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Notorious No More: The Villainess Enjoys Feigning Incompetence, Vol. 1

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By Hanako Arashi and Wan Hachipisu. Released in Japan as “Kitai no Akujo, Sandome no Jinsei de “Musai Munou” wo Tanoshimu” by Kadokawa Books. Released in North America by J-Novel Heart. Translated by Jeremy Browning.

This volume is plotted out in a very odd way, though I did end up quite enjoying it. The backstory of our villainess is quickly tossed off in about a page or two, as if it’s totally irrelevant – though it’s not, and I really want to find out what actually happened in the past. The feigning incompetence part is also given short shrift, as is the “everyone at school bullies her” part. That’s all just setup for the bulk of the book, which is a test that rapidly turns into a “death game” sort of environment. But this too is a sequel to something we only see in a side story at the end, as our heroine and her fellow low-ranking students all share a close bond of trust and are a fantastic team. What, you may ask, is this book interested in, then? This book is interested in taking shallow, arrogant nobles and destroying them.

Beljeanne was, so it is said, a cruel and heartless villainess who tried to kill her rival by summoning a demon. She was killed, and reincarnated as a Japanese girl. There, she went through school, work, getting married, having children, and dying happily at the age of 86. Whereupon she is reincarnated back in her original world, two generations later. as the granddaughter of the rival she supposedly tried to have killed. With ALL her memories, of course. What’s more, her mother enjoys hitting her, her father is indifferent, her brother is priggish, and her adopted sister is the “otome game heroine who’s evil because this is a villainess book” sort of girl. Clearly there is one thing that she can do in order to get the life she wants. Yes, it’s time for sandbagging.

Given that this book has a long sequence where Laviange ends up wreaking her revenge against all the nobles who have wronged her in this life, you may be wondering how I felt about it, given that Livid Lady had a similar plot and I hated it. But Notorious No More is very careful to only go after the specific people who deserve it. The noble who is killed off in this book because of Laviange’s actions tried to use mind control magic to brainwash her while they were in a dangerous area surrounded by powerful monsters. She’s very good at being nice to those who deserve it – the one good member of that team is not only spared by Laviagne but also used as fodder for the romance novels she writes as a side job – but those who have sinned against her are (with one exception) not offered second chances. We see the second prince, who has not only bullied her but is also being seduced by her stepsister – gradually realize that he’s been a complete piece of shit and trying to fix it. He fails. Fortunately, he’s only the second prince.

How much you like this book likely depends on how much you like protagonists taking down anyone they don’t like, but the people she doesn’t like are terrible, so I’m down with it. Hopefully in the next book we might find out what really happened in her first life. For smug villainess fans.

The Devil Princess, Vol. 1

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By Harunohi Biyori and Geso Umiu. Released in Japan as “Akuma Koujo” by K Lanove Books. Released in North America by Airship. Translated by Julie Goniwich. Adapted by Emlyn Dornemann.

Well, that sure went places. I mean, the basic premise suggested that it would. The author did too, as this author is also responsible for The Otome Heroine’s Fight for Survival, which is definitely a series that Goes Places. But I admit, I was kind of taken in by the narrator, as is often meant to happen. The reason unreliable narrators are a popular literary device with authors is that we are meant to trust them. it’s what narrators are FOR. First-person narrators are there to be the POV character, the one you root for, mostly. Sometimes they’re bad people, but they still are fun to read. And our heroine Yulucia is fun to read. She starts off the book as a classic “dying in the hospital from weakness” Japanese girl, then ends up as a little demon slime, who rapidly, without knowing it, becomes a far more powerful demon. She becomes the crush of the most powerful demon there is. And then she decides she wants to be human. And this is where the story really starts.

So yeah, as noted above, our little demon suddenly finds that she is a human baby. She’s also spoiled rotten… and kept from doing anything at all… so it’s hard to figure out what’s actually going on with her family. Eventually, as she grows older, she learns that she tends to terrify people who are not her immediate family and staff, likely due to her demon past. She also has tremendously powerful holy magic, and also summoning magic, which she thinks is also due to being a former demon, but the local religious folks think may make her a Saint. Eventually they can’t put it off any more, and she is allowed to go out and socialize, and make friends with other… noble children? Wait, is he the prince? Just how important is her family? And then, of course, she’s kidnapped. And THIS is where the story REALLY starts.

So the main reason I found this so fascinating is trying to figure out along with Yulucia exactly what kind of world she is now living in. It’s pretty apparent from the start that she’s rich and probably nobility, but her dad is rarely around, she’s not allowed to leave the house, and her mother also never leaves the house. She also has a head maid with powerful healing magic, which is rare for adults. And, oh yes, she’s so inhumanly gorgeous that she looks like a perfect doll rather than a human, and everyone around her is either immediately taken with her or repulsed. The other good thing about the book is Yulucia’s determination to be human, as she worries that she’s still a demon underneath, due to being scary and inhumanly beautiful and being unable to taste most food. I don’t want to spoil the last quarter of the book, but let’s just say that her issues get resolved in a big way, and your jaw will drop. I suspect things will escalate as this series goes on.

This is 5 volumes so far in Japan, so there’s certainly a lot more “and this is where the story really starts” we can get. Please keep surprising me, Devil Princess.

Though I Am an Inept Villainess: Tale of the Butterfly-Rat Body Swap in the Maiden Court, Vol. 9

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By Satsuki Nakamura and Kana Yuki. Released in Japan as “Futsutsuka na Akujo dewa Gozaimasu ga: Suuguu Chouso Torikae Den” by Ichijinsha Novels. Released in North America by Airship. Translated by Tara Quinn.

So yes, there is a cliffhanger. Sorry. However, the cliffhanger does not mean this particular arc is ongoing. Everything hanging from the last few volumes about this arc is dealt with here, thankfully. But yeah, this was, from what I hear, supposed to be the finale, but the series got popular, so the author was asked to continue it. And it works pretty well, though I will admit that I do grow a bit weary of the “you can’t trust anyone, can you” aspect to some of this series. There is also a lengthy flashback explaining the Emperor’s past and why he’s been so gung ho about sorcerers. It’s well handled, but I’m going to be honest, I read this series for two characters, and the Emperor is neither of those two. Any time we cut away from Reirin and Keigetsu, I begin to lose interest. And that’s because they’re so dynamic and vibrant that I can’t look away.

After rescuing Reirin from her near drowning, the cast get together to check their notes and explain exactly what’s going on. We find that the Emperor’s older brother, the only sibling who actually gave a damn about him, was assassinated as part of the massive throne war that was going on. Assassinated by a sorcerer, who had been let out of prison expressly for that purpose. And the sorcerer then got away, so the Emperor has spent the last twenty-five years searching high and low. Fortunately, Reirin spots a way that they might be able to talk the Emperor down and convince him that Keigetsu can help him. But to do that, they’re going to need to pull off another really good acting job. Which is a shame, as everyone knows that when Reirin tries to imitate Keigetsu, she’s been failing miserably.

The main reason this book is fantastic is the fight that’s been coming for a while now between Reirin and Keigetsu. After the events of Book 8, Reirin thinks that Keigetsu is making other friends, and thus doesn’t need her any more. Which, unfortunately, triggers Reirin’s tendency to use “and then I sacrifice my life” as her Plan A all the time, which causes Keigetsu to lash out, scream in anger and say “I hate you”. We are reminded that these girls may be consorts in not-China, but they’re also teenage girls who have grown up unable to express emotions like normal kids. As a result, Reirin needs to be sat down and have it patiently explained to her that Keigetsu is, in fact, still her best friend and would be very upset if she died, and Keigetsu has to have it explained to her that Reirin has the emotional sensitivity of toast when it comes to their friendship, and thus cannot read between the “I’m worried about you!” lines that Keigetsu is throwing at her. They make up. It’s great. Reirin possibly overcompensates, but that’s not a surprise. But hey, everything solved…

…OK, no, there’s a cliffhanger, and so not QUITE everything is solved. Still, this was great, except the bits not about our two heroines, which was merely good.