Category Archives: reviews

Urusei Yatsura, Omnibus 1

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By Rumiko Takahashi. Released in Japan in two separate volumes by Shogakukan, serialized in the magazine Shonen Sunday. Released in North America by Viz Media. Translated by Camellia Nieh.

I had reviewed the first five volumes of UY back in the days before my blog was part of Manga Bookshelf. At the time, it seemed like a pipe dream that we’d ever see more of it over here. It was started by Viz then cancelled, then put into Animerica Magazine and then cancelled there, then it was back to 32-page floppies, and finally it ground to a halt after 9 volumes (which covered up to about Book 11 in Japan owing to them skipping a bunch of chapters). It was the classic “how many times do you want us to beat our heads against this wall?” series. But now the manga market is stronger, Takahashi’s reputation is super high, and so not only do we get the return of UY, uncut and in omnibus format, we also get it released digitally, the first time this has happened for her series over a multi-platform format. It is truly a love song for Lum. Of course, new readers may be wondering: what’s the big deal?

The manga was originally supposed to be about an unlucky boy (whose very name loosely means “born under a bad sign”), his long-suffering and hot-tempered girlfriend, and the amusing situations that happen in their hometown of Tomobiki. Ataru Moroboshi attracts trouble. In the first chapter, that trouble is aliens, as he has to run a tag race against alien ogres so the Earth is not taken over. His opponent is Lum, who is a hot babe but also has a volatile temper. And can fly. After defeating and accidentally proposing to her, the next chapter is Lumless, and you might be deceived (if it were 1978, which it isn’t) into thinking that Lum would be a minor one-shot character… sort of like many of the other girls introduced in these two volumes. That said, the series is translated as “Those Obnoxious Aliens”, and it’s clear in the third chapter that Lum is back to stay. And also insanely popular.

As with a lot of long-running series, the characterization at the start is a bit off. Ataru is almost sympathetic at times, and occasionally makes the effort to be faithful to Shinobu and not be what he is famous for being, a giant horndog. By the end of this omnibus, that’s mostly worn off. Lum too is far nastier than we’re used to seeing, clearly an antagonist. As for Shinobu… well, no, she’s pretty much the same, though she too is unsympathetic much of the time. In fact, if you’re looking for anyone to root for, “look elsewhere” might be the best answer. This series runs on pure comedy, and Takahashi’s brand of comedy means watching people be terrible for fun. It works. These are terrible people. It’s fun. Ataru’s parents constantly wish he’d never been born. The town despises him (because he brings massive property damage). Cherry is possibly the most irritating character in the entire 34-volume series, which says a LOT. But the humor is there. This is a romp. You’ll find yourself laughing, but also slapping your forehead.

We do meet a large number of the main cast in this book, but they won’t last long… for now. Benten and Oyuki are oddly there to be Lum’s rivals for Ataru’s affection – that will change soon. Ataru’s friends aren’t even named (one is definable by his glasses… and not, thank god, his love of Nazi memorabilia), but they too won’t last long. Much as Viz attempted to reboot the series a couple of times here in North America, Takahashi will also reboot her own series starting in the next volume, with the introduction of the fourth and final “main” character. As for whether you should buy it again… yes. The quality of the reproduction is MUCH better than the original Viz volumes, especially the digital version. The translation is also less intrusive than the original, retaining puns when they’re obvious, but not feeling the need to make more jokes than Takahashi already is. It reads very smoothly.

Again, if you find yourself wishing “I wish everyone was a smidge less awful”, the second omnibus may help a bit. Only a bit, mind. These are characters to laugh AT, not with. I can’t wait for more.

Is It Wrong To Try To Pick Up Girls In A Dungeon? On The Side: Sword Oratoria, Vol. 8

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By Fujino Omori and Kiyotaka Haimura. Released in Japan as “Dungeon ni Deai o Motomeru no wa Machigatte Iru Darou ka? Gaiden – Sword Oratoria” by Softbank Creative. Released in North America by Yen On. Translated by Liv Sommerlot.

This volume of Sword Oratoria has a lot of the author’s strengths and weaknesses, minus Lefiya’s crush on Aiz, which gets a pass here. Instead, we get a mostly very serious book devoted to the backstory and current troubles of Bete, everyone’s least favorite grumpy asshole in Loki Familia. Picking up right where we left off in Book 7, i.e. with a lot of dead family members, we see Bete’s usual coping tactics at work – insulting and belittling his dead family members for being weak. Needless to say, this gets everyone so angry with him that he’s ordered to take a few days off away from the Family till things cool down. Right away, though, he runs into an Amazon who had a small appearance in the sixth book, and who Bete pounded in the abdomen back then. This has, in a typical Amazon way, led her to want to have his children. I’d say hijinx ensue, but this isn’t that kind of book. Instead, we get Valletta coming back and trying to cause Loki Familia even more pain.

Let’s get my major beef with this book out of the way: Bete’s backstory catches up with his current story at the end of Vol. 7, as it turns out that the one dead family member we actually knew anything about (Finn’s support mage) had a crush on Bete. If we combine this with a) his little sister (dead); b) his childhood friend (dead); and c) his first love (dead), we wind up with Stuffed Into The Fridge about five times over, as this is all to support Bete’s own emotional pain and his journey and explain why he’s so terrible. We’re also told that if you combine the looks of the three girls in Bete’s backstory you come close to Aiz, something that creeps me out more than a bit. Aiz, of course, can take care of herself, which is why Bete’s seemingly so fond of her. Oh yes, and the amazon girl, Lena, is also cut down in front of him halfway through the book. It’s hard not to groan at this point.

Other than that, I’ve said before that Omori specializes in writing fight scenes, and it’s still true, as they’re excellent as always, and keep the book moving briskly. Unfortunately, the author is less good when having to lay out exposition – learning why Bete is the way he is is laid out in several long interlocking scenes where Loki, Finn, Gareth and Riveria all tediously explain what we’ve long guessed to the rest of the family so they’re not mad at him any more. (That said, it does lead to the one great joke in an otherwise humorless book, as Loki convinces Aiz to cheer Bete up, which Aiz does as only a monotone deadpan character can.) This was probably a necessary book, as we needed Bete to get some backstory. I just don’t care for how it was handled. (And thank GOD for that editor, or else it would have been even worse.)

Kino’s Journey: The Beautiful World, Vol. 1

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By Iruka Shiomiya, Keiichi Sigsawa and Kouhaku Kuroboshi. Released in Japan as “Kino no Tabi – the Beautiful World” by Kodansha, serialized in Shonen Magazine Edge. Released in North America by Vertical Comics. Translated by Jenny McKeon.

(This review is based on a copy provided by the publisher.)

In olden times, when the internet was just a young man, the first Kino’s Journey novel was published in North America by Tokyopop. It was also the last Kino’s Journey novel published in North America. Rumors swirled around why it died so fast. The usual low sales for novels? (This was pre-boom.) Or was it, as the most popular rumor went, that the author/publisher was enraged that Tokyopop changed the order of the chapters in the first book and pulled permission? A popular theory, but I have to say, when I saw the first volume of this manga adaptation of Kino’s Journey began, as Tokyopop’s novel does, with the backstory of the lead character, I had to laugh. Clearly someone else also thought it was a good idea to start here. That said, while the backstory is important (and chilling), at heart Kino’s Journey is an anthology series where you get a different place every week.

I would say the series is about the journey that Kino and Hermes (a sentient motorcycle) are taking, but that’s not quite accurate either. The series is about human nature, and how often that nature can turn sad, or frustrating, or tragic. This is not a depressing series, but the smiles you’ll have while reading it are going to be winsome. We start off with a traveler named Kino arriving at a town looking to repair a “motorrad” and befriending a young girl who’s just about to become an adult. That said, we quickly discover that becoming an adult here is a lot more disturbing than you’d expect, and the whole thing takes a Shirley Jackson-style turn – it’s quite disturbing. Kino and Hermes get away from the town and begin to travel, and along the way they meet various people, and places.

The rest of this first volume consists of two stories. The first, and longest, is about Kino’s arrival at a city that’s seemingly deserted, with robots running most amenities. There are people around, but they tend to vanish just as quickly. Once Kino finally meets one of the residents, we discover that it’s a classic “do not bring up what you cannot put down” situation, where what seemed like a good idea at the time quickly turns unbearable. The second story is a simpler one showing how a lack of communication can make tasks completely pointless – or, alternately, a sad but heartwarming story about men who sacrifice everything to work hard for their families back home. Throughout these stories, Kino remains an observer, not staying long and not really offering up advice. We, the reader, do the same.

I’ll definitely be continuing this series. It’s a good adaptation (done over fifteen years after the original novels and the anime series – another Kodansha property, Bakemonogatari, had a similar situation recently). If you like pensive, melancholy series that tell good stories but don’t linger, absolutely give this a try.