America by J-Novel Heart. Translated by Olivia Plowman.

Sometimes all it takes is one hook. I was reading the second volume of this series, and it was… good. I wasn’t bored or anything, but I joked online that DRE Novels had told the author “you know how we give everyone three books? You get two.” This is indeed the final volume, as the cover no doubt gives away, but it’s also the second volume of a series that started with nobles as children, so we are obliged to do nobles at the academy. And while it’s using villainess tropes and time loop tropes, the only one with memories from Japan is Cocolette, our heroine. So when Pia Abbott arrived, like Cocolette I was puzzled, then vaguely irritated. What was up with her? WAS she one of those “I’m in an otome game!” sort of girls? And then we got a scene from her POV giving her backstory and motivation and, like Cocolette with her pretty boys, I started to stan. Pia, NOW you have my attention.

As noted above, the main cast are going to school, with all that this entails. Cocolette, though she’s smart enough, is not joining the advanced course with the others, but the Ladies’ Course, so that she can make connections with other nobles and gain education in how to be a queen for when she inevitably marries Raph. Unfortunately, others don’t buy that it’s inevitable. The current queen wants Coco to be a concubine, and for Lunamaria to be Raph’s wife… though she doesn’t seem to actually like Lunamaria at all. Prince Ork is still pining for Coco, so she’s still technically a potential fiancee to both princes. And there’s a foreign prince at the academy, this one with a face like a goblin. Naturally everyone loves his ethereal beauty except Coco. And yes, there’s Pia, who seems to be behaving just like the heroine in an otome game… though it’s not really working, much to her frustration. Can Coco navigate all this and get her happy ending?

As I said, the moment it was revealed that Pia was not an idiotic evil heroine with no sense, but a cynical yandere spy who by 2/3 of the way through the book just wants to get away from everyone at the school, I wanted to stand up and cheer. I love a good bitter bitch, which is exactly what she turns back into after she’s arrested. I also liked how her mysterious charm power really is a mystery, because for once this kingdom mostly is without magic, much to their chagrin. It also made it acceptable that in the end she essentially gets off scot-free, as they need her as a lab rat to study, and Coco knows that her obsessive love means she won’t just run away. The rest of the book is more normal, mostly driven by Cocolette’s desire to be surrounded by bishonen contrasting with everyone thinking she’s the greatest thing since sliced bread for hanging around them all. It’s funny, but not as funny as the author thinks.

Fortunately, they all live happily ever after, except maybe for the goblin prince. Decent enough.

The Blue Sea of Marielle Clarac

Leave a reply

By Haruka Momo and Maro. Released in Japan as “Marielle Clarac no Sokai” by Ichijinsha Bunko Iris NEO. Released in North America by J-Novel Club. Translated by Jasmin Thairintr.

I’ve been mentoining for a while now that I thought this author was in a bit of a rut. They have a successful series and want to continue it, but they also clearly do not want to go down the baby route at all, they’ve pretty much been doing a series of weddings and engagements with a coating of political intrigue. And that certainly seems to be the case at the start of this one, as we nudge ever closer to (but still have not quite arrived at) the wedding of the Crown Prince. That said, I think the lightbulb has finally gone off, as the coating of political intrigue we’ve had for a while has become the point, and the author flat out says in the afterword that we are headed for War. That would certainly give the cast something to do that doesn’t involve Marielle popping out a kid. Assuming that she’s able to survive till it happens, as I joked that this volume could also be titled The Execution of Marielle Clarac.

As Marielle desperately tries to write before her deadlines pass, she gets a disturbing letter from her husband that says to ignore any rumors she might hear… and this is followed by an invitation from the prince to a royal ball they’re holding that evening for the Crown Princess of Vissel. A wary Marielle shows up, only to find that the princess is throwing herself at Simeon to an almost ridiculous degree. That said… something definitely seems off about it. Marielle’s people-reading skills come in handy, and she soon gets an apology from the princess… who does not actually explain why she’s cuddling up to Simeon, only apologizes for it. (The answer, as it turns out, involves possibly the most misogynistic ass we’ve met in this series to date.) Unfortunately, Marielle soon finds other things to worry about: someone keeps trying to kill her.

Given that the last book had everyone in the cast assume that wherever Marielle goes, trouble follows, I had wondered if a clever villain might try killing her off in order to stop her amateur sleuthing. That’s not what’s happening here, though it might be better for her if it was. As it is, she’s simply someone who is very beloved by most of the important people in her kingdom, and killing her off would be a very easy way to start a nasty war. Which other countries clearly want. There is a bit of hemming and hawing here about the fact that their kingdom has colonies, and that sometimes those colonies rebel and have to be put down. (We have in fact seen this sort of thing before in this series.) Marielle knows it’s bad, as does the prince, but magic wands are in short supply. The climax of this book, meanwhile, is very action packed, and shows Marielle having a crossover with one of Tearmoon Empire’s iconic characters, and not in a good way. Fortunately, she is saved, but it’s probably the closest she’s come to death in this series.

All this and we finally get the resolution of a minor plotline that’s been around since the first book… and one which impacts Marielle’s family in a big way. The next book just came out last month in Japan, though, so get ready for another wait.