Voices of a Distant Star

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By Makoto Shinkai and Mizu Sahara. Released in Japan by Kodansha, serialized in the magazine Afternoon. Released in North America by Vertical Comics. Translated by Melissa Tanaka.

Of the various horrifying secrets I have, “has never seen a Makoto Shinkai anime” surely must rank among the largest. But it’s true. I’ve gradually stopped watching a lot of anime anyway, and what I do watch does not tend to fall into the introspective mode that Shinkai does so well. So, just like your name and The Garden of Words, I am coming into reading Voices of a Distant Star as someone unfamiliar with the original anime. Indeed, I never read the manga when it came out from Tokyopop back in 2006. But now I have read it and, as with most things Shinkai has been in charge of, I’m glad I did. The plot is slight, and the characters fairly easy to understand. but that’s because it’s going for a feeling that most of us know only too well, even if it’s couching it in the language of science fiction and time dilation.

We open on two middle school friends who clearly want to be more than friends. There’s just one problem. One of them has been chosen to go into space to help fight aliens, meaning they’ll be separated. But that’s OK – they have email! Unfortunately, this is a more realistic version of space travel, meaning that as time passes and the interstellar distances get longer, the communication gets leagues more difficult. Can their budding love stand the test of both time and space? Now, of course, what makes this even more interesting is that the pilot who’s been recruited is the girl, Mikako, and it’s her friend Noboru who’s staying behind on Earth, trying to live the live that she wanted to live and figure out what he wants to do next. Mikako gets a lot more to do, meeting fellow pilots, then losing them just as quickly, and also discovering the crushing loneliness that comes from a mission like this. Is this another Shinkai title with a bittersweet ending?

Well, no, it gets to be more sweet than bitter, though as you might expect the emphasis is on the ambiguity. In fact, from what I understand the manga actually made things clearer and more explicit (the manga seems to have expanded things a lot from the original anime, which was quite short). This is a one-volume manga, and it’s just the right length to let readers feel the ache of the story it’s telling without wallowing too much in it. The emotions are what we’re here for, adn they’re excellent. Noboru’s most stoic endurance cracking near the end, and Mikako’s love seemingly growing stronger the farther away from him she gets. I will admit that I wasn’t thrilled with the alien invasion subplot, which felt more like an excuse to put some action – any action – in a story that could just as easily have been about Mikako on a space exploration flight.

This is a quiet, emotionally devastating but ultimately uplifting story, and you really like the two kids even when they’re questioning themselves and their own feelings. It’s well worth the read.

Is It Wrong To Try To Pick Up Girls In A Dungeon? On The Side: Sword Oratoria, Vol. 5

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By Fujino Omori and Suzuhito Yasuda. Released in Japan as “Dungeon ni Deai o Motomeru no wa Machigatte Iru Darou ka? Gaiden – Sword Oratoria” by Softbank Creative. Released in North America by Yen On. Translated by Liv Sommerlot.

Jealousy tends to be pervasive in the DanMachi series. Some of it stems from people being jealous of Bell’s power and the time he took to achieve it – Aiz falls into this category best. But sometimes it’s simply “I am in love with this person and have not confessed but am simply pining for them, and how DARE they look at that other person and not me?”. It’s very common, very ugly, and very realistic. That said, authors who write it into their series almost always expect readers to be amused by the antics of the jealous person, and in reality I tend to find that the reader ends up thoroughly pissed off instead. I’m not just talking about others here – Hestia’s jealousy of anyone coming near Bell is one of her biggest faults, and I don’t like the author hammering on it. The same applies to Lefiya in this side series. Unfortunately, this volume has few fights and a lot of jealousy.

Most of this 5th volume of Sword Oratoria aligns with the 5th volume of the main series, meaning we’re on the 18th Floor and having a rest. Loki’s team is coming back from their attempt on the 59th floor from the last book; Bell and company are coming down from their own disastrous mission. Aiz takes something of a backseat here, though there is some interesting discussion of her background and possible origins now that the Loki team can use Bell as a walking Wikipedia, as he’s read and memorized the most detailed and unexpurgated version of the myths and legends they all know. There’s also an amusing reminder that most of the elves we’ve dealt with in this series are not your typical sort, and that the proud, haughty elf is meant to be the norm. And of course we get the “backside” to all the DanMachi scenes from Book 5, including Hestia’s arrival (though the Loki cast leaves before the rest of that book happens.)

But most of what the reader will focus on is Lefiya’s insane jealousy of Bell, which goes up to eleven in this book and also gets them into big trouble when she chases after him in such a rage that they both get lost in the middle of the vast floor forest. These scenes are meant to show Lefiya that Bell is not the evil lothario she might expect him to be – inde3ed, like Aiz, she’s started to boggle in disbelief at how skilled he has gotten in such a short time. They also do work together well when pressured to, and Lefiya is able to forego her jealousy in a crisis. Still, I’m going to be honest, Lefiya’s obsession with Aiz is bad for her character. I thin k the author knows this, which is why she’s playing up Lefiya’s relationship with Filvis as well, which is far healthier and more grounded in mutual admiration and respect.

I think this is overall a volume with more positives than negatives, and of course there is also development of Sword Oratoria’s main plot with the Evils. If you are a Danmachi reader who dislikes “girl is jealous of other girls getting along with her crush” stories, though, be advised this volume wallows in it.

Psycome: A Murderer and the Deadly Love Affair

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By Mizuki Mizushiro and Namanie. Released in Japan by Enterbrain. Released in North America by Yen On. Translated by Nicole Wilder.

The final volume of Psycome features something that previous volumes had been trying rather hard to avoid. For a series that starred a school full of teenage murderers, and innumerable theoretical murder attempts, there were very few actual murders among the cast members. That changes here, and while it’s not much of a spoiler to say that the main cast we’ve grown most familiar with are pretty safe, several of the antagonists we met in the athletic festival book meet a rather grisly end. It’s a good reminder of the basic premise of the series, something that Kyousuke and Ayaka need to accept: they are not here for the same reason as everyone else. They are not murderers. Nor is Eiri, our failed assassin, though she comes pretty close here. The rest of the students are, even Maina, whose murders may be accidental but they definitely exist. Kyousuke and Ayaka don’t belong here. And so we get the premise of this final volume, where they’re offered a battle in order to leave the school – get to the other end of the grounds while trying not to get killed.

We do finally meet Kyousuke and Ayaka’s parents in this volume. Honestly, they’re sort of exactly what I was expecting. I was more uncomfortable with the fact that they’re basically an older Kyousuke and Ayaka, only as husband and wife – Ayaka and Kyousuke’s brother/sister complexes have not been my favorite source of humor in this series, thank you very much. (Fortunately, by the end of the book, Ayaka at least seems to be moving on a bit.) Most of Kyousuke’s main “harem” is there to help him escape, even ones who seemingly are on the side of the school, like Shamaya, who is as foul-mouthed as ever. Maina’s big moment may seem a bit out of character, frankly, but it was nicely dramatic, though I wanted to see the fight itself. And then there’s Renko, who Kyousuke admits that he loves, and she loves him – but she wants to kill him, and he doesn’t love her enough that he’ll let her do this.

In the end, though, the winning girl is unsurprising, given Renko’s origins and basic personality. Eiri is a type, but it’s a good example of the type, and she’s grown up a bit in this series too – despite all of the yawning and tch-ing she does in this book, possibly a new record for her, she’s now able to admit her feelings, get her man, and also start a career as a supermodel almost without effort. Good for her. (I am less fond of the implied love between Kurumiya and Mohawk, which manages to combine about four different types of love affairs that make me uncomfortable. That said, it’s always been played for broad comedy, so even its “dramatic” ending made me laugh a bit.)

Sadly for fans who are always desperate for sex in their light novels, the book ends just before Kyousuke and Eiri consummate their love, though it’s implied. There’s also an implied observer of their covert love affair at the end, who the author admits might be Renko if readers want. Insert threesome fanfic here, I guess. There’s also a volume of short stories mentioned by the author that’s also coming out, though I suspect that may be in Japan only.

Psycome was always a surprise light novel license because it lacked other tie-ins – there’s no manga adaptation that I know of, and it never got an anime. Give the sheer amount of brutal, mostly comedic but sometimes serious violence scattered throughout the book, I can’t be surprised it stayed as a book series. But I’m pleased Yen picked it up. It grew on me book by book and I really came to enjoy the cast and their situation. The plot of this book echoes my point of view – it’s time to end it, but… it’s been really fun, hasn’t it?