Bofuri: I Don’t Want to Get Hurt, So I’ll Max Out My Defense, Vol. 6

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By Yuumikan and KOIN. Released in Japan as “Itai no wa Iya nano de Bōgyoryoku ni Kyokufuri Shitai to Omoimasu” by Kadokawa Books. Released in North America by Yen On. Translated by Andrew Cunningham.

The Bofuri series does have a pretty good supporting cast, and I enjoy reading about them. That said, most people who picked this up are here for one reason and one reason alone, and that’s Maple breaking the game by doing awesome unpredictable shit. Good news, the 6th volume is here to help you. It definitely doesn’t hurt that this 6th book involves the 6th level of the game, which is entirely related to ghosts and the supernatural. As such, except for one disastrous attempt to get over her terror, Sally is pretty much absent, grinding on other floors so she can avoid being Shaggy in an episode of Scooby-Doo. This allows Maple to solo several events, or team up with Mii, or experiment with rewards in strange and brilliant ways. It’s the sort of thing that will look great animated if Season 2 ever happens, but that’s still sadly far in the future at this point.

We start by Maple getting her new favorite toy, which is a literal throne that she can sit on while attacks do nothing to her. (The downside being that she can’t use “evil” attacks while on it – i.e. most of her repertoire). She uses it a lot in the next stratum, which as noted above is one based around ghosts. Sally, who sees there are lots of cool things she could get if only she got over her fear, tries… and fails miserably. So Maple tries to get some nice rewards that she can give Sally, as well as some rewards that will specifically benefit her build. Finally, we get the Seventh Event, which fortunately does NOT involve ghosts, and so Maple wants to go old-school on it: only her and Sally vs. the toughest opponents.

A lot of the humor in this volume comes from the occasional times we cut back to the developers, who have either designed things to be anti-Maple that she proceeds to win out over by doing something bonkers, or else they’ve designed things that would be lethal difficulty for anyone else that Maple strolls through even though it wasn’t designed to get her interest at all. The rest of Maple Tree, of course, have simply given up on being surprised, with Chrome just sighing and helping Maple to control her ghostly hands that can wield other shields, etc. It helps that Maple’s not doing this for any reason other than “it’s fun”. She’s gotten better at thinking things through… just… but most of her gaming still seems to be “do whatever the hell I like”. This includes lunching with Mii, who can drop her roleplay facade around her, or fending off Frederica, who’s trying to duel Sally and wondering why she’s not on the 6th floor. Maple is simply too nice to get angry with.

This isn’t essential reading, and fans of the anime can probably wait for whenever it continues, but I still quite enjoy Bofuri. It’s a relaxing, quick read.

Walking My Second Path in Life, Vol. 3

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By Otaku de Neet and Kurodeko. Released in Japan as “Watashi wa Futatsume no Jinsei wo Aruku!” by SQEX Novels. Released in North America digitally by J-Novel Club. Translated by Andrew Schubauer.

Frequently we find that we, as readers, do not want what the author, as a writer, is writing. This is especially true as the series goes on. Any glance at AO3 fanfiction will see a graveyard of incredibly popular fanfics that got abandoned because the author got very angry at the source material. As such, I should not be annoyed that a romance novel turned out to end with a romance novel ending. But I am, a bit. It doesn’t help that even the author kind of realizes that this is the wrong move, with everyone second guessing the big reveal and wondering if it might have been better just to let Heath stay a squire after all. Oh yes, and there’s the fact that this book came out four years after the others and with a different publisher. We should probably be grateful we got anything at all, but what we got is… well, somewhat less than satisfying.

For those who may have forgotten what’s been happening, Heath is the disguised Princess Fie, training as a squire and hanging out with her buddies. There’s fighting! There’s circuses! But then, right as she is jumping through a hoop of REAL FIRE in an effort to create a circus of their own, the kingdom’s chancellor happens to be walking by… and recognizes her. That’s it, she’s toast. That said, at least she’s not exiled to the cottage of starvation any more, and everyone lines up to apologize to her, from the King to her sister (yes, we finally meet her sister). Unfortunately, there’s a slight problem, which is that Fie has been dating Queen, and now she can’t. This will require strategy, as well as a long think to try to figure out if she actually is in love.

This reminded me a bit of Bloom Into You as well, as we get a “will they make a character who doesn’t really get love or romance asexual?…no, they won’t” sort of vibe to it. That said, this mostly feels like a book trying to do too much. We get separate subplots explaining Fie’s sister (who is in love with a Prince from a different kingdom) and King Roy (who is trying to be a good king but his desire to completely avoid women has led to tremendous problems. But, again, the main issue is that this is the story of a woman who empowers herself and goes out to create her own life and career… and in the end finds that she can’t actually do that, so resolves to become a wife and mother. Queen gets to be a knight, though. It’s not that badly written, and Fie is still a great character to read about, but it feels like we made the wrong choice and got the bittersweet ending in a visual novel.

Perhaps this will inspire someone to write a fanfic where Heath isn’t caught and becomes a knight? Mmmmmm… probably not. But, again, authors should not call attention to the bad choices they’ve made by having other characters saying “maybe this was a bad choice”.

Slayers: The Demon Slayers!

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By Hajime Kanzaka and Rui Araizumi. Released in Japan by Fujimi Fantasia Bunko. Released in North America by J-Novel Club. Translated by Elizabeth Ellis.

And so, we come at last to the end of the Slayers novels. Well, not really. This volume came out in May 2000, and after 18 years, a new volume appeared in 2018, and another the year after that. But this book has a feel of “final” to it nevertheless, wrapping up the plot points from the second arc, bringing back a few familiar faces, and even throwing in a hint of romance that doesn’t really go anywhere (which is a step up from the series’ usual no romance at all). It has the usual strengths of the series – the fights are snappy and well-paced, Lina’s narration is fun – and the usual weaknesses – emotional depth from this author feels like he’s reading aloud from a piece of paper. Actually, the most interesting part may be one of the familiar faces. Slayers rarely goes back to look at its survivors, so seeing Rubia again was something of a surprise. Even if it feels like she’s just there to contrast with someone else. Which is true.

Lina and Gourry are finding that demons are popping up more and more often, and their attack patterns are very weird. Indeed, one of the demons seems to be … stopping the other demons from killing the two of them? Then Lina discovers that there’s a doppelganger of herself walking around, and all signs point to (for the third time) the doomed city of Sairaag as being the place to go. They’re helped here by… no, not Amelia and Zelgadis, they’re still absent, but Xellos does show up, and he is his usual self. Milgazia and Mephy are there as well. But the final battle between Lina, Gourry, and whatever it is that’s causing all this will have to be a lone one… if only as they’ve been transported to another dimension!

If you’ve been reading these books, the identity of the villain should not surprise you, and some decent effort is made to remind you of the hints from previous volumes. That said… this is a book which ends with an assisted suicide, with Lina seemingly devastated by having to be the one to do it, but again, it feels very emotionally weak. Rubia, as I noted above, was a surprise, but she’s meant to be there to show what happens when you’re able to let go and move on… even if the answer is “I’m still sad and there’s no one in my life, but I have a greenhouse now”. Possibly the biggest surprise in the book is at the end, where Gourry says he wants to go and meet Lina’s family, which is very much the equivalent of a proposal in this world. That said, it has to be undercut with him talking about wanting to taste the grapes her town is famous for, and sad trombone noises ensue.

Slayers is a series that is very much of the 1990s, and judging it by 2020 standards can seem harsh at times. It’s a classic 90s series in that it was exciting and funny and also made for a much better anime, when the emotional heft could be fleshed out and left to other writers. I wonder what the newer books feel like, with 18 years’ more experience between them? Perhaps we’ll see one day.